[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-649717-105":59,"doc-detail-649717-en":130},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":123,"head_meta":125,"extra_data":127,"updated_unix":129},105,"en","drawings-catalogue-sir-edwin-lutyens","Drawings Catalogue - Sir Edwin Lutyens","","Catalogue compiled with late A.S.G. Butler’s original groupings and pencilled identifications, then checked and expanded through re-identification of drawings and added notes. The preface explains the collection’s emphasis on unexecuted projects and the insights these provide into Lutyens’s working methods, including thumbnail-to-realization practice and recurring design themes. It also highlights key source materials, especially RIBA correspondence boxes deposited on permanent loan in 1972, supporting future research and accurate reference.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":40,"@type":76,"position":81},"https://docshare.wps.com/document/research-report/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/drawings-catalogue-sir-edwin-lutyens/649717/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/drawings-catalogue-sir-edwin-lutyens/649717.png","ImageObject",300,407,{"name":92,"@type":93},"QWQ","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-25","2026-10-24",true,{"@type":102,"interactionType":103,"userInteractionCount":8},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"Who compiled the drawings catalogue, and what sources were used?","Question",{"text":112,"@type":113},"The catalogue was compiled by Margaret Richardson using A.S.G. Butler’s original groupings and pencilled identifications, supported by references including Butler’s architecture volume, Christopher Hussey’s biography, and RIBA Library resources.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"What is the main focus of the collection described in the preface?",{"text":117,"@type":113},"The collection is noted for the high percentage of unexecuted projects, described as remarkable and largely unknown, along with how these drawings reflect Lutyens’s working process.",{"name":119,"@type":110,"acceptedAnswer":120},"How were Butler’s and Hussey’s earlier volumes characterized in the preface?",{"text":121,"@type":113},"They are described as biased and often lacking in detail, with omissions about Lutyens’s pursuit of commissions, the full scope of schemes, and research into the whereabouts of his complete oeuvre.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},649717,1792899848,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":39,"category_name":40,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":8,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},962094510011,"https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d","Drawins Coluecho  \nEDWIN LUTYENS  \ncompiled by Margaret Richardson  \nGREGG INTERNATIONAL PUBLISHERS LIMITED  \nTHE SIR BANISTER FLETCHER LIBRARY,ROYAL INSTITUTE OF BRITISH ARCHITECTS  \nCopyright 1973 by Royal Institute of British ArchitectsAll rights reserved.No part of this publication may be reproduced,stored in a retrieval system,or transmitted,in any form or by anymeans,electronic,mechanical,photocopying,recording or otherwise,without the prior permission of Gregg International Publishers Ltd.  \nPublished 1973 by Gregg International Publishers Ltd.1 Westmead,Farnborough,Hants,England  \n0576159999(complete set)  \n0576155616(this volume)  \nDesigned and produced by Design for Print Ltd,London SW1Text printed in Hungary by Franklin Nyomda,BudapestPlates printed in Englandby Cotszold Collotype Co.Ltd,Wottom-ander-Edge  \n# Preface \n\nThis catalogue was compiled in 1963-64 by following the late A.S.G.Butler's original groupings andpencilled identifications on the drawings,and by backing this up with Butler's Tbe Arohiteczure of Sir EdvinLntyens,Christopher Hussey's Tbe Life of Sir Edvin Lutyens and the resources of the RIBA Library.Where itwas possible,I visited a building,but have not been able actually to compare the dcsigns with Lutyens'sschemes as executed in India,France and Spain.  \nNicholas Taylor has checked the typescript,rcidentified drawings and added many notes to the entries,andI am especially grateful to him.It soon became apparcnt,in working on Lutyens,that Butler's and Hussey'svolumes were biased and often lacking in detail:Butler in his stress on the classical schemes,Hussey in hisromanticized account of Lutyens's life and carecr,which left out a good deal of information about his clients.Both fail to emphasize Lutyens's frantic chase for 'the job'and to itemize the cnormous number of schemcsundertaken-both projected and executed.This was partly due to the fact that both books were written bctorethe Lutyens drawings were sorted at the RIBA and the unexecuted projects discovered;but also becausethere was no attempt really made to research the whereabouts and compile a list of Lutyens's complete oeure(Butler fails to mention a considerable number even in his chronological list of Lutyens's work in Vol.I ofThe Arcbitecture).Nicholas Taylor has done this,and it is to be hoped that his work will provide a completereassessment of Lutyens and a fully accurate source of reference for this catalogue.  \nThe primary interest of this collection lics in thc high percentage of unexecuted projects -all remarkableand completely unknown.For example,the Edward VII memorial;London University;the war shrine in HydePark;Dclhi cathedral and residences for Maharajas in Delhi;Dublin Art Gallery(taking the form of aPalladian bridge over the Lifey);the Harriman residence near New York(his first great monumental scheme,1903);the Frognal Presbyterian church competition(Byzantine);variations for the memorials at Arras andThiepval;the garden village projects for Rossall Beach,1901,and the Basildon Community,1917(the formera precursor of Hampstead Garden Suburb);and one of his last schemes-a proposed narthex for WestminsterAbbey,1942.What the collection also shows is Lutyens's manner of working:how often a building wasrealized from the start in a small thumbnail perspective.There are hundreds of these at the RIBA,all on thesame sized squared paper,conveniently watermarked.  \nAnother main source for Lutyens,the thirty-six boxes of correspondance between Sir Edwin and LadyEmily covering his career from 1896 to 1943,was deposited at the R1BA on permanent loan in 1972 byMrs Clare Ridley.This will prove of invaluable help to anyone working on Lutyens in the future.  \nI would finally like to thank Prunella Fraser,Eileen Harris and Alexandra Wedgwood,who all worked on thecatalogue in its carly stages,and A.S.Gray,who most kindly made many corrections at proof stage.The debt toAndrew Butler is,I hope,fully conveyed in the Provenance.  \nMARGARET RICHARDS","cbCaia2hDC4ZBqFJ","https://ap.wps.com/l/cbCaia2hDC4ZBqFJ","pdf",37108752,134,"English","# Preface","[{\"question\":\"Who compiled the drawings catalogue, and what sources were used?\",\"answer\":\"The catalogue was compiled by Margaret Richardson using A.S.G. Butler’s original groupings and pencilled identifications, supported by references including Butler’s architecture volume, Christopher Hussey’s biography, and RIBA Library resources.\"},{\"question\":\"What is the main focus of the collection described in the preface?\",\"answer\":\"The collection is noted for the high percentage of unexecuted projects, described as remarkable and largely unknown, along with how these drawings reflect Lutyens’s working process.\"},{\"question\":\"How were Butler’s and Hussey’s earlier volumes characterized in the preface?\",\"answer\":\"They are described as biased and often lacking in detail, with omissions about Lutyens’s pursuit of commissions, the full scope of schemes, and research into the whereabouts of his complete oeuvre.\"}]","Drawings Catalogue - Sir Edwin Lutyens | PDF",1792804478,338]