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Using Nelson Goodman’s allographic versus autographic distinction as the core framework, the paper clarifies notation, score-like representation, diagrammatic and model-based practices, and the specific status of architectural drawings within digital (re)production. It also addresses objections and proposes responses.",{"@graph":69,"@context":121},[70,84,104],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":40,"@type":76,"position":81},"https://docshare.wps.com/document/research-report/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/drawing-and-building-the-mixed-case-of-architecture/649660/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":98,"encodingFormat":97,"isAccessibleForFree":99,"interactionStatistic":100},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/drawing-and-building-the-mixed-case-of-architecture/649660.png","ImageObject",300,407,{"name":92,"@type":93},"lilac","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-24",true,{"@type":101,"interactionType":102,"userInteractionCount":4},"InteractionCounter",{"@type":103},"ViewAction",{"@type":105,"mainEntity":106},"FAQPage",[107,113,117],{"name":108,"@type":109,"acceptedAnswer":110},"What is the central relationship examined in the paper?","Question",{"text":111,"@type":112},"The paper examines the codified relationship between drawing and building in architectural discipline and practice, asking what the relationship’s nature actually is.","Answer",{"name":114,"@type":109,"acceptedAnswer":115},"How does Goodman’s distinction help analyze architecture?",{"text":116,"@type":112},"It uses Goodman’s concepts of allographic and autographic practices to clarify how architecture and its representations resist easy classification and how authenticity changes across art forms.",{"name":118,"@type":109,"acceptedAnswer":119},"What role does digital (re)production play in the argument?",{"text":120,"@type":112},"The paper extends the parallels to photography and examines how drawing and building operate in the digital age, tying this to debates about mechanically reproduced artforms.","https://schema.org",{"og:url":83,"og:type":123,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":125,"canonical":83},"index,follow",{"doc_id":127,"site_id":62},649660,1792803370,{"code":4,"msg":5,"data":130},{"doc_id":127,"user_id":131,"nickname":92,"user_avatar":132,"doc_module":4,"category_id":39,"category_name":40,"doc_title":65,"doc_description":67,"doc_content":133,"file_id":134,"file_url":135,"file_type":136,"file_size":137,"view_count":4,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":138,"language":139,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":140,"faqs":141,"seo_title":142,"seo_description":67,"update_tm":128,"read_time":143},3985747861865,"https://ap-avatar.wpscdn.com/davatar_29158cc5080c5b710cf443261637dec0","Drawing and building. The mixed case of architecture  \nABSTRACT p. 1  \nI. THE MIXED CASE OF ARCHITECTURE p. 2  \n1.1. Allographic and autographic practices. The role of notation.  \n1.2 Score, sketch, script and digital-analog modes of representation  \n1.3 Diagrams and models  \nII. DRAWING AND BUILDING p. 9  \n2.1 Is drawing to building like score is to music?  \n2.2 Architecture as allographic  \n2.3 Architecture and pictorial practices  \nIII. ARCHITECTURE IN THE AGE OF DIGITAL (RE) PRODUCTION p. 18  \n3.1 Architectural representation and photography  \n3.2 Drawing and building in the digital age  \n3.3 Objections to claim and response  \nCONCLUDING REMARKS p. 24  \nREFERENCES p. 25  \nILLUSTRATIONS p. 26  \nNSSR Philosophy Department | Final paper Fall 2017 | Art in the Age of Mechanical Reproduction | Prof. Zed Adams  \nABSTRACT  \nIn the discipline and practice of architecture, there is a codified relationship between drawing and building. But what is the nature of this relationship? While there are some similarities between architectural representation and pictorial representation, the relationship drawing to building does not seem to be one that relies on resemblance, or ontological identity as some would claim photography does with the object being photographed. Nor is it entirely abstract or notational like music, which holds no resemblance at all between the score and the musical outcome of the score being performed. The case of architecture seems to be different from that of music and different from other visual practices such as photography, painting and sculpture.  \nDrawing primarily from readings by Nelson Goodman’s Languages ofArt, this paper aims to consider the mixed case of architecture. The distinction between allographic and autographic practices made by Goodman will be the starting point to further delve into the particular and difficult-toclassify condition of architecture and architectural representation, as well as its relationship to the digital and analogue. More importantly, it will allow an initial opening into the relationship and interaction between drawing and building.  \nIn the first part of the paper I will introduce the main terminology from Goodman’s work in order to tackle, in part two, how these considerations might shed some light onto the mixed case of architecture and the relationship between the built and the drawings that make it possible. Here I will consider the relationships with the paradigmatic case of allographic arts, music, and autographic artforms, painting. In part three, I will extend the parallels to photography and touch on how architecture’s particular relationship between drawing and building tie into the debate of mechanically reproduced artforms, by considering digital production. Lastly, I will consider how the assumptions made in the paper’s main thesis might be objected upon, and possible responses to such objections.  \nNSSR Philosophy Department | Final paper Fall 2017 | Art in the Age of Mechanical Reproduction | Prof. Zed Adams  \nI. THE MIXED CASE OF ARCHITECTURE  \n1.1. Allographic and autographic practices. The role of notation.  \nThe distinction made by philosopher Nelson Goodman in his seminal work Languages ofArt between practices understood as being autographic versus those that are allographic is of particular interest when tackling architecture, understood as an artistic practice.1 According to Goodman, autographic arts are those that rely on the direct contact of the author with the artwork for its authenticity. This is the case of some visual arts such as painting and sculpture, where the uniqueness of the art piece is important as is the knowledge of its history and particular conditions of production. Any reproduction of a work of art from the autographic group would be considered a replica or copy, and thus not authentic. The distinction between an original and a forgery only really make sense in autographic arts, where it is indeed critical for the painting by Remb","cbCainErh045Hsw1","https://ap.wps.com/l/cbCainErh045Hsw1","pdf",727595,27,"English","# ABSTRACT\n## I. THE MIXED CASE OF ARCHITECTURE\n## II. DRAWING AND BUILDING\n## III. ARCHITECTURE IN THE AGE OF DIGITAL (RE) PRODUCTION\n## CONCLUDING REMARKS","[{\"question\":\"What is the central relationship examined in the paper?\",\"answer\":\"The paper examines the codified relationship between drawing and building in architectural discipline and practice, asking what the relationship’s nature actually is.\"},{\"question\":\"How does Goodman’s distinction help analyze architecture?\",\"answer\":\"It uses Goodman’s concepts of allographic and autographic practices to clarify how architecture and its representations resist easy classification and how authenticity changes across art forms.\"},{\"question\":\"What role does digital (re)production play in the argument?\",\"answer\":\"The paper extends the parallels to photography and examines how drawing and building operate in the digital age, tying this to debates about mechanically reproduced artforms.\"}]","Drawing and building - The mixed case of architecture | PDF",68]