[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-318490-105":59,"doc-detail-318490-en":130},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":123,"head_meta":125,"extra_data":127,"updated_unix":129},105,"en","drama-from-ibsen-to-brecht-extensively-revised-and-largely-expanded-edition","Drama from Ibsen to Brecht - Extensively Revised and largely expanded Edition","","Fully revised and largely expanded successor to Raymond Williams’s Dramа from Ibsen to Eliot (1952), arguing that drama’s purpose cannot be met by texts treated only as outlines to be completed by acting, production, and décor. The book criticizes naturalistic theatre for failing to replace the theatre’s traditional language of poetry. It examines major playwrights through this lens and adds new studies, including Brecht, Beckett, and multiple British dramatists, while emphasizing acting, production, and stage conventions.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/drama-from-ibsen-to-brecht-extensively-revised-and-largely-expanded-edition/318490/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/drama-from-ibsen-to-brecht-extensively-revised-and-largely-expanded-edition/318490.png","ImageObject",300,407,{"name":92,"@type":93},"Hazel","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-09-22","2026-09-20",true,{"@type":102,"interactionType":103,"userInteractionCount":14},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What central argument does the book make about drama?","Question",{"text":112,"@type":113},"It argues that drama must be more than an outline filled in by acting, production, and décor; plays are meant to be acted, but their text must still fully support the scope of drama.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Why does the book criticize naturalistic theatre?",{"text":117,"@type":113},"It criticizes naturalistic theatre because its devices are not adequate substitutes for the traditional language of theatre: poetry.",{"name":119,"@type":110,"acceptedAnswer":120},"Which playwrights are discussed in the revised edition?",{"text":121,"@type":113},"The book examines Ibsen from the stated point of view and provides chapters on Strindberg, Chekhov, Shaw, Pirandello, Synge, and poetic dramatists such as Yeats, Eliot, Auden, Isherwood, and Christopher Fry, with added studies of Brecht, Beckett, and others.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},318490,1790086161,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":14,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},137441390410,"https://ap-avatar.wpscdn.com/avatar/2000252f4ab5702993?_k=1776741390130283984","MARIN COUNTY FREE LIBRARY31111003924014  \nKAMAfrom  \nIBSENtoBRECHT  \nA New  \n# Extensively Revised and largely expanded Edition ofDRAMA FROM IBSEN TO ELIOT\n\nRaymondWilliams  \nFellow of Jesus College,Cambridge  \nTHIs book is a fully revised and largely expandedsuccessor to Mr Williams's widely read Dramafrom Ibsen to Eliot(I952).In it he argues thatalthough plays are meant to be acted,any playin which the text is no more than an outline,tobe filled in by acting,production and décor,must fall short of the purpose and full scope ofdrama.The naturalistic theatre is criticised be-cause in spite of some great achievements,thedevices it makes use of to express the depths ofhuman experience are never really adequate sub-stitutes for thetraditionallanguage ofthe theatre:poetry.Ibsen is examined from this point ofview,and we are given chapters on Strindberg,Chekhov,Shaw,Pirandello,Synge,as well ason the poetic dramatists,Yeats,Eliot,Auden andIsherwood,and Christopher Fry.For this re-vised edition new studies of Brecht,Beckett,O'Neill,Miller,Lorca,O'Casey,Büchner,andBritish dramatists such as Whiting,Arden,Pinterand Osborne,are included.  \nRaymond Williams is no study-theorist:he iscareful always to relate drama to the kind oftheatre for which the dramatist was writing;andhe has many pertinent observations to make onthe acting and production of plays,on stage lan-guage and stage conventions.But perhaps hisbook's greatest virtue is that it makes us re-consider the aims and essential values of drama,and provides us with some objective standardsby which tojudge the theatre of our own day.  \n$6.50  \n70010266  \nRETURN T0 CENTRAL  \n176  \nF  \nDATE DUE  \nNDV  \n\n| JAN 031990   |  |  |\n| --- | --- | --- |\n| 以h   |  |  |\n| APR30199   |  |  |\n| JUL  07198   |  |  |\n|  |  |  |\n| MAR 091999   |  |  |\n|  |  |  |\n|  |  |  |\n|  |  |  |\n|  |  |  |\n|  |  |  |\n|  |  |  |\n|  |  |  |\n|  |  |  |\n|  |  |  |\n|  |  |  |\n\nAP'NOVMθV  \nM  \nN  \n7001C266  \n809.2Williams,Raymond  \nDrama,from Ibsen to Brecht.Rev.andexpanded.Oxford Univ.Press,1969.  \n352p.  \nSetRais21,Ca.frnia  \nBased on the author's Drama from Ibsen toEliot.  \nBibliographical references included innotes.  \n1.Drama -19th cent.-Hist.&crit.  \n2.Drama -20thcent.-Hist.&crit.  \n## I.Title\n\nMarin County Fre Library  \nCivic Cents Adninidrstion Building  \n## DRAMA FROM IBSEN TO BRECHT\n\n*  \nDRAMA FROM IBSEN TO ELIOTCULTURE AND soCIETYTHE LONG REVOLUTIONMODERN TRAGEDYCOMMUNICATIONS  \nNovels  \n## BORDER COUNTRYSECOND GENERATION\n\n# DRAMAFrom Ibsen to Brecht\n\nRaymond Williams  \nNEW YORK  \nOXFORD UNIVERSITY PRESS  \nI969  \n⑥Raymond Williams I952 and 1968  \nPrinted in Great Britain  \nFor  \nJOY","cbCaiarSTPtz7gmL","https://ap.wps.com/l/cbCaiarSTPtz7gmL","pdf",49397746,360,"English","# I. Title\n# DRAMA FROM IBSEN TO BRECHT\n# DRAMA FROM IBSEN TO ELIOT","[{\"question\":\"What central argument does the book make about drama?\",\"answer\":\"It argues that drama must be more than an outline filled in by acting, production, and décor; plays are meant to be acted, but their text must still fully support the scope of drama.\"},{\"question\":\"Why does the book criticize naturalistic theatre?\",\"answer\":\"It criticizes naturalistic theatre because its devices are not adequate substitutes for the traditional language of theatre: poetry.\"},{\"question\":\"Which playwrights are discussed in the revised edition?\",\"answer\":\"The book examines Ibsen from the stated point of view and provides chapters on Strindberg, Chekhov, Shaw, Pirandello, Synge, and poetic dramatists such as Yeats, Eliot, Auden, Isherwood, and Christopher Fry, with added studies of Brecht, Beckett, and others.\"}]","Drama from Ibsen to Brecht - Extensively Revised and largely expanded Edition | PDF",1789940484,554]