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Across sections such as “Trying to Talk with a Man” and “When We Dead Awaken,” the poems examine anger, rape, memory, confinement, and transformation, pairing epigraphs with urgent voice. The text moves between mythic reflection and stark reportage, turning personal relations into ethical inquiry.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/diving-into-the-wreck-poems-1971-1972-adrienne-rich/504133/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/diving-into-the-wreck-poems-1971-1972-adrienne-rich/504133.png","ImageObject",300,407,{"name":92,"@type":93},"Jake","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-20","2026-10-03",true,{"@type":102,"interactionType":103,"userInteractionCount":34},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What themes recur in “Diving into the Wreck” (1971–1972)?","Question",{"text":112,"@type":113},"The collection repeatedly addresses how wider public forces shape private life, alongside experiences of danger, anger, memory, confinement, and survival.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Which sections are listed under the collection’s Contents?",{"text":117,"@type":113},"The contents show numbered parts I through IV, with multiple poem titles grouped within part I.",{"name":119,"@type":110,"acceptedAnswer":120},"What poems are included in the opening section (Part I)?",{"text":121,"@type":113},"Part I includes titles such as “Trying to Talk with a Man,” “Waking in the Dark,” “After Twenty Years,” “The Mirror in Which Two Are Seen As One,” “The Stranger Song,” and “Diving into the Wreck,” among others listed in the contents.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},504133,1791158436,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":34,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},962084928904,"https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d","DIVING INTO THE WRECK  \nPOEMS 1971–1972  \nADRIENNE RICH  \nAdjusting type size may change line breaks. Landscape mode may help  \nto preserve line breaks.  \nCONTENTS  \nI  \nTrying to Talk with a Man When We Dead Awaken Waking in the Dark Incipience  \nAfter Twenty Years  \nThe Mirror in Which Two Are Seen As One From the Prison House  \nThe Stranger Song Dialogue  \nDiving into the Wreck  \nII  \nThe Phenomenology of Anger  \nIII  \nMerced APrimary Ground Translations Living in the Cave  \nThe Ninth Symphony of Beethoven Understood At LastAs a Sexual Message  \nRape  \nBurning Oneself In  \nBurning Oneself Out For a Sister  \nFor the Dead From a Survivor August  \nIV  \nMeditations for a Savage Child  \nDIVING INTO THE WRECK  \nI  \nPerhaps my life is nothing but an image of this kind;perhaps I am doomed to retrace my steps under the illusion that I am exploring, doomed to try and learn what I should simply recognize, learning a merefraction ofwhatI have forgotten.  \n—André Breton, Nadja  \nThere is no private life which is not determined by a wider public life.  \n—George Eliot  \nTRYING TO TALK WITHA MAN  \nOut in this desert we are testing bombs,  \nthat’s why we came here.  \nSometimes I feel an underground river forcing its way between deformed cliffs an acute angle of understanding moving itself like a locus of the sun into this condemned scenery.  \nWhat we’ve had to give up to get here—whole LP collections, films we starred in playing in the neighborhoods, bakery windows full of dry, chocolate-filled Jewish cookies, the language of love-letters, of suicide notes, afternoons on the riverbank  \npretending to be children  \nComing out to this desert we meant to change the face of driving among dull green succulents walking at noon in the ghost town surrounded by a silence  \nthat sounds like the silence of the place except that it came with us  \nand is familiar  \nand everything we were saying until now was an effort to blot it out—  \nComing out here we are up against it  \nOut here I feel more helpless with you than without you You mention the danger and list the equipment  \nwe talk of people caring for each other in emergencies—laceration, thirst—but you look at me like an emergency  \nYour dry heat feels like power  \nyour eyes are stars of a different magnitude they reflect lights that spell out: EXIT when you get up and pace the floor  \ntalking of the danger  \nas ifit were not ourselves  \nas if we were testing anything else.  \n1971  \nWHEN WE DEAD AWAKEN  \n(FOR E. Y.)  \n1. Trying to tell you how the anatomy of the park through stained panes, the way guerrillas are advancing through minefields, the trash burning endlessly in the dump  \nto return to heaven like a stain—everything outside our skins is an image of this affliction:  \nstones on my table, carried by hand  \nfrom scenes I trusted  \nsouvenirs ofwhat I once described  \nas happiness  \neverything outside my skin  \nspeaks ofthe fault that sends me limping even the scars of my decisions  \neven the sunblaze in the mica-vein  \neven you, fellow-creature, sister, sitting across from me, dark with love, working like me to pick apart  \nworking with me to remake  \nthis trailing knitted thing, this cloth of darkness, this woman’s garment, trying to save the skein.","cbCaiuL78UdHEzWm","https://ap.wps.com/l/cbCaiuL78UdHEzWm","pdf",704826,71,"English","# Contents\n## I\n## II\n## III\n## IV","[{\"question\":\"What themes recur in “Diving into the Wreck” (1971–1972)?\",\"answer\":\"The collection repeatedly addresses how wider public forces shape private life, alongside experiences of danger, anger, memory, confinement, and survival.\"},{\"question\":\"Which sections are listed under the collection’s Contents?\",\"answer\":\"The contents show numbered parts I through IV, with multiple poem titles grouped within part I.\"},{\"question\":\"What poems are included in the opening section (Part I)?\",\"answer\":\"Part I includes titles such as “Trying to Talk with a Man,” “Waking in the Dark,” “After Twenty Years,” “The Mirror in Which Two Are Seen As One,” “The Stranger Song,” and “Diving into the Wreck,” among others listed in the contents.\"}]","Diving into the Wreck - Poems 1971-1972 - Adrienne Rich | PDF",1791064338,109]