[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-117669-en":3,"doc-seo-117669-105":29,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":11,"is_deleted":4,"is_public":11,"is_downloadable":11,"audit_status":11,"page_count":20,"language":21,"language_code":22,"site_id":23,"html_lang":22,"table_of_contents":24,"faqs":25,"seo_title":26,"seo_description":14,"update_tm":27,"read_time":28},117669,1374391974585,"Genevieve","https://ap-avatar.wpscdn.com/davatar_276721f389ce27ea32af1340a28f341c",1,"Story & Novel","Distorted Perceptions - Lanton Legacy - Book 2 - Prologue","Distorted Perceptions - Lanton Legacy - Book 2 opens with a tense prologue in which Roman watches Hana through hacked surveillance, only to find every camera and tracker suddenly disabled and Hana seemingly vanished. As panic turns into fury, a tense message exchange with Mr L reveals boundaries being crossed—from surveillance to stalking—and the moral and legal consequences that follow. The opening chapter sets a dark romance tone shaped by obsession, secrecy, and escalating danger, including kidnapping and violence hinted in the author’s advance content notes.","DISTORTED PERCEPTIONS  \nLANTON LEGACY  \nBOOK 2  \nESME TAYLOR  \nOCEANOFPDF. COM  \nCONTENTS  \nPrologue  \n1. Roman  \n2. Hana  \n3. Roman  \n4. Hana  \n5. Roman  \n6. Roman  \n7. Hana  \n8. Roman  \n9. Hana  \n10. Roman  \n11. Hana  \n12. Roman  \n13. Hana  \n14. Roman  \n15. Hana  \n16. Roman  \n17. Hana  \n18. Roman  \n19. Hana  \n20. Roman  \n21. Hana  \n22. Roman  \n23. Hana  \n24. Roman  \n25. Hana  \n26. Roman  \n27. Hana  \n28. Roman  \n29. Hana  \n30. Hana  \n31. Roman  \n32. Roman  \n33. Roman  \n34. Roman  \n35. Roman  \n36. Hana  \n37. Roman  \n38. Hana  \n39. Roman  \n40. Roman  \n41. Roman  \n42. Hana  \n43. Roman  \n44. Hana  \n45. Roman  \n46. Hana  \n47. Roman  \n48. Hana  \n49. Roman  \n50. Hana  \n51. Roman  \n52. Roman  \n53. Hana  \n54. Roman  \n55. Hana  \n56. Roman  \n57. Hana  \n58. Roman  \n59. Hana  \n60. Roman  \n61. Hana  \n62. Hana  \n63. Roman  \n64. Hana  \n65. Hana  \n66. Roman Epilogue  \nNot ready to leave Roman and Hana yet?  \nAcknowledgments  \nAlso by Esme Taylor  \nAbout the Author  \n[OceanofPDF.com](OceanofPDF.com)  \nCopyright © 2026 by Esme Taylor All rights reserved.  \nThis book is a work of ﬁction. Characters, names, organisations, places, events, and incidents are the product of the author's imagination, and any resemblance to an actual person, living or dead, is entirely coincidental.  \nNo part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the author, except for the use of brief quotations in a book review. No part of this book was produced using AI or can be used to inform or train generative AI.  \nAI has not been used to create any part of this book.  \nEditing: Sarah @ Word Emporium  \nImages: Shutterstock  \n[Cover design: vickinicolson.com](Cover design: vickinicolson.com)  \n Formatted with Vellum  \n[OceanofPDF.com](OceanofPDF.com)  \nFor my Wednesday wafﬂe queens.  \nI don’t have words for how important you are to me, so I wrote you this dedication. You might have preferred a shirtless man or cash, but this will  \nhave to do!  \nThank you for making author life so much more fun.  \n[OceanofPDF.com](OceanofPDF.com)  \nBEFORE YOU START  \nYou can ﬁnd a full list of trigger warnings over on my website [www.esmetaylor.co.uk/TW](www.esmetaylor.co.uk/TW), but just to note, the MMC in this book is a stalker. He does things that are rather unhinged. This is not real life—I don’t condone stalking, but I do write dark romance where it happens.  \nEqually, our FMC also does some questionable things. The red ﬂags are ﬂying, but these two morally grey characters are loving it. If it’s not your thing, please don’t read on. If you have questions about the content of the book, please reach out to me at [hello@esmetaylor.co.uk](hello@esmetaylor.co.uk)  \nIn this book, there is kidnapping, breaking and entering, excessive force to save someone from a storm, feral spice, murder, and a peen tattoo that might have you a little hot under the collar. If this doesn’t sound like a bit of you, then I won’t be offended if you stop here, but if you’re rubbing your hands together, then let’s dive in.  \n[OceanofPDF.com](OceanofPDF.com)  \nPROLOGUE  \nROMAN  \n“SHE CAN’T JUST HAVE VANISHED.”  \nI stared at the monitors that ﬁlled the wall opposite my desk and cursed as I ran my ﬁngers through my short hair. Every single camera I usually used had been disconnected, and the only one I could hack into was the street camera across the road from the restaurant; the same restaurant that now had a large handwritten sign in the window that read,‘closed until further notice’.  \nFuriously keying in some code, I tried to re-establish the connections, but they were gone. As if someone had removed the cameras completely, which was impossible because that would mean someone knew they were there, and I was far too good at my job to let that happen.  \nI tried the tracker on her car and then the one on her phone, but they weren’t working either.  \n“Fucker,” I roared before opening up my s","cbCaimttnjdPcvGA","https://ap.wps.com/l/cbCaimttnjdPcvGA","pdf",2994521,280,"English","en",105,"# Contents\n## Prologue\n## Roman\n## Hana\n## Epilogue\n## Acknowledgments","[{\"question\":\"What triggers Roman’s immediate crisis at the start of the prologue?\",\"answer\":\"Roman discovers that the surveillance cameras and trackers he relies on have been disconnected or disabled, and Hana appears to have vanished.\"},{\"question\":\"What does Mr L say has happened beyond normal surveillance?\",\"answer\":\"Mr L tells Roman that it has “gone too far,” reframing Roman’s behavior from surveillance into stalking and warning that it will bring serious trouble.\"},{\"question\":\"How does the prologue frame the conflict between the characters?\",\"answer\":\"The prologue centers on Roman’s insistence on finding Hana and his sense of obsession, while Mr L pushes back, emphasizing danger, boundaries, and the need to stop watching.\"}]","Distorted Perceptions - 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