[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-145266-en":3,"doc-seo-145266-105":31,"detail-sidebar-cat-0-en-105":92},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":28,"seo_description":14,"update_tm":29,"read_time":30},145266,962084926284,"Aria Callaghan","https://ap-avatar.wpscdn.com/davatar_29158cc5080c5b710cf443261637dec0",2,"Literature","DIGIMAG the digicult’s project journal - Issue 78 - Spring 2018","DIGIMAG the digicult’s project journal issue 78 (Spring 2018) presents an interdisciplinary focus on digital writing and narrative practices shaped by contemporary technological and scientific developments. Guided by an international editorial network, the manifesto frames digital literature through new structures, creative and receptive approaches, and the growing immersive, participative, transmedia dimension of storytelling. The journal also documents digital art practices and research perspectives across interactive, locative, and webcomic formats.","|  |\n| --- |\n| \u003Cbr>78\u003Cbr>ISSN: 2037-2256 n° 78 | year XII Spring 2018 Euro 0,00 |\n|  |\n\n DIGIMAG the digicult’s project journal | n° 77 year XII | winter 2018  \nDIGIMAG  \nIssue 78 / Spring 2018  \nCURATED BY  \nMarco Mancuso, Silvia Bertolotti  \nEDITING  \nMarco Mancuso  \nDIGITAL PUBLISHING  \nLoretta Borrelli  \nCOVER  \nSemiconductor, Acousticity (2008)  \nCONTRIBUTING AUTHORS  \nAndy Campbell, Paolo Cirio, Daniele Giampà, Reham Hosny, Annette Hunnekens, Alessandra Ioalè, Vanessa Santos, Dominika Sobolewska  \nPUBLISHER  \nDigicult-Digital Art, Design & Culture  \nLargo Murani 4, Milano Editorial Press registered at Milan Court, number N°240 of 10/04/06 .  \nISSN Code: 2037-2256  \nLICENSES  \nCreative Commons, Attribution-NonCommercial NoDerivs Creative Commons 2.5  \nItaly (CC BY-NC-ND 2.5)  \nPRINTED AND DISTRIBUTED BY  \nDIGICULT EDITIONS  \nISBN: 978-1-291-38203-7  \nDIGIMAG the digicult’s project journal | n° 77 | year XII | winter 2018 2  \nTable of Contents  \nStories within a digital world: then and now  \n6. Annette Huennekens  \nGoogle maps, gGoogle earth and Google art. When software limits become strengths in online art practice  \n15. Alessandra Ioalè  \nThanner Kuhai.‘The water cave’ -a vr poetry experience 20. Andy Campbell, Shanmugapriya, Nirmala Menon  \nNarrative experiences in locative art  \n27. Vanessa Santos  \nInteractive Webcomics  \n39. Daniele Giampà  \nTransdisciplinarity: new trend in art, science and technology  \n50. Dominika Sobolewska  \nRecombinant Fiction  \n61. Paolo Cirio  \nRoots and Shoots: precursors and development of electronic literature in the arabic and english contexts  \n68. Reham Hosny  \n DIGIMAG the digicult’s project journal | n° 77 | year XII | winter 2018 3  \nMANIFESTO  \nSince 2005, Digicult is one of the main online platform that examines the impact of digital technologies and science on art, design, culture and contemporary society. Based on an international Network of critics, curators, artists, designers, professors, researchers, journalists, media center, galleries and festival, Digicult is an editorial project that daily publish news, informations, articles, interviews, reports and even essays, artists’ book and the Digimag Journal through its online publishing service Digicult Editions.  \nDigimag Journal is an interdisciplinary online publication seeking high-standard articles and reviews that focus on the impact of the last technological and scientific developments on art, design, communication and creativity. Following the former Digimag Magazine (72 issues in 7 years), it is based on international call for papers on given subjects and provides readers with comprehensive accounts of the latest advancements in the international digital art and culture scene.  \nDigimag was born as a monthly magazine and published 72 issues in over 7 years. It provided readers with comprehensive accounts of the latest advancements in the international digital art scene and culture. The magazine evolved year after year, issue after issue, morphing into a hybrid instrument able to reflect the complexity of contemporary artistic and cultural production. It quickly became a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, contemporary art galleries, digital art festivals and hacktivist networks.  \nDigicult Editions is the publishing initiative of the Digicult project, whose goal is to be active in the publication of the Digimag Journal, but also critical and theoretical books and essays commissioned to international authors, university thesis of special interest, publications edited in collaboration with other national and international publishers, conference proceedings and classes materials connected to educational activities, as well as peer-reviewed publications with institutional partners.  \nDigicult Edition uses all the tools of a contemporary digital publishing: the print on demand (POD) appr","cbCaio4Dog3RsWHY","https://ap.wps.com/l/cbCaio4Dog3RsWHY","pdf",42417935,6,1,83,"English","en",105,"# Manifesto\n## Overworlds and New Narratives\n# Table of Contents\n## Stories within a digital world: then and now\n## Google maps, gGoogle earth and Google art. When software limits become strengths in online art practice\n## Thanner Kuhai. 'The water cave' - a vr poetry experience\n## Narrative experiences in locative art\n## Interactive Webcomics\n## Transdisciplinarity: new trend in art, science and technology\n## Recombinant Fiction\n## Roots and Shoots: precursors and development of electronic literature in the arabic and english contexts","[{\"question\":\"What editorial focus does the manifesto describe for this issue of DIGIMAG?\",\"answer\":\"It examines how recent technological and scientific developments influence art, design, communication, and creativity, especially within digital writing and digital literature.\"},{\"question\":\"How does the document define digital storytelling in relation to technology?\",\"answer\":\"It highlights increased immersion and audience participation, where environments evolve into complex transmedia scenarios influenced by media technologies.\"},{\"question\":\"Which example projects are cited to illustrate interactive or immersive narrative approaches?\",\"answer\":\"The text references experiments related to Google Arts \\u0026 Culture, multimedia storytelling by Blast Theory, and applications of virtual and augmented reality to narrative spaces.\"}]","DIGIMAG the digicult’s project journal - 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