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The preface highlights photography as a vital, provocative medium for image-making and self-expression, introducing 65 “photoworks” that reflect increasing freedom, experimentation, and innovation. It credits contributors, artists, and galleries who lent works, and recognizes specific individuals for guidance, curatorial assistance, and an introductory catalogue essay. The director’s statement also contextualizes photography’s origins and ongoing debates between art and 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does the exhibition celebrate?","Question",{"text":112,"@type":113},"The exhibition celebrates photography’s 150th anniversary, emphasizing the medium’s vitality and potential for image-making and self-expression.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"How many “photoworks” are presented, and what do they represent?",{"text":117,"@type":113},"The text mentions sixty-five “photoworks,” describing them as collectively and individually moving toward greater freedom of expression, experimentation, and innovation.",{"name":119,"@type":110,"acceptedAnswer":120},"Who is credited in the acknowledgments?",{"text":121,"@type":113},"The acknowledgments thank Edmund Yankov for curatorial assistance and Frank Del Deo and Simon Watney for support and an introductory essay, along with the gallery staff for their involvement.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},570275,1792633843,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":14,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},962090768658,"https://ap-avatar.wpscdn.com/davatar_6f874abed73319feea01a86fa6f0fab8","DEPARTURES:PHOTOGRAPHY1924-1989  \nHIRSCHL&ADLERMODERN  \nHirschl&Adler Modern  \n851 Madison Avenue New York 10021  \nTelephone 212744-6700  \nFAX212737-2614  \nDEPARTURES:PHOTOGRAPHY1924-1989  \nNovember2-December2,1989  \nVINTAGE:  \nJOSEPH BREITENBACHFRANCIS BRUGUIERECARLOTTA CORPRONGRIT KALLIN-FISCHERGYORGY KEPESANDREKERTESzHEINZ LOEW  \nLASZLO MOHOLY-NAGYMAN RAYHANS RICHTERTHEODORE ROSZAKANTON STANKOwSKIMAURICE TABARDRAOUL UBACEUGENE VON BRUENCHENHEIN  \nCONTEMPORARY:  \nVITO ACCONCIJOHN BALDESSARIBILL BARRETTE  \nBERND &HILLA BECHERJOSEPH BEUYSBARBARA BLOOMCHRISTIAN BOLTANSKIMARCEL BROODTHAERSSARAH CHARLESWORTHWALTER DAHNJAN DIBBETSVICTORIA FAUSTHAMISH FULTONJOCHEN GERZGILBERT &GEORGEREBECCA HORN  \nMARTIN KIPPENBERGERASTRID KLEINGRACE KNOWLTONPAULLASTERANNETTE LEMIEUXANDREW MASULLOGORDON MATTA-CLARKALLAN McCOLLUMDUANE MICHALSBRUCE NAUMANGIULIO PAOLINISIGMAR POLKEARNULF RAINER  \nROBERT RAUSCHENBERGEDWARD RUSCHALUCAS SAMARASJAMES TURRELLANDY WARHOLTODD WATTSDAVID wOJNAROWICZ  \n# ACKNOWLEDGMENTS\n\nThis exhibition celebrates photography's onehundred and fiftieth anniversary.While still inits infancy as an artform,it has shown itselfto be an infinitely vital and provocativevehicle,not only for image making but forself-expression.One needs no further proofof the medium's rich potential than the sixty-five \"photoworks\"presented here.Collec-tively and individually,they embrace amovement toward greater freedom of ex-pression,experimentation and innovation.  \nMany people contributed to the successof this exhibition and catalogue.Firstly,I wishto express my gratitude to Edmund Yankov  \nfor his thoughtful advice and curatorial assis-tance.My appreciation goes as well to theartists and galleries who have generouslylent works to the show.I would also like tothank Frank Del Deo,for all his efforts andsupport,and Simon Watney,for providingthe insightful introductory essay to the cata-logue.And finally,I am ever grateful to allthe members of the gallery staff for their in-volvement and commitment.  \nDonald McKinney,Director  \nDEPARTURES:PHOTOGRAPHY1924-1989  \nPhotography...is the sworn witness ofeverything presented to her view.What areher unerring records in the service of me-chanics,engineering,geology and naturalhistory,but facts of the most sterling andstubborn kind?What are her studies of thevarious stages of insanity-pictures of lifeunsurpassable in pathetic truth-but facts aswell as lessons of the deepest physiologicalinterest?What are her representations of thebed of the ocean,and the surface of themoon-of the launch of the Marlborough,and of the contents of the Great Exhibition一of Charles Kean's now destroyed scenery ofthe \"Winter's Tale\"and of Prince Albert'snow slaughtered prize ox-but facts that areneither the province of art nor of description,but of that new form of communicationbetween man and man-neitherletter,normessage,nor picture-which now happilyfills up the space between them?  \n-Lady Elizabeth Eastlake,\"Photography\"(1857)  \nPhotography was born out of wedlock,onehundred and fifty years ago.Its history hasconsisted of an endless series of custodytussles between its warring parents,art andscience.It is therefore hardly surprising thatthe 1980s have seen a revised version of themajor dispute in the history of photographythat took place exactly one hundred yearsago.What is photography?is again thequestion,as if photography must possesssome single,inherent essence-as if onebranch of photographic practice is the truedestiny and only purpose of the medium,and all other uses are mere tomfoolery anddistortion.In the nineteenth century oneside of the argument was championed bysuch figures as the celebrated \"pictorialist\"photographer Henry Peach Robinson,whoinsisted that \"the camera is only a tool in thesense that the brush is a tool,and one capa-ble in the hands of an artist of conveyingthought,feeling,expressing individuality,and also of the usual attributes ofart intheir degree.\"'On the other side stood thepurveyor of \"naturalistic\"phot","cbCaivzDXkwQVdoI","https://ap.wps.com/l/cbCaivzDXkwQVdoI","pdf",4160633,122,"English","# ACKNOWLEDGMENTS\n## Exhibition overview\n## Thanks and contributors\n## Director’s statement","[{\"question\":\"What does the exhibition celebrate?\",\"answer\":\"The exhibition celebrates photography’s 150th anniversary, emphasizing the medium’s vitality and potential for image-making and self-expression.\"},{\"question\":\"How many “photoworks” are presented, and what do they represent?\",\"answer\":\"The text mentions sixty-five “photoworks,” describing them as collectively and individually moving toward greater freedom of expression, experimentation, and innovation.\"},{\"question\":\"Who is credited in the acknowledgments?\",\"answer\":\"The acknowledgments thank Edmund Yankov for curatorial assistance and Frank Del Deo and Simon Watney for support and an introductory essay, along with the gallery staff for their involvement.\"}]","DEPARTURES:PHOTOGRAPHY1924-1989 - ACKNOWLEDGMENTS | PDF",1791880195,188]