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Textus praefationis explanat quomodo Libanius, Demosthenis vestigia pressit, artes et litteras in orationibus restituere conatus veterum aemularet. Deinde auctor disserit de concinnitate et de figuris oratoriis, partitione simplicissima: concinnitas in prima parte, figurae rhetoricae in secunda, usus in singulis orationibus in tertia.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/de-libanii-arte-rhetorica-selected-questions-preface/571052/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/de-libanii-arte-rhetorica-selected-questions-preface/571052.png","ImageObject",300,407,{"name":92,"@type":93},"Finn","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-14","2026-10-13",true,{"@type":102,"interactionType":103,"userInteractionCount":8},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"Quid in praefatione de Libanio et eius dicendi ratione enuntiatur?","Question",{"text":112,"@type":113},"Praefatio contendit Libanium, orationes componens, Demosthenis vestigia imitari atque maximam elegantiam et praestantiam in arte dicendi habere.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Quae sunt duae proprietates artis dicendi quas auctor in hac commentatione tractare proposuit?",{"text":117,"@type":113},"Auctor proponit disserere de concinnitate et de figuris oratoriis, sicut in partitione operis explicatur.",{"name":119,"@type":110,"acceptedAnswer":120},"Quomodo operis partitio describitur ut disputatio percipi facilior fiat?",{"text":121,"@type":113},"Partitionem simplicissimam adhibendam esse statuit: prima pars de concinnitate, altera de figuris rhetoricis, tertia demonstrat quomodo Libanius haec in singulis orationibus adhibuerit.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},571052,1791971486,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":8,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":141,"table_of_contents":142,"faqs":143,"seo_title":144,"seo_description":67,"update_tm":145,"read_time":146},34359740700684,"https://ap-avatar.wpscdn.com/avatar/1f400023980c374ae676?_k=1777273430885731487","School of Theology at Claremont  \n10011383345  \nPA  \n4228  \nR6  \nGERMAN  \nIIBDADVSouthern California  \nSCHOOL OF THEOLOGYClaremont,CalifopniaAus der Bibliothekvon  \nWalter Bauepgebopen 1877gestopben 1960  \n# De Libanii arte rhetoricaquaestiones selectae\n\nDissertatio inauguralis philologica  \nquam consensu et auctoritate amplissimi philosophorumordinis ad summos in philosophia honores  \nin Universitate Friderica Guilelma Silesiacarite impetrandos scripsit  \nCarolus Rother  \nGlacensis.  \nDie XXVI mensis Ianuarii anni MCMXVhora XII  \ndisseret doctorandus in aula musica  \nDe antiquorum rhetorum descriptionibus.  \nDeinde erit promotio.  \nLignitziae  \nTypis Officinae Carolus SeyffarthMCMXV.  \nDe dissertatione probanda ad ordinem rettulitRicardus Foerster.  \nExamen rigorosum habitum est die XIV mensis Ianuariianni MCMXIV.  \n# Ricardo Foerstero\n\nsacrum.  \nA2892   \n1  \n# Praefatio.\n\nUt arti poeticae Graecorum carmine epico claro,quo de Heroneet Leandro narratur,》ultima emorientis Graecarum litterarum hortirosac')floruit,sic aetate Iuliani illius imperatoris,qui antiquorumtemporum magna admiratione imbutus artes et litteras restituere etad vitam novam revocare frustra studuit,arti rhetoricae Libaniusille clarissimus ortus est,qui in orationibus conficiendis optimorumGraecorum oratorum velut Demosthenis vestigia pressit.Et Libaniiscripta maxima elegantia,arte,praestantia esse viri docti omniumtemporum consentiunt.Duorum iudiciorum breviter mentionemfacere inihi liceat.Ponticus Virunius dicit:》quid melius Libanio,quid acutius et brevius est?sic medullosus,sic clarus,ut suntomnes Graeci,imo detestatur obscuritatem scriptorum doctissimuset quocumque verteris,mirabilis et tandem sententiis et floridaeloquentia ornatissimus.《2)Reiskius,philologus illustrissimus sae-culi decimi octavi,ad Lessingium scribit:》Ich kann Ihnen nichtgenug sagen,wie große Stücke ich auf diesen Autorem halte.Indem feinen und galanten Briefstyl kommt er dem Plinius bey,jaje zuweilen übertrifft er ihn.Unter den Alten kenne ich keinen,der mit Wohlanstand und grace so Komplimente schneiden könne.Seine Declamationen stecken so voll drolligster Laune,beißenderSatyre und treffender Charaktere(und das alles in der wahrhaftenSprache des Demosthenes,das ist,in dem auserlesensten Griechi-schen),daß ich mich nicht genug wundern kann,wie ein Mann,von dem unsere schönen Geister gar vieles hätten lernen,oder beydem sie doch wenigstens uralte Muster solcher Züge,die manfür nagelneu hält,hätten finden können,daß gar viele,welchedoch mit Horaz und Terenz,und was dem ähnlich ist,gar wohlbekannt sind,vor seinem Namen beynahe erschrecken dürften.《3)  \nQuamquam orationes Libanii ad cognoscendum artis oratoriaeprogressum maximi momenti esse inter omnes constat,tamen de  \nLibanii stilo et arte dicendi adhuc perpauca scripta sunt.Qua decausa Richardo Foerstero auctore in stilo orationum exquirendooperam ac studia collocavi et hanc commentationem scripsi,quade duabus quidem artis dicendi proprietatibus,quae mihi orationesLibanii legenti haud parvi momenti esse videbantur,disserere mihiproposui:de concinnitate et de figuris oratoriis.Ut disputatio demateria tam copiosa quam maxime perspicua fieret,rationem par-titionis simplicissimam invenire opus erat.Deliberanti mihi haecvia ingredienda esse videbatur,ut prima parte agerem de concinni-tate,altera de figuris rhetoricis verba facerem,tertia,quo modoLibanius concinnitatem et figuras oratorias in singulis orationibusadhibuerit ostenderem.  \n## A.De concinnitate.\n\nI.De concinnitate adhibita.  \nIncipio a concinnitate.·Egregie de ea dictionis forma Cicero¹)disputavit:Datur etiam venia concinnitati sententiarum et arguticertique et circumscripti verborum ambitus conceduntur,de indu-striaque non ex insidiis,sed aperte ac palam elaboratur,utverba verbis quasi dimensa et paria respondeant,ut crebre con-ferantur pugnantia comparenturque contraria,et ut pariter extrematerminentur eundemque referant in cadendo sonum.quae in veri-tate causarum et rarius mul","cbCaiemadHBZV8eY","https://ap.wps.com/l/cbCaiemadHBZV8eY","pdf",4629039,122,"Latin","en","# Praefatio\n## A. De concinnitate.\n### 1. De enuntiatis concinnis","[{\"question\":\"Quid in praefatione de Libanio et eius dicendi ratione enuntiatur?\",\"answer\":\"Praefatio contendit Libanium, orationes componens, Demosthenis vestigia imitari atque maximam elegantiam et praestantiam in arte dicendi habere.\"},{\"question\":\"Quae sunt duae proprietates artis dicendi quas auctor in hac commentatione tractare proposuit?\",\"answer\":\"Auctor proponit disserere de concinnitate et de figuris oratoriis, sicut in partitione operis explicatur.\"},{\"question\":\"Quomodo operis partitio describitur ut disputatio percipi facilior fiat?\",\"answer\":\"Partitionem simplicissimam adhibendam esse statuit: prima pars de concinnitate, altera de figuris rhetoricis, tertia demonstrat quomodo Libanius haec in singulis orationibus adhibuerit.\"}]","De Libanii arte rhetoricaquaestiones selectae - Praefatio. | PDF",1791884584,188]