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The show combines glass-framed basketball drawings, found objects, and installations, including a 1998 untitled recreation, with Kool-­Aid paintings on paper dated 2003–2008. With gilt frames, silk veils, Japanese-script inscriptions, and references ranging from playground games to cultural history, the works explore language, migration, and contemporary spectacle through game imagery and powdered pigment recipes.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":10,"@type":76,"position":81},"https://docshare.wps.com/document/story-novel/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/david-hammons-basketball-and-kool-aid/135697/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/david-hammons-basketball-and-kool-aid/135697.png","ImageObject",300,407,{"name":92,"@type":93},"Asher","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-18","2026-08-21",true,{"@type":102,"interactionType":103,"userInteractionCount":39},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"“David Hammons: Basketball and Kool-­Aid”展览主要展示哪些类型的作品？","Question",{"text":112,"@type":113},"展览将篮球主题的图画与装置、以及以Kool-­Aid为媒介的绘画呈现在同一展陈中。作品包含玻璃覆盖的装裱、纸上绘画与再现性装置，并配合丝绸帷幕等呈现方式。","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"展览中篮球作品与Kool-­Aid绘画的时间跨度分别是什么？",{"text":117,"@type":113},"篮球相关作品覆盖1995至2012年间的创作与呈现，其中包含1998年的无题装置再现。Kool-­Aid绘画则标注为2003至2008年之间的系列作品。",{"name":119,"@type":110,"acceptedAnswer":120},"展览如何把流行文化与语言主题融入作品？",{"text":121,"@type":113},"Kool-­Aid绘画以多种官方口味与等价色彩形成调色，并有日文书写与配方内容等做法。与此同时，文本与意象也连接到如“Electric Kool-­Aid Acid Test”和“喝下Kool-­Aid”的历史叙事，从而强化对语言与当代文化的思考。","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},135697,1787317627,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":8,"category_name":10,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":39,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":19,"language":139,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":140,"faqs":141,"seo_title":142,"seo_description":67,"update_tm":129,"read_time":29},687197207639,"https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd","David Hammons’ Basketball and Kool-­‐‑Aid Works Meet at Nahmad Contemporary  \nMay 1, 2021 by Judd Tully  \nThe art of David Hammons is covering the island of Manhattan from the freshly installed public art piece “Days End,” a Conceptual homage to Gordon Matta-­Clark sited by the Hudson River at Pier 52, just across from the Whitney Museum to The Drawing Center in SoHo featuring some 38 works from his storied Body Print series.  \nOn Saturday, May 1, a third blast of the artist’s multi-­faceted oeuvre, “David Hammons: Basketball and Kool-­Aid” opens at Nahmad Contemporary on Madison Avenue.  \nThe stunning combination of the two distinct series, ranging in time from 1995-­2012, offers a deep voyage across the artist’s elusive practice. There are six examples of his glass framed and found object bound basketball drawings along with a recreation of a 1998 untitled installation, including a steel basketball hoop, tree trunk and an African ceramic jug holding a basketball, as if it were some archeological treasure.  \n“David Hammons: Basketball and Kool-­Aid” at Nahmad Contemporary on Madison Avenue, May 1 to June 25, 2021  \nThey join ten of the artist’s ABEX epoch inspired Kool-­Aid paintings on paper, some bearing terrycloth artist made frames and silk veils to protect the delicate brew of the powdered pigments.  \nThe two bodies of work unleash a full-­court press on Hammons’ brilliance, both as an image-­maker and unrivaled seer of contemporary culture.  \nTime Out (Basketball Drawing), 2004/2010 Graphite on paper with alarm clock Framed: 51 x 34.75 inches (129 .54 x 88.27 cm)  \n“Traveling” from 2002, comprised of Harlem earth on paper with a black cloth suitcase wedged behind it and towering at 116 1/8 by 49 inches reverberates with the ghostly sounds of the game and the obsessive barrage of mark making executed with a dirt or graphite covered basketball dribbled and bounced across the paper surface like an Action painting.Much has been written about Hammons’ relationship to the game and with it, the hoop dreams of so many disadvantaged youths who pursue a demanding sport that enriches and makes famous so relatively few. And given that as art historian Kellie Jones has noted, Hammons is always thinking about language, Traveling, among its myriad of meanings, can also be seen as being in her words “about migration and moving and having to move.”  \nThe drawings are enshrined and cocooned in elaborate, glass-­covered gilt frames, as a Francis Bacon painting would, bringing along the viewer’s looking glass reflection.  \nFound objects, from a travel alarm clock to a broken pile of asphalt and a steel I-­beam are attached to or sited as supporting pedestals to the works.  \nThe cacophony of elements in these works bring to mind a carousel of references, from a pair of Michael Jordan worn Air Jordan sneakers from 1985 that fetched $560,000 at auction to images of playground pick-­up games.  \nBetter yet, Hammons titled one of his storied outdoor works, the bottle-­cap festooned telephone poles with attached hoops “Higher Goals.”  \nUntitled (Kool-­Aid), 2006  \nKool-­Aid on paper with silk curtain and artist’s terry cloth frame Framed: 43.5 x 29.5 inches (110.5 x 74.9 cm)  \nOne might think anything apart from these iconic works on paper would be a tough act to follow but the Kool-­Aid paintings (all titled “Untitled (Kool-­Aid)” and dated between 2003 and 2008) astonish the eye in a somewhat different manner.  \nA number of the works reside behind silk veils, akin to protective coverings of light-­sensitive photographs from the 19th century or for that matter, devotional objects kept behind velvet curtains in Renaissance times.  \nThe witches’ brew of the Kool-­Aid powders and electric colors that come with it, such as strawberry kiwi, peach mango and cherry limeade (yes, these are some of the official flavors and equivalent colors of the famously crafted and patented drink) form Hammons’mind-­altering palette. They become fantastical pastiches ","cbCaiiIwZ1EkMDtO","https://ap.wps.com/l/cbCaiiIwZ1EkMDtO","pdf",399592,"English","# Exhibition Overview\n## Basketball Works\n## Kool-Aid Paintings and Cultural References","[{\"question\":\"“David Hammons: Basketball and Kool-­Aid”展览主要展示哪些类型的作品？\",\"answer\":\"展览将篮球主题的图画与装置、以及以Kool-­Aid为媒介的绘画呈现在同一展陈中。作品包含玻璃覆盖的装裱、纸上绘画与再现性装置，并配合丝绸帷幕等呈现方式。\"},{\"question\":\"展览中篮球作品与Kool-­Aid绘画的时间跨度分别是什么？\",\"answer\":\"篮球相关作品覆盖1995至2012年间的创作与呈现，其中包含1998年的无题装置再现。Kool-­Aid绘画则标注为2003至2008年之间的系列作品。\"},{\"question\":\"展览如何把流行文化与语言主题融入作品？\",\"answer\":\"Kool-­Aid绘画以多种官方口味与等价色彩形成调色，并有日文书写与配方内容等做法。与此同时，文本与意象也连接到如“Electric Kool-­Aid Acid Test”和“喝下Kool-­Aid”的历史叙事，从而强化对语言与当代文化的思考。\"}]","David Hammons: Basketball and Kool-­Aid | PDF"]