[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-148211-en":3,"doc-seo-148211-105":31,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":28,"seo_description":14,"update_tm":29,"read_time":30},148211,687197207919,"Theodora","https://ap-avatar.wpscdn.com/avatar/a000253d6f5f7c60be?x-image-process=image/resize,m_fixed,w_180,h_180&k=1779446848396160552",2,"Literature","Dangerous Sculptures - Jose Toledo Ordonez - Editorial Praxis","Dangerous Sculptures presents José Toledo Ordónez’s artistic mission through paintings and sculptures, emphasizing a language free of poses and fashions. The work is framed as a defiant cry and a silent expression of divinity, rooted in relationships between art and nature. Themes include joy, happiness, dance, communion, and a message against destroying nature and degrading human bonds. The sculptures are described as evolving mock-ups that expand into urban spaces, enhancing everyday life.","# José ToledoOrdónez\n\nDangerous Sculptures  \neditorial  \npraxis  \n# Jose ToledoOrdonez\n\nDangerous Sculptures  \nPhoto:Ricardo Mata  \nJosé Toledo Ordónez (Guatemala,1951)has exhibited hispaintings and sculptures in several countries in Central and NorthAmerica and in private collections and public spaces where theauthor seeks to display his art to carry out his mission to com-municate.In language devoid of poses and fashions,Toledo Or-dóňez wants his work to be both a cry of defiance and a silentexpression of divinity:this is evident in how he relates his work tonature.The artist's passionate impetus permeates each creation—his way of signifying the spirit that drives him.  In his sculpturesthere is joy,happiness,dance,communion.  \nCover and interior design and photos ofCarlos Adampol Galindo  \nTranslation  \nPhil Linehan  \ndr CL Editorial Praxis,S.A.de C.V.,Vértiz 185,int.000,col.Doctores,del.Cuauhtémoc,06720,México City,telefax 57619413www.editorialpraxis.comFirst edition,2012isbn 978-607-420-102-4  \nAll rights reserved.No part of this publication may be reproduced,stored or transmitted,by any system —electronic,mechanical,photoreproducers,memory storage or any other—without beingentitled to the penalties provided by law,except with the writtenpermission of the copyright holder.The typographic features,composition,design,editing,formatting,are owned by the publisher.  \nJoseToledoOrdonez  \n# Dangerous Sculptures\n\nW A  \nVV th my Sculpture I try to express what I am bymeans of my life's three great passions:motor cars,animals and art.At the same time I convey the loveand respect I feel for the work of the Creator:fau-na,flora and human beings represented in the Besti-ary,Urban Forest and Utopian Cities series.God gaveus the world to master:to manage,to respect,andto avoid squandering its resources.My message isagainst destroying nature and degrading human rela-tionships.  \nI also intend to do my bit in this battle of ever-changing forms whose fragile stability is continuouslybeing reshaped:the universe seen over the course oftime.  \nI think of my sculptures as being mock-ups thatare eager to grow,reach huge proportions,engagein a dialogue with the light of day,interact with urbanspaces and improve the quality of life by taking art tothe streets.  \n# The sculptural dance of José Toledo Ordonez\n\nS  \nculpture,because it is palpable andallows viewers to become close to it andlook at it from different multifaceted per-spectives,is the liveliest form of art.Thematerial,volume and texture of a pieceof sculpture cause sensations not ob-tained from other arts;the effort and re-sources required to produce it make theprocess more difficult,to say nothing ofthe risks of working with the material and,as John Ruskin said:\"Sculpture is notthe mere cutting of the form of anythingin stone;it is the cutting of the effect”.Love,passion,poetry are engraved ina sculpture;the artist is able to infuse itwith a spirit of which the paradigmaticcase is Pygmalion about whose glory-hell Ovid tells in his Metamorphoses.  \nthousand years the Palaeolithic Venus-es -baptized the Willendorf Venus andthe Lespugue Venus-represented fer-tility,but there were already sculptures-tools designed to work like those used toproduce these figures that exalted fe-male forms.  \nLatin America is prolific in sculpturalart;the Mesoamerican area has monu-mental pieces created to be in har-mony with the Universe rather thanas museum pieces.Creative free-dom is in tune with the freedom ofspace needed to give each work its lu-minosity.In Guatemala sculptures havebeen preserved that show the magnifi-cence of the ancient artists,pioneers inthis cosmic art.  \nNature also generates art.TheThe sculptures of José Toledo Or-hand of man only occasionally inter-dónez burst into space with a view root-venes as an appendix to a creation thated in nature,although it is the subject ofby some magical means is shapedhis work that generates the urban con-by time,that great creator of works oftext,i","cbCairlZrpL6ePo7","https://ap.wps.com/l/cbCairlZrpL6ePo7","pdf",6704892,4,1,31,"English","en",105,"# José Toledo Ordónez - Dangerous Sculptures\n## Artistic mission and message\n## Sculpture as a living, urban dialogue\n## Materials, texture, and viewer experience","[{\"question\":\"What artistic mission drives José Toledo Ordónez’s sculptures?\",\"answer\":\"Toledo Or-dóňez aims to communicate through art as a mission, expressing defiance and divinity while relating his work to nature. His sculptures also promote respect for creation and reject the destruction of nature and human relationships.\"},{\"question\":\"How does the document describe sculpture compared with other arts?\",\"answer\":\"Sculpture is presented as the liveliest form of art because it is palpable and invites viewers to approach and see it from multiple perspectives. Its material, volume, and texture produce sensations that other arts do not.\"},{\"question\":\"What role do nature and the urban environment play in the sculptures?\",\"answer\":\"The document links nature to art, describing how the hand of man occasionally joins creation through magical means shaped over time. It also stresses an intention to take art into the streets, where sculptures interact with light and urban spaces to improve quality of life.\"}]","Dangerous Sculptures - Jose Toledo Ordonez - Editorial Praxis | PDF",1787777335,48,{"code":4,"msg":32,"data":33},"ok",{"site_id":25,"language":24,"slug":34,"title":13,"keywords":35,"description":14,"schema_data":36,"social_meta":86,"head_meta":88,"extra_data":90,"updated_unix":29},"dangerous-sculptures-jose-toledo-ordonez-editorial-praxis","",{"@graph":37,"@context":85},[38,53,68],{"@type":39,"itemListElement":40},"BreadcrumbList",[41,45,48,51],{"item":42,"name":43,"@type":44,"position":21},"https://docshare.wps.com","Home","ListItem",{"item":46,"name":47,"@type":44,"position":11},"https://docshare.wps.com/document/","Document",{"item":49,"name":12,"@type":44,"position":50},"https://docshare.wps.com/document/literature/",3,{"item":52,"name":13,"@type":44,"position":20},"https://docshare.wps.com/document/dangerous-sculptures-jose-toledo-ordonez-editorial-praxis/148211/",{"url":52,"name":13,"@type":54,"author":55,"headline":13,"publisher":57,"fileFormat":60,"inLanguage":24,"description":14,"dateModified":61,"datePublished":62,"encodingFormat":60,"isAccessibleForFree":63,"interactionStatistic":64},"DigitalDocument",{"name":9,"@type":56},"Person",{"url":42,"name":58,"@type":59},"DocShare","Organization","application/pdf","2026-09-05","2026-08-26",true,{"@type":65,"interactionType":66,"userInteractionCount":20},"InteractionCounter",{"@type":67},"ViewAction",{"@type":69,"mainEntity":70},"FAQPage",[71,77,81],{"name":72,"@type":73,"acceptedAnswer":74},"What artistic mission drives José Toledo Ordónez’s sculptures?","Question",{"text":75,"@type":76},"Toledo Or-dóňez aims to communicate through art as a mission, expressing defiance and divinity while relating his work to nature. His sculptures also promote respect for creation and reject the destruction of nature and human relationships.","Answer",{"name":78,"@type":73,"acceptedAnswer":79},"How does the document describe sculpture compared with other arts?",{"text":80,"@type":76},"Sculpture is presented as the liveliest form of art because it is palpable and invites viewers to approach and see it from multiple perspectives. Its material, volume, and texture produce sensations that other arts do not.",{"name":82,"@type":73,"acceptedAnswer":83},"What role do nature and the urban environment play in the sculptures?",{"text":84,"@type":76},"The document links nature to art, describing how the hand of man occasionally joins creation through magical means shaped over time. It also stresses an intention to take art into the streets, where sculptures interact with light and urban spaces to improve quality of life.","https://schema.org",{"og:url":52,"og:type":87,"og:title":13,"og:site_name":58,"og:description":14},"article",{"robots":89,"canonical":52},"index,follow",{"doc_id":7,"site_id":25},{"code":4,"msg":5,"data":92},[93,97,100,104,109,114,119,124,129,132,136],{"id":21,"doc_module":4,"doc_module_name":47,"category_name":94,"show_sort_weight":95,"slug":96},"Story & Novel",90,"story-novel",{"id":11,"doc_module":4,"doc_module_name":47,"category_name":12,"show_sort_weight":98,"slug":99},80,"literature",{"id":20,"doc_module":4,"doc_module_name":47,"category_name":101,"show_sort_weight":102,"slug":103},"Exam",70,"exam",{"id":105,"doc_module":4,"doc_module_name":47,"category_name":106,"show_sort_weight":107,"slug":108},5,"Comic",60,"comic",{"id":110,"doc_module":4,"doc_module_name":47,"category_name":111,"show_sort_weight":112,"slug":113},6,"Technology",50,"technology",{"id":115,"doc_module":4,"doc_module_name":47,"category_name":116,"show_sort_weight":117,"slug":118},7,"Healthcare",40,"healthcare",{"id":120,"doc_module":4,"doc_module_name":47,"category_name":121,"show_sort_weight":122,"slug":123},8,"Research & Report",30,"research-report",{"id":125,"doc_module":4,"doc_module_name":47,"category_name":126,"show_sort_weight":127,"slug":128},9,"Religion & Spirituality",20,"religion-spirituality",{"id":127,"doc_module":4,"doc_module_name":47,"category_name":130,"show_sort_weight":127,"slug":131},"World Cup","world-cup",{"id":133,"doc_module":4,"doc_module_name":47,"category_name":134,"show_sort_weight":133,"slug":135},10,"Lifestyle","lifestyle",{"id":137,"doc_module":4,"doc_module_name":47,"category_name":138,"show_sort_weight":105,"slug":139},19,"General","general"]