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SchuldtMark Horosky  \nCONTRIBUTING EDITORSBoyer RickelBarbara Cully  \nDESIGN  \nJamey Aiken  \nEDITORIAL ASSISTANTMiriam BenattiStephanie Balzer  \nIt's not the desire of the CUE editors to exhaust themselves or their readerswith pedantries or'manifestos,ironic posings,clever raves,or stylized grand-standing.Nor will it be an aim in subsequent issues to explain or defendthe existence of the work in these pages.We do not pretend to bethe firstjournal exclusively concerned with prose poetry.A number of optimisticventures-at one time or another,for some duration of time or another-  \nhavę cleared the space in which we now take our chances.The Prose Poem,DoubleRoom,key-satch(el),Quarter After Eight,Paragraph -each hasmade,or continues to make,an insurgence upon the contemporary literaryscene,and we thank them.  \nCUE can not hope to publish all of the best prose poems written in comingyears-indeed our modest size and a visionto publish in each issue largesamples of work by a relatively small number of poets prohibits such a claim.We can promise though,along with our friend Brian Clements whosejournal,Sentence,also makes its debut,that we will hasten into view allmanner and style of prose poems,regardless of camp,creed or aesthetic.What fine poets do not appear on our pages we hope to highlight in reviews,interviews and guest commentary.  \nThe editors have spent more than a year turning an idea into this issue.Attimes we solicited both insight and inspirarion from a number of friends andfellow poets.These friends are Boyer Rickel,Barbara Cully,Jane Miller,Jamey Aiken,Adam Chiles,Miriam Benatti,and Stephanie Balzer,and wewourld like to thank them here.CUE'would also like to thank the College ofHumanities at the University of Arizona and,in particular,Dean ChuckTatum for his generous funding of this project.To you and to you,ourreaders,please find in these pages both pleasure and profit.  \nEditors,CUE:A Journal of'Prose PoetryFEBRUARY,2004 、  \nCONTENTS  \n3  \nSERENITY  \nJane Miller  \n5  \nROSE BUSH  \nScott Harwich  \n6 TRACKS FOR GECKOSJonathan VanBallenberghe  \n1  \n7SAP OF THE ANIMATE VINESJonathan VanBallenberghe  \n8 IMAGINALSJonathan VanBallenberghe  \n9 MY FATHER's STUDYStephen Cushman  \n、IO COMING TO MEETBarbara Cully  \nI3 UNDER THE HOURSBarbara Cully  \nI5 POEM IN THE MANNEROF GERTRUDE STEINDavid Lehman  \nI6 THE NEGRO OF THERINGS:THE FELLOWSHIPOF THE NEGROCharles Fort  \nI7 A BRIEF GUIDE TO TWENTYUNPUBLISHED BOOKSBrian Clements  \nI9 CICATRIX  \nBoyer Rickel  \n20 THE HEALING ARTSBoyer Rickel  \n2I PASSING THE BOTTLEAdam Chiles  \n22 THE MASONAloysius Bertrand,translated by James Weeks  \n23 THE STUDENT′Aloysius Bertrand,translated by James Weeks  \n24 MESSIRE JEANAloysius Bertrand,translated byJames Weeks  \n25 WORLD ON A STRING'David Lazar  \n26 YOSHITOSHIDavid Young  \n27 WORKS AND DAYSAlison Hawthorn Dening  \n30 LOST GEESEJames Tate  \n3I ANOTHER LIFEJames Tate.  \n33 THE GAZING BALIJames Tate  \n34 INTERVIEW:DAVID LEHMANMorgan Lucas Schuldt  \n39 REVIEW:DESIRE RECLININGMorgan Lucas Schuldt  \n4I REVIEW:SPARMorgan Lucas Schuldt  \n43 CONTRIBUTORS  \n,   /  \nSheherazade,the famous storyteller,survives from night to night,as iswell known,by telling suspenseful masterpieces to His Serene Majesty,theKing,who has cut off the head of each former bride to avenge his first bride'scheating ways.Sheherazade is grantedla reprieve from day to day so the Kingcan hear,for example,what becomes of the handsome young man withbright face,downy beard,and ruddy cheek with a mole like a piece of amber,who sits behind a curtaiń-on a chair twenty inches off the floor.Thinkingkindly upon him,the beachcomber is as taken as the King is when Helearned the young man weeps because from navel to head he is human flesh,and from navel to feet,black stone.Why?because.  \n/For the garden of paradise to become a reality for the Mediterraneanpeoples,they'd need more rain from their fickle,'r","cbCain2PrfMhSCkj","https://ap.wps.com/l/cbCain2PrfMhSCkj","pdf",2902583,52,"English","# CUE\n## Contents\n## Serenity - Jane Miller\n## Rose Bush - Scott Harwich\n## Tracks for Geckos - Jonathan VanBallenberghe\n## Sap of the Animate Vines - Jonathan VanBallenberghe\n## Imaginals - Jonathan VanBallenberghe\n## My Father's Study - Stephen Cushman\n## Coming to Meet - Barbara Cully\n## Under the Hours - Barbara Cully\n## Poem in the Manner of Gertrude Steind - David Lehman\n## The Negro of the Rings: The Fellowship of the Negro - Charles Fort\n## A Brief Guide to Twenty Unpublished Books - Brian Clements\n## Cicatrix - Boyer Rickel\n## The Healing Arts - Boyer Rickel\n## Passing the Bottle - Adam Chiles\n## The Mason - Aloysius Bertrand (translated by James Weeks)\n## The Student - Aloysius Bertrand (translated by James Weeks)\n## Messire Jean - Aloysius Bertrand (translated by James Weeks)\n## World on a String - David Lazar\n## Yoshitoshi - David Young\n## Works and Days - Alison Hawthorn Dening\n## Lost Geese - James Tate\n## Another Life - James Tate\n## The Gazing Bali - James Tate\n## Interview: David Lehman - Morgan Lucas Schuldt\n## Review: Desire Reclining - Morgan Lucas Schuldt\n## Review: Spar - Morgan Lucas Schuldt\n## Contributors","[{\"question\":\"How is this issue identified bibliographically?\",\"answer\":\"It is labeled February, 2004 with Volume I, Issue I on the cover/header information at the start of the document.\"}]","CUE - CUE: A Journal of Prose Poetry - February 2004 - Volume I - Issue I | PDF",1790704452]