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Criticism. I. Title.\u003Cbr>PN81.T97 2006\u003Cbr>801’.95‑‑dc22 2006001722 |\n\nVisit the Taylor & Francis Web site at  \n[http://www.taylorandfrancis.com](http://www.taylorandfrancis.com)[ ](http://www.taylorandfrancis.com)and the Routledge Web site at [http://www.routledge](http://www.routledge)‑[ny.com](ny.com)  \nI gratefully dedicate this book to my students and to my teachers. I hope I will always have difficulty telling you apart.  \nCo nte nts  \nPreface to the second edition xi  \nPreface for instructors xiii  \nAcknowledgments xv  \n1 Everything you wanted to know about critical theory but were afraid to ask 1  \n2 Psychoanalytic criticism 11  \nThe origins of the unconscious 12  \nThe defenses, anxiety, and core issues 15  \nDreams and dream symbols 18  \nThe meaning of death 21  \nThe meaning of sexuality 24  \nLacanian psychoanalysis 26  \nClassical psychoanalysis and literature 34  \nSome questions psychoanalytic critics ask about literary texts 37  \n“What’s Love Got to Do with It?”: a psychoanalytic reading of The Great Gatsby 39  \nQuestions for further practice: psychoanalytic approaches to other literary works 49  \nFor further reading 50  \nFor advanced readers 50  \n3 Marxist criticism 53  \nThe fundamental premises of Marxism 53  \nThe class system in America 55  \nThe role of ideology 56  \nHuman behavior, the commodity, and the family 61  \nMarxism and literature 64  \nSome questions Marxist critics ask about literary texts 68  \nYou are what you own: a Marxist reading of The Great Gatsby 69  \nQuestions for further practice: Marxist approaches to other literary works 79  \nFor further reading 79  \nFor advanced readers 80  \nviii  Contents  \n4 Feminist criticism 83  \nTraditional gender roles 85  \nA summary of feminist premises 91  \nGetting beyond patriarchy 93  \nFrench feminism 95  \nMulticultural feminism 105  \nGender studies and feminism 108  \nFeminism and literature 117  \nSome questions feminist critics ask about literary texts 119  \n“... next they’ll throw everything overboard ...”: a feminist reading of The Great Gatsby 120  \nQuestions for further practice: feminist approaches to other literary works 130  \nFor further reading 131  \nFor advanced readers 131  \n5 New Criticism 135  \n“The text itself” 136  \nLiterary language and organic unity 138  \nA New Critical reading of “There Is a Girl Inside” 143  \nNew Criticism as intrinsic, objective criticism 147  \nThe single best interpretation 148  \nThe question New Critics asked about literary te","cbCailGJGvcrIo9u","https://ap.wps.com/l/cbCailGJGvcrIo9u","pdf",6866344,484,"English","# Preface to the second edition\n# Preface for instructors\n# Acknowledgments\n# Everything you wanted to know about critical theory but were afraid to ask\n# Psychoanalytic criticism\n# Marxist criticism\n# Feminist criticism\n# New Criticism\n# Reader-response criticism\n# Structuralist criticism\n# Deconstructive criticism\n# New historical and cultural criticism","[{\"question\":\"What critical theory approaches are covered in the book?\",\"answer\":\"The table of contents lists psychoanalytic criticism, Marxist criticism, feminist criticism, New Criticism, reader-response criticism, structuralist criticism, deconstructive criticism, and New historical and cultural criticism.\"},{\"question\":\"Does the book include practice materials for applying each approach?\",\"answer\":\"Yes. After major sections, it provides “Questions for further practice” for applying psychoanalytic, Marxist, feminist, New Critical, reader-response, and other methods to additional literary works.\"},{\"question\":\"Who is the guide intended for?\",\"answer\":\"It includes prefaces for the second edition and instructors, and repeatedly distinguishes “For further reading” and “For advanced readers,” indicating support for beginners through advanced readers.\"}]","Critical theory today - A User-Friendly Guide - Second Edition | PDF",1789940313,745]