[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-156272-en":3,"doc-seo-156272-105":30,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":20,"is_downloadable":20,"audit_status":20,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":27,"seo_description":14,"update_tm":28,"read_time":29},156272,16904993612988,"Olivia Brown","https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd",4,"Exam","Creative Approach to Design Formulation - Chapter Two: Creative Approach to Design Formulation","This thesis section develops a creative approach to design formulation in architecture, framing design as a purposeful, context-dependent, and learnable human activity rather than a mysterious talent. It reviews classic and contemporary definitions, then organizes design research through the dual questions of how to design and what design is. It introduces classification of design into routine and non-routine categories, explaining how solution spaces, constraints, and prior knowledge shape the nature of architectural design processes.","ALEXANDRIA UNIVERSITY  \nFACULTY OF ENGINEERING  \nCREATIVE APPROACH TO DESIGN FORMULATION SHAPE GRAMMARS AS A TOOL IN ARCHITECTURE DESIGN ANALYSIS AND SYNTHESIS  \nA thesis submitted in Partial Fulfillment Of the requirements of the M.Sc degree  \nIn Architecture  \n2005  \nBy  \nMohamed Sobhy Mohamed  \nChapter Two:  \nCreative approach to design formulation  \n2.1 Design  \n2.2 Classification of design  \n2.2.1 Routine design  \n2.2.2 Non routine design  \n2.3 Creativity  \n2.3.1 Personal and Social views of creativity  \n2.3.2 Model of creativity  \n2.4 Design formulation  \n2.4.1 Design and science  \n2.4.2 Approaches to formulate design  \n2.4.3 Creativity of the Grammar (linguistic) approach  \n2.5 Conclusions  \n|  | \u003Cbr>\u003Cbr>The linguistic Approach |\n| --- | --- |\n| | SHAPE GRAMMAR |\n\nChapter two  \nIts meaning  \nChapter three  \nIts approaches  \nCHAPTER TWO:  \nCREATIVE APPROACH TO DESIGN FORMULATION  \n2.1  DESIGN  \n“Design is a highly sophisticated skill. It is not mystical ability given only to those with recondite powers but a skill which, for many, must be learnt and practiced , rather like the playing of a sport or a musical instrument “  \nLawson 2003  \nDesign has been recognized as an important activity for more than 4,000 years. Approximately 2,000 BC, Hammurabi, King of Babylon, enacted a law which both recognized design and made it dangerous (Gero, 1996) .  \nDesigners’ role to improve the human condition, in all its aspects was appreciated, yet design remained a mysterious human activity not amenable to scientific exploration.  \nFigure (1) Hammurabi's Code, from an engraving on a Stella in cuneiform in the Louvre, Paris.“229-If a designer/ builder build a house for some one, and does not construct it properly, and the house which he built fall in and kill its owner, then that designer/ builder shall be put to death.. \"  \nSource: Gero J, 1996  \nThe fact that design can be learnt (as cited by Lawson 2003) motivated researchers, thinkers, designers and even historical theorists to search for the most appropriate way to describe and thus to teach design . The whole 20 centuries efforts of researches developed two main concepts that deal with design in two different questions:  \nFirst, the “how to design? “question that combines all researches in thematic theories and design process. There are publications by designers on how to design dating back to Roman time ,notably by Vitruvius, the first century BC architect and engineer who described the classic principles of design ( harmony , Symmetry , proportion , .. etc) and tried to give guidelines on how to design( Morgan,1960) , also, the nineteenth century thinkers commenced working on articulating design as a process (Durand, 1802) .  \nSecond, the “ what is design ?” question that aims to explore the theories of design synthesis ( Routio,1999) , And it was not until the 1960th that major research programs that transact with the notion of design thinking itself in its various aspects were analyzed , taken apart , developed and initiated ( Jones and Thornley, 1963 ; Simon,1969; Coyne,1990) . Innovative definitions of design replaced its classic model, and new vocabulary was introduced to describe and understand Self-conscious (associated with intent) design (1) .  \n“Design is a purposeful activity, practiced by humans using a knowledge based approach to create forms to satisfy intended purpose “  \nRosenman 1996  \n“Design is a goal oriented, constrained, decision making, exploration and learning activity which operates within a context which depends on the designers perception of the context”  \nGero 2002  \nEven definitions that seem more algorithmic and symbolic were proposed to bring together pieces of the nature of design puzzle .  \n“A design is an element in an array relation among drawings, other kinds of descriptions, and correlative devices as needed “  \nStiny 1996  \n1 Although there is no general acceptance between thinkers and designers about the existence ofunselfconscious design “N","cbCaijalIkQOAotR","https://ap.wps.com/l/cbCaijalIkQOAotR","pdf",2339976,1,63,"English","en",105,"# Chapter Two: Creative Approach to Design Formulation\n## 2.1 Design\n## 2.2 Classification of Design\n### 2.2.1 Routine design\n### 2.2.2 Non routine design","[{\"question\":\"How does the text define design for the purpose of architecture design formulation?\",\"answer\":\"Design is presented as a sophisticated, purposeful human skill that uses knowledge to create forms for intended goals. It is also described as a goal-oriented, constrained decision-making activity operating within the designer’s perceived context.\"},{\"question\":\"What are the two main research questions used to structure design thinking in the text?\",\"answer\":\"The text distinguishes between “how to design?” and “what is design?”. The first question aggregates research into design processes, while the second focuses on theories of design synthesis.\"},{\"question\":\"What differentiates routine design from non-routine design according to the document?\",\"answer\":\"Routine design occurs when knowledge about design variables, objectives, constraints, and process is fully known, and solutions are restricted to established ranges. Non-routine design is characterized by substantive differences from previously produced designs, with innovative and creative subtypes.\"}]","Creative Approach to Design Formulation - Chapter Two: Creative Approach to Design Formulation | PDF",1787955635,159,{"code":4,"msg":31,"data":32},"ok",{"site_id":24,"language":23,"slug":33,"title":13,"keywords":34,"description":14,"schema_data":35,"social_meta":86,"head_meta":88,"extra_data":90,"updated_unix":28},"creative-approach-to-design-formulation-chapter-two-creative-approach-to-design-formulation","",{"@graph":36,"@context":85},[37,53,68],{"@type":38,"itemListElement":39},"BreadcrumbList",[40,44,48,51],{"item":41,"name":42,"@type":43,"position":20},"https://docshare.wps.com","Home","ListItem",{"item":45,"name":46,"@type":43,"position":47},"https://docshare.wps.com/document/","Document",2,{"item":49,"name":12,"@type":43,"position":50},"https://docshare.wps.com/document/exam/",3,{"item":52,"name":13,"@type":43,"position":11},"https://docshare.wps.com/document/creative-approach-to-design-formulation-chapter-two-creative-approach-to-design-formulation/156272/",{"url":52,"name":13,"@type":54,"author":55,"headline":13,"publisher":57,"fileFormat":60,"inLanguage":23,"description":14,"dateModified":61,"datePublished":62,"encodingFormat":60,"isAccessibleForFree":63,"interactionStatistic":64},"DigitalDocument",{"name":9,"@type":56},"Person",{"url":41,"name":58,"@type":59},"DocShare","Organization","application/pdf","2026-09-06","2026-08-28",true,{"@type":65,"interactionType":66,"userInteractionCount":20},"InteractionCounter",{"@type":67},"ViewAction",{"@type":69,"mainEntity":70},"FAQPage",[71,77,81],{"name":72,"@type":73,"acceptedAnswer":74},"How does the text define design for the purpose of architecture design formulation?","Question",{"text":75,"@type":76},"Design is presented as a sophisticated, purposeful human skill that uses knowledge to create forms for intended goals. It is also described as a goal-oriented, constrained decision-making activity operating within the designer’s perceived context.","Answer",{"name":78,"@type":73,"acceptedAnswer":79},"What are the two main research questions used to structure design thinking in the text?",{"text":80,"@type":76},"The text distinguishes between “how to design?” and “what is design?”. The first question aggregates research into design processes, while the second focuses on theories of design synthesis.",{"name":82,"@type":73,"acceptedAnswer":83},"What differentiates routine design from non-routine design according to the document?",{"text":84,"@type":76},"Routine design occurs when knowledge about design variables, objectives, constraints, and process is fully known, and solutions are restricted to established ranges. Non-routine design is characterized by substantive differences from previously produced designs, with innovative and creative subtypes.","https://schema.org",{"og:url":52,"og:type":87,"og:title":13,"og:site_name":58,"og:description":14},"article",{"robots":89,"canonical":52},"index,follow",{"doc_id":7,"site_id":24},{"code":4,"msg":5,"data":92},[93,97,101,104,109,114,119,124,129,132,136],{"id":20,"doc_module":4,"doc_module_name":46,"category_name":94,"show_sort_weight":95,"slug":96},"Story & Novel",90,"story-novel",{"id":47,"doc_module":4,"doc_module_name":46,"category_name":98,"show_sort_weight":99,"slug":100},"Literature",80,"literature",{"id":11,"doc_module":4,"doc_module_name":46,"category_name":12,"show_sort_weight":102,"slug":103},70,"exam",{"id":105,"doc_module":4,"doc_module_name":46,"category_name":106,"show_sort_weight":107,"slug":108},5,"Comic",60,"comic",{"id":110,"doc_module":4,"doc_module_name":46,"category_name":111,"show_sort_weight":112,"slug":113},6,"Technology",50,"technology",{"id":115,"doc_module":4,"doc_module_name":46,"category_name":116,"show_sort_weight":117,"slug":118},7,"Healthcare",40,"healthcare",{"id":120,"doc_module":4,"doc_module_name":46,"category_name":121,"show_sort_weight":122,"slug":123},8,"Research & Report",30,"research-report",{"id":125,"doc_module":4,"doc_module_name":46,"category_name":126,"show_sort_weight":127,"slug":128},9,"Religion & Spirituality",20,"religion-spirituality",{"id":127,"doc_module":4,"doc_module_name":46,"category_name":130,"show_sort_weight":127,"slug":131},"World Cup","world-cup",{"id":133,"doc_module":4,"doc_module_name":46,"category_name":134,"show_sort_weight":133,"slug":135},10,"Lifestyle","lifestyle",{"id":137,"doc_module":4,"doc_module_name":46,"category_name":138,"show_sort_weight":105,"slug":139},19,"General","general"]