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Memory is treated as an unstable construct shaped by remembering and forgetting, which affects identity, experience, and time. Drawing on thinkers including Paul Ricoeur, Rebecca Solnit, Jan Assmann, and Bernard Stiegler, together with artists such as Louise Bourgeois, Christian Boltanski, and Sophie Calle, the work addresses narrative identity, absence, mourning, and the fragility of memory. Sculpture is proposed as a tool for engaging what disappears, not by permanent preservation but through observation, care, and acceptance of transience.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":40,"@type":76,"position":81},"https://docshare.wps.com/document/research-report/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/corpos-sculptural-processes-on-the-body-and-its-memory/139767/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/corpos-sculptural-processes-on-the-body-and-its-memory/139767.png","ImageObject",300,407,{"name":92,"@type":93},"\tJames","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-09-18","2026-08-24",true,{"@type":102,"interactionType":103,"userInteractionCount":29},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"How does the thesis define memory in relation to identity and time?","Question",{"text":112,"@type":113},"Memory is presented as an unstable construct shaped by remembering and forgetting, influencing how identity, experience, and time are perceived.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Which themes are central to the research?",{"text":117,"@type":113},"Key themes include narrative identity, absence, mourning, and the fragility of memories, explored through interdisciplinary references.",{"name":119,"@type":110,"acceptedAnswer":120},"What role does sculpture play in engaging loss?",{"text":121,"@type":113},"Sculpture functions as a space for approaching matter, memory, and experience, offering symbolic presence to what remains only at the boundaries of remembrance rather than through definitive preservation.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},139767,1787562072,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":39,"category_name":40,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":29,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":11,"language":139,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":140,"faqs":141,"seo_title":142,"seo_description":67,"update_tm":129,"read_time":143},2336474466412,"https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d","CORPOS  \nSEN CORPO  \nPROCESOS ESCULTÓRICOS SOBRE O CORPO E A SÚA MEMORIA  \nCristian Paz Cerqueira  \nRelatório de Projeto apresentado à Faculdade de Belas Artes da Universidade do Porto, para obtenção to título de Mestre em Artes Plásticas-Escultura.  \nOrientação: Professora Doutora Filipa Cruz  \nPorto, Junho 2026  \nAGRADECIMIENTOS  \nQuiero dar mi más profundo agradecimiento a mi orientadora, Filipa Cruz, por comprometerse conmigo y con mi trabajo de manera impecable. Agradecido por la cercanía, por la paciencia y la consideración que ha tenido conmigo durante estos meses.  \nA Alcides Rodrigues, que ha supuesto un apoyo constante durante toda mi estancia en Porto. De quién he aprendido másy mejor.  \nA Bea, que ha sido imprescindible para la consecución de este trabajo. Gracias por mantenerme a flote durante esta etapa de mi vida.  \nA mis amigas, sobre todo a Paula y a Paula, por inspirarme yacompañarme a pesar de todo.  \nA mi familia, por supuesto, por el cariñoy el apoyo incondicional que me regalan diariamente.  \nTambién me gustaría aprovechar este momento para echar la vista atrás, y darle las gracias a todas las personas que he perdido por el camino, pero que indiscutiblemente forman parte de mí. Este trabajo es mi forma de despedirme de todas vosotras.  \nCon cariño y con cuidado, Cris  \nÍNDICE  \n7 Resumen / Palabras clave  \n8 Resumo / Palavras-chave  \n9 Abstract / Keywords  \n11 Introducción  \n12 Nota de autor  \n14 La memoria. Nuestro tortuoso destino  \n20 No me da miedo perder  \n24 La distancia. Un recorrido interminable  \n34 Los días son más azules  \n39 Poética de la pérdida trágica  \n45 Una recolección de lo perdido  \n49 Desarrollo práctico  \n59 Conclusiones  \nFuentes documentales  \n61 Fuentes principales  \n63 Fuentes secundarias  \n64 Anexos  \nPALABRAS CLAVE  \nDistancia – Pérdida – Narrativa – Ausencia-Registro  \nRESUMEN  \nEste trabajo de fin de máster investiga las relaciones entre memoria, pérdida, distancia y representación del cuerpo desde la prácticaescultórica contemporánea. La investigación parte de la consideración de la memoria como una construcción inestable, atravesada por procesos de recuerdo y olvido que condicionan nuestra percepción de la identidad, la experiencia y el tiempo.  \nTomando como referencia las aportaciones de autores como Paul Ricoeur, Rebecca Solnit, Jan Assmann y Bernard Stiegler, así como la obra de artistas como Louise Bourgeois, Christian Boltanski o Sophie Calle, se analizan conceptos como la identidad narrativa, la ausencia, el duelo y la fragilidad de los recuerdos. Desde unametodología teórico-práctica, el trabajo combina reflexión crítica, experiencia autobiográfica y producción artística.  \nLa investigación se centra en la memoria como capacidad que nos deviene la perdida. Fotografías, archivos, objetos encontrados yespacios habitados son entendidos como vestigios capaces de activar narrativas y paisajes mnemónicos. En este contexto, la  \nescultura se plantea como una herramienta para dialogar con aquello que desaparece, no desde el intento de conservarlo de manera definitiva, sino desde la observación, el cuidado y la aceptación de su carácter transitorio.  \nComo resultado, el proyecto propone comprender la prácticaescultórica como un espacio de acercamiento entre materia, memoria y experiencia, capaz de generar nuevas formas deaproximación a la pérdiday de otorgar presencia simbólica a aquello que permanece en los límites del recuerdo.  \nPALAVRAS-CHAVE  \nDistância-Perda – Narrativa – Ausência-Registo  \nRESUMO  \nEste relatório de projeto investiga as relações entre memória, perda, distância e representação do corpo a partir da prática escultórica contemporânea. A investigação parte da consideração da memória como uma construção instável, atravessada por processos de recordação e esquecimento que condicionam a nossa perceção daidentidade, da experiência e do tempo.  \nTomando como referência os contributos de autores como Paul Ricoeur, Rebecca Solnit, Jan Assmann e Bernard Stiegler, ","cbCainDkJg9tJZbV","https://ap.wps.com/l/cbCainDkJg9tJZbV","pdf",9023652,"English","# Resumen / Palabras clave\n# Resumo / Palavras-chave\n# Abstract / Keywords\n# Introducción\n# Nota de autor\n# La memoria. Nuestro tortuoso destino\n# No me da miedo perder\n# La distancia. Un recorrido interminable\n# Los días son más azules\n# Poética de la pérdida trágica\n# Una recolección de lo perdido\n# Desarrollo práctico\n# Conclusiones\n# Fuentes documentales\n## Fuentes principales\n## Fuentes secundarias\n# Anexos","[{\"question\":\"How does the thesis define memory in relation to identity and time?\",\"answer\":\"Memory is presented as an unstable construct shaped by remembering and forgetting, influencing how identity, experience, and time are perceived.\"},{\"question\":\"Which themes are central to the research?\",\"answer\":\"Key themes include narrative identity, absence, mourning, and the fragility of memories, explored through interdisciplinary references.\"},{\"question\":\"What role does sculpture play in engaging loss?\",\"answer\":\"Sculpture functions as a space for approaching matter, memory, and experience, offering symbolic presence to what remains only at the boundaries of remembrance rather than through definitive preservation.\"}]","CORPOS - Procesos esculturicos sobre o corpo e a sua memória | PDF",227]