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The book addresses controversies over identifying the “true” Coleridge, focusing on how reissued fragments, editing practices, and textual production shape inherited versions. It also considers critical disputes and the high stakes of determining which Coleridge becomes dominant across moments from Coleridge’s lifetime into the decades after his passing.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/constructing-coleridge-the-posthumous-life-of-the-author/300122/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/constructing-coleridge-the-posthumous-life-of-the-author/300122.png","ImageObject",300,407,{"name":92,"@type":93},"Ivy","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-26","2026-09-18",true,{"@type":102,"interactionType":103,"userInteractionCount":39},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What is the main goal of the study?","Question",{"text":112,"@type":113},"To examine how authorial identity is formed, using Coleridge as a case shaped by contradictions and competing stakes over which figure prevails.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Why does the book focus on posthumous construction rather than only Coleridge’s life?",{"text":117,"@type":113},"Because the “true” Coleridge is contested and the dominant Coleridge emerges through historical processes in editing, textual production, and early post-death decades.",{"name":119,"@type":110,"acceptedAnswer":120},"How does republishing earlier fragments relate to authorial identity in this book?",{"text":121,"@type":113},"Coleridge’s practice of republishing fragments in new contexts is treated as a key mechanism producing dramatically different purposes and thereby different inherited versions of him.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},300122,1790046576,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":39,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},549758252649,"https://ap-avatar.wpscdn.com/avatar/8000253669c5317157?_k=1778319167496531819","Constructing Coleridge  \nAlso by Alan D. Vardy  \nJOHN CLARE, POLITICS AND POETRY  \nConstructing Coleridge The Posthumous Life of the Author  \nAlan D. Vardy  \nHunter College and the Graduate Center City University of New York  \n© Alan D. Vardy 2010  \nAll rights reserved. No reproduction, copy or transmission of this publication may be made without written permission.  \nNo portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS.  \nAny person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988.  \nFirst published 2010 by PALGRAVE MACMILLAN  \nPalgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS.  \nPalgrave Macmillan in the US is a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010.  \nPalgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world.  \nPalgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries.  \nISBN 978–0–230–57480–9 hardback  \nThis book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin.  \nA catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data  \nVardy, Alan D., 1954–  \nConstructing Coleridge: the posthumous life of the author / Alan D. Vardy. [p. cm](p. cm).  \nISBN 978–0–230–57480–9 (hardback)  \n1. Coleridge, Samuel Taylor, 1772–1834—Criticism and interpretation—History. 2. Coleridge, Samuel Taylor, 1772–1834—Appreciation.  \n3. Romanticism—England. I. Title.  \nPR4484.V37 2010 821'.7—dc21  \n2010023946  \n10 9 8 7 6 5 4 3 2 1 19 18 17 16 15 14 13 12 11 10 Printed and bound in Great Britain by  \nCPI Antony Rowe, Chippenham and Eastbourne  \nIn memory of Jack Vardy (1928–2008) and Robin Blaser (1925–2009)  \nThis page intentionally left blank  \nContents  \nAcknowledgements viii  \nIntroduction 1  \n1 ‘Once a Jacobin Always a Jacobin’ 10  \n2 ‘Ungentlemanly Productions’: De Quincey and Scandal 26  \n3 ‘Henry’s Book’ 45  \n4 Coleridge the Plagiarist 64  \n5 Her Father’s ‘Remains’: Editing and Filial Love 81  \n6 Biographia Literaria, Sara Coleridge, and Self-Creation 101  \n7 Posterity and Writing ‘for the Day’ 122  \n8 Collecting Coleridge 142  \nNotes 165  \nWorks Cited 184  \nIndex 188  \nAcknowledgements  \nThis project began as a response to the various controversies over determining the ‘true’ Coleridge. Fascinated by Coleridge’s practice of republishing fragments of his earlier works in new contexts, often for dramatically different purposes, I sought to understand the versions of Coleridge we have inherited as the products of historical processes, editing, textual production, current critical controversies, et cetera. In developing my thinking, and ultimately, in producing this study, I am deeply indebted to the Coleridge Summer Conference under the direction and leadership of Nicholas Roe and Graham Davidson. They have created a remarkable community of scholars, and they never failed to challenge my assumptions, broaden my knowledge, and sharpen my thinking. I am especially indebted to two colleagues: Fred Burwick for suggesting that I needed to know more about James Frederick Ferrier before I adjudicated the plagiarism charges and Nick R","cbCaivIDyQvaTWp8","https://ap.wps.com/l/cbCaivIDyQvaTWp8","pdf",1854566,205,"English","# Contents\n## Acknowledgements\n## Introduction\n## 1 ‘Once a Jacobin Always a Jacobin’\n## 2 ‘Ungentlemanly Productions’: De Quincey and Scandal\n## 3 ‘Henry’s Book’\n## 4 Coleridge the Plagiarist\n## 5 Her Father’s ‘Remains’: Editing and Filial Love\n## 6 Biographia Literaria, Sara Coleridge, and Self-Creation\n## 7 Posterity and Writing ‘for the Day’\n## 8 Collecting Coleridge\n## Notes\n## Works Cited\n## Index","[{\"question\":\"What is the main goal of the study?\",\"answer\":\"To examine how authorial identity is formed, using Coleridge as a case shaped by contradictions and competing stakes over which figure prevails.\"},{\"question\":\"Why does the book focus on posthumous construction rather than only Coleridge’s life?\",\"answer\":\"Because the “true” Coleridge is contested and the dominant Coleridge emerges through historical processes in editing, textual production, and early post-death decades.\"},{\"question\":\"How does republishing earlier fragments relate to authorial identity in this book?\",\"answer\":\"Coleridge’s practice of republishing fragments in new contexts is treated as a key mechanism producing dramatically different purposes and thereby different inherited versions of him.\"}]","Constructing Coleridge - the posthumous life of the author | PDF",1789773031,316]