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communication on webtoons analyzed in the study?","Question",{"text":63,"@type":64},"The study uses a big-data emotion detection technique to identify, categorize, and analyze the contents of more than 14 million comments posted during the first year of the COVID-19 pandemic.","Answer",{"name":66,"@type":61,"acceptedAnswer":67},"What role does the CANVAS section play for webtoon readers?",{"text":68,"@type":64},"CANVAS is explored as a “chamber” where users express feelings, share commiserations, and provide collegial support, enabling parasocial interaction to become mediated intimacy.",{"name":70,"@type":61,"acceptedAnswer":71},"Why do the authors say the webtoon format becomes a communication platform?",{"text":72,"@type":64},"Because readers’ co-creating engagement through comments generates a sense of intimacy at a distance, transforming the webtoon format beyond storytelling, characters, and 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\nUniversity of Wollongong, Australia  \nDINGKUN WANG 1  \nUniversity of Hong Kong  \nMEHRDAD AMIRGHASEMI  \nMING LU  \nUniversity of Wollongong, Australia  \nKISHAN KARIIPPANON  \nJohn Walsh Centre for Rehabilitation Research, University of Sydney, Australia  \nThis study investigates some of the communicative practices displayed by readers of vertically scrolling digital comics known as webtoons . A big-data emotion detection technique is used to identify, categorize, and analyze the contents of more than 14 million comments posted during the first year of the COVID-19 pandemic . The authors explore the technical affordances of the self-publishing CANVAS section of the [Webtoons.com](Webtoons.com) site to demonstrate how an expanding cohort of readers use CANVAS as a chamber for communicating feelings, sharing commiserations, and offering collegial support. In so doing, they contribute to the improvement of participants’well-being and differentiate themselves from other digital platform users who comment solely on stories, characters, and aesthetics . As such, their parasocial interaction transforms the webtoon format, which has yet to be fully investigated, into a communication platform where the “co-creating engagement” of readers generates a sense of intimacy at a distance . The conclusion  \nBrian Yecies: [byecies@uow.edu.au](byecies@uow.edu.au)  \n[Dingkun Wang: wdingkun@hku.hk](Dingkun Wang: wdingkun@hku.hk)  \nMehrdad Amirghasemi: [mehrdad@uow.edu.au](mehrdad@uow.edu.au)  \nMing Lu: [yiminglu9908@gmail.com](yiminglu9908@gmail.com)  \nKishan Kariippanon: [kishan.karu@gmail.com](kishan.karu@gmail.com)  \n[Date submitted: 2024-04-05](Date submitted: 2024-04-05)  \n1 This Special Section is supported by the “Start-Up Funds” for professoriate staff administered by the University of Hong Kong (Project No. 006021001) .  \nCopyright © 2024 ( Brian Yecies, Dingkun Wang, Mehrdad Amirghasemi, Ming Lu, and Kishan Kariippanon) . Licensed under the Creative Commons Attribution Non-commercial No Derivatives (by-nc-nd) . Available at [http://ijoc.org](http://ijoc.org).  \n2920 Brian Yecies et al. International Journal of Communication 18(2024)  \nhighlights theoretical implications surrounding this communal digital technology of the self in the context of artificial intelligence .  \nKeywords: webtoons, emotion detection, engagement, social media entertainment, platformization  \nThe present study shows how confessional behavior, that is, the expression, sharing, and supporting of users’emotions, via the comment-posting feature observable on [Webtoon.com](Webtoon.com) distinguishes this site’s parasocial interactions from those found on other platforms . By focusing on webtoons, one of the fastest-growing convergent sectors of social media entertainment, we experiment with a multidisciplinary approach to global communications practice—one that is informed and shaped by changing industry dynamics . In updating existing understandings of the process of “co-creating engagement”—in which emotion plays a key role (Evans, 2019)—the present work can be taken as a companion to existing research on, for example, the “New King Kongs of the Online World” (Cunningham & Silver, 2013), the “new Korean Wave” and its transnational soft power success (Jin, 2020), as well as other forms of social media entertainment (Cunningham & Craig, 2019) that exceed far beyond the borders of Hollywood and Silicon Valley.  \nWe argue the confessional behavior of commentators and their readers in CANVAS instantiates a mediated intimacy, thereby enabling the site to become a communal digital technology of the self (Abbas & Dervin, 2009; Aycock, 1995; Foucault, 1988) . Thriving in its own right as a social media entertainment platform for a mass online public, the user-comment section of CANVAS has transformed the site by creating an infrastructure of parasocial intimacy that affords constant and ep","cbCaiiduy9VZEmK2","https://ap.wps.com/l/cbCaiiduy9VZEmK2","pdf",1028482,29,"English","# Overview\n## Communicative practices and research approach\n# Findings and contributions\n## CANVAS as a chamber for mediated intimacy\n## Confessional behavior and emotional support\n# Motivation and context\n## Why study webtoons and CANVAS","[{\"question\":\"How was reader communication on webtoons analyzed in the study?\",\"answer\":\"The study uses a big-data emotion detection technique to identify, categorize, and analyze the contents of more than 14 million comments posted during the first year of the COVID-19 pandemic.\"},{\"question\":\"What role does the CANVAS section play for webtoon readers?\",\"answer\":\"CANVAS is explored as a “chamber” where users express feelings, share commiserations, and provide collegial support, enabling parasocial interaction to become mediated intimacy.\"},{\"question\":\"Why do the authors say the webtoon format becomes a communication platform?\",\"answer\":\"Because readers’ co-creating engagement through comments generates a sense of intimacy at a distance, transforming the webtoon format beyond storytelling, characters, and aesthetics.\"}]","Communicating Through Chaos in the Webtoon Parasocial Intimacy - Chamber | PDF",73]