[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-139043-en":3,"doc-seo-139043-105":31,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":28,"seo_description":14,"update_tm":29,"read_time":30},139043,34359740700684,"Finn","https://ap-avatar.wpscdn.com/avatar/1f400023980c374ae676?_k=1777273430885731487",2,"Literature","Comics in Italy and Spain - A Brief History","A concise historical overview of comics in Italy and Spain, focusing on key developments, cultural context, and major influences that shaped the medium over time. The chapter situates artistic and narrative practices within broader traditions of European sequential art while highlighting the conditions that enabled distinctive local forms. It connects early roots and recurring themes with later evolutions in genre, authorship, and audience reception, supporting comparative understanding across comic histories.","CONTENTS  \nList of FiguresList of TablesNotes on ContributorsAcknowledgments  \nix  \nX  \nxi  \nxvi  \n1  \nIntroduction  \nAARON MESKIN,ROY T COOK,AND FRANK BRAMLETT  \nPART I  \nHistory and Traditions  \n7  \n1 Origins of Early Comics and Proto-Comics  \n9  \nM.THOMAS INGE  \n2 Newspaper Strips16PASCAL LEFEVRE  \n3 The Comics Code25AMY KISTE NYBERG  \n4 Underground and Alternative Comics  \n3444  \nROY T COOK  \n5 British ComicsCHRIS MURRAY  \n6 French and Belgian Comics53MARK MCKINNEY  \n7 Canadian Comics:A Brief History62BRENNA CLARKE GRAY  \n8 Comics in Latin America70ANA MERINO  \n# 9 A Brief History of Comics in Italy and Spain\n\n79  \nSIMONE CASTALDI  \n# 10 Comics in IndiaJEREMY STOLL\n\n8898  \n# 11 Eastern/Central European Comics\n\nJOSÉ ALANIZ  \n12 East Asian Comix:Intermingling Japanese Manga andEuro-American Comics106ADAM L.KERN  \n# PART I\n\nComics Genres117  \n13 Art Comics119ANDREI MOLOTIU  \n14 Superhero Comics128MATTHEW J.SMITH  \n15 Journalistic Comics137KENT WORCESTER  \n16 Funny Animals146BRIAN CREMINS  \n17 Erotic Comics154JUSTIN HALL  \n18 Western Comics164WILLIAM GRADY  \n19 Horror Comics174DAVID ANNWN JONES  \n20 War Comics183LEONARD RIFAS  \n21 Autobiographical Comics192MICHAEL A.JOHNSON  \n22 Silent Comics201BARBARA POSTEMA  \n23 Editorial Comics:From “Boss”Tweed to \"Dubya”Bush209MARK LONG AND CHRIS LAMB  \n# PART III\n\nIssues and Concepts219  \n24 Defining Comics221AARON MESKIN  \n25 Comics and Adaptation230HENRY JOHN PRATT  \n26 Comics and Authorship239ADRIELLE MITCHELL  \n27 Comics and Seriality248CHRISTY MAG UIDHIR  \n28 Metacomics257ROY T COOK  \n29 Comics and Fandom267MATTHEW PUSTZ  \n30 Comics,Race,and Ethnicity275ANDREW J.KUNKA  \n31 Comics and Gender285MEL GIBSON  \n32 LGBTQ Representation in Comics294AJUAN MANCE  \n33 Comics and Time303JAN BAETENS AND CHARLOTTE PYLYSER  \n34 Comics and Ethics311JON ROBSON  \n35 Comics and Translation319JONATHAN EVANS  \n36 Comics and Criticism328DARREN HUDSON HICK  \n# PART IV\n\nOther Media and Other Disciplines337  \n37 Comics and Film339CRAIG FISCHER  \n39 Teaching and Learning with Comics358CAROL L.TILLEY AND ROBERT G.WEINER  \n40 Caricature and Comics367JOHN HOLBO  \n41 Comics and Linguistics380FRANK BRAMLETT  \n42 Comics and Literature390HANNAH MIODRAG  \n43 Comics in Libraries399RICHARD GRAHAM  \n44 Comics and Rhetoric406RANDY DUNCAN  \n45 Comics and Politics415MICHAEL GOODRUM  \n46 Comics and Cultural Studies  \n424  \nIAN HAGUE  \n# 47 Comics,Children's Literature,and Childhood StudiesLARA SAGUISAG\n\n433  \nIndex  \n443","cbCaitVwVDKNnXAd","https://ap.wps.com/l/cbCaitVwVDKNnXAd","pdf",180895,5,1,4,"English","en",105,"# Introduction\n# History and Traditions\n## Origins of Early Comics and Proto-Comics\n## Newspaper Strips\n## The Comics Code\n## Underground and Alternative Comics\n## British Comics\n## French and Belgian Comics\n## Canadian Comics: A Brief History\n## Comics in Latin America\n## A Brief History of Comics in Italy and Spain\n## Comics in India\n## Eastern/Central European Comics\n## East Asian Comix: Intermingling Japanese Manga and Euro-American Comics\n# Comics Genres\n## Art Comics\n## Superhero Comics\n## Journalistic Comics\n## Funny Animals\n## Erotic Comics\n## Western Comics\n## Horror Comics\n## War Comics\n## Autobiographical Comics\n## Silent Comics\n## Editorial Comics: From “Boss” Tweed to \"Dubya\" Bush\n# Issues and Concepts\n## Defining Comics\n## Comics and Adaptation\n## Comics and Authorship\n## Comics and Seriality\n## Metacomics\n## Comics and Fandom\n## Comics, Race, and Ethnicity\n## Comics and Gender\n## LGBTQ Representation in Comics\n## Comics and Time\n## Comics and Ethics\n## Comics and Translation\n## Comics and Criticism\n# Other Media and Other Disciplines\n## Comics and Film\n## Teaching and Learning with Comics\n## Caricature and Comics\n## Comics and Linguistics\n## Comics and Literature\n## Comics in Libraries\n## Comics and Rhetoric\n## Comics and Politics\n## Comics and Cultural Studies\n## Comics, Children's Literature, and Childhood Studies","[{\"question\":\"What does the chapter cover about comics in Italy and Spain?\",\"answer\":\"It provides a brief historical account of how comics developed in Italy and Spain and how the medium evolved within their cultural contexts.\"},{\"question\":\"How is the chapter positioned within the book?\",\"answer\":\"It appears under the book’s “History and Traditions” section alongside other regional comic histories.\"},{\"question\":\"What is the purpose of comparing comics across different regions?\",\"answer\":\"The structure supports understanding how local traditions and influences shape distinctive genres, authorship patterns, and audience reception across comic cultures.\"}]","Comics in Italy and Spain - A Brief History | PDF",1787494740,6,{"code":4,"msg":32,"data":33},"ok",{"site_id":25,"language":24,"slug":34,"title":13,"keywords":35,"description":14,"schema_data":36,"social_meta":86,"head_meta":88,"extra_data":90,"updated_unix":29},"comics-in-italy-and-spain-a-brief-history","",{"@graph":37,"@context":85},[38,53,68],{"@type":39,"itemListElement":40},"BreadcrumbList",[41,45,48,51],{"item":42,"name":43,"@type":44,"position":21},"https://docshare.wps.com","Home","ListItem",{"item":46,"name":47,"@type":44,"position":11},"https://docshare.wps.com/document/","Document",{"item":49,"name":12,"@type":44,"position":50},"https://docshare.wps.com/document/literature/",3,{"item":52,"name":13,"@type":44,"position":22},"https://docshare.wps.com/document/comics-in-italy-and-spain-a-brief-history/139043/",{"url":52,"name":13,"@type":54,"author":55,"headline":13,"publisher":57,"fileFormat":60,"inLanguage":24,"description":14,"dateModified":61,"datePublished":62,"encodingFormat":60,"isAccessibleForFree":63,"interactionStatistic":64},"DigitalDocument",{"name":9,"@type":56},"Person",{"url":42,"name":58,"@type":59},"DocShare","Organization","application/pdf","2026-09-04","2026-08-23",true,{"@type":65,"interactionType":66,"userInteractionCount":20},"InteractionCounter",{"@type":67},"ViewAction",{"@type":69,"mainEntity":70},"FAQPage",[71,77,81],{"name":72,"@type":73,"acceptedAnswer":74},"What does the chapter cover about comics in Italy and Spain?","Question",{"text":75,"@type":76},"It provides a brief historical account of how comics developed in Italy and Spain and how the medium evolved within their cultural contexts.","Answer",{"name":78,"@type":73,"acceptedAnswer":79},"How is the chapter positioned within the book?",{"text":80,"@type":76},"It appears under the book’s “History and Traditions” section alongside other regional comic histories.",{"name":82,"@type":73,"acceptedAnswer":83},"What is the purpose of comparing comics across different regions?",{"text":84,"@type":76},"The structure supports understanding how local traditions and influences shape distinctive genres, authorship patterns, and audience reception across comic cultures.","https://schema.org",{"og:url":52,"og:type":87,"og:title":13,"og:site_name":58,"og:description":14},"article",{"robots":89,"canonical":52},"index,follow",{"doc_id":7,"site_id":25},{"code":4,"msg":5,"data":92},[93,97,100,104,108,112,117,122,127,130,134],{"id":21,"doc_module":4,"doc_module_name":47,"category_name":94,"show_sort_weight":95,"slug":96},"Story & Novel",90,"story-novel",{"id":11,"doc_module":4,"doc_module_name":47,"category_name":12,"show_sort_weight":98,"slug":99},80,"literature",{"id":22,"doc_module":4,"doc_module_name":47,"category_name":101,"show_sort_weight":102,"slug":103},"Exam",70,"exam",{"id":20,"doc_module":4,"doc_module_name":47,"category_name":105,"show_sort_weight":106,"slug":107},"Comic",60,"comic",{"id":30,"doc_module":4,"doc_module_name":47,"category_name":109,"show_sort_weight":110,"slug":111},"Technology",50,"technology",{"id":113,"doc_module":4,"doc_module_name":47,"category_name":114,"show_sort_weight":115,"slug":116},7,"Healthcare",40,"healthcare",{"id":118,"doc_module":4,"doc_module_name":47,"category_name":119,"show_sort_weight":120,"slug":121},8,"Research & Report",30,"research-report",{"id":123,"doc_module":4,"doc_module_name":47,"category_name":124,"show_sort_weight":125,"slug":126},9,"Religion & Spirituality",20,"religion-spirituality",{"id":125,"doc_module":4,"doc_module_name":47,"category_name":128,"show_sort_weight":125,"slug":129},"World Cup","world-cup",{"id":131,"doc_module":4,"doc_module_name":47,"category_name":132,"show_sort_weight":131,"slug":133},10,"Lifestyle","lifestyle",{"id":135,"doc_module":4,"doc_module_name":47,"category_name":136,"show_sort_weight":20,"slug":137},19,"General","general"]