[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-428856-105":59,"doc-detail-428856-en":131},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":124,"head_meta":126,"extra_data":128,"updated_unix":130},105,"en","color-and-paint-an-introduction-with-jane-davies-color-vocabulary-color-wheel-and-palettes","Color and Paint an Introduction with Jane Davies - Color Vocabulary - Color Wheel and Palettes","","A structured art-color guide explaining core concepts of the color wheel and color relationships. It defines primary, secondary, and tertiary colors, then distinguishes complementary and analogous color groupings based on hue contrast and placement. The document further covers hue, value, and saturation/intensity, including how tints, shades, and tones are created using white, black, or grey. It concludes with recommended artist paint palettes, listing specific pigments and a budget minimum set.",{"@graph":69,"@context":123},[70,84,106],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/color-and-paint-an-introduction-with-jane-davies-color-vocabulary-color-wheel-and-palettes/428856/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/color-and-paint-an-introduction-with-jane-davies-color-vocabulary-color-wheel-and-palettes/428856.png","ImageObject",300,407,{"name":92,"@type":93},"Putri","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-11-02","2026-09-29",true,{"@type":102,"interactionType":103,"userInteractionCount":105},"InteractionCounter",{"@type":104},"ViewAction",14,{"@type":107,"mainEntity":108},"FAQPage",[109,115,119],{"name":110,"@type":111,"acceptedAnswer":112},"What are primary, secondary, and tertiary colors in the guide?","Question",{"text":113,"@type":114},"Primary colors are red, yellow, and blue as the building blocks. Secondary colors come from mixing two primaries (orange, green, purple/violet). Tertiary colors sit between them, such as red-orange, yellow-orange, yellow-green, blue-green, blue-violet, and red-violet.","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"How does the document define complementary and analogous colors?",{"text":118,"@type":114},"Complementary colors are opposite on the color wheel and provide the highest hue contrast, with examples like red/green, purple/yellow, and orange/blue. Analogous colors are next to each other on the wheel, such as red-orange-yellow or violet-blueviolet-blue.",{"name":120,"@type":111,"acceptedAnswer":121},"How are tints, shades, and tones created?",{"text":122,"@type":114},"Tints are made by adding white, so they are lighter than the original color. Shades are made by adding black, making them darker. 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Though there are in7inite variations of hue, we commonly refer to twelve of them around the color wheel: red, red-­‐orange, orange, yellow-­‐orange, yellow, yellow-­‐green, green, blue-­‐green, blue, blue-­‐violet, violet (purple), red-­‐violet, and back to red.  \nPrimary colors – red, yellow, and blue – are the building blocks of other hues. They are equidistant on the color wheel.  \nSecondary colors are those made by mixing two primaries. Orange (red +yellow), Green (yellow+blue) and purple or violet (blue+red) are secondary colors.  \nTertiary colors are those in between the  \nsecondaries and primaries: red-­‐orange, yellow-­‐orange, yellow-­‐green, blue-­‐green, blueviolet, and red-­‐violet.  \nComplimentary Colors  \nComplimentary colors are pairs that are opposite on the color wheel and have the highest contrast in terms of hue: red/green, purple/yellow, orange/ blue, red-­‐orange/blue-­‐green, and so forth, are all pairs of complimentary colors.  \nAnalogous colors are those next to each other. Red, orange, yellow, for example; violet, blueviolet, and blue; green, blue-­‐green, and blue, for example.  \nHue refers to what Analogous Colors  \ncopyright 2013 Jane Davies Studios  \nColor and Paint an Introduction with Jane Davies 2  \ncolor a color is. Blue, green, red, pinkish-­‐orange, yellow-­‐green, etc. These are examples of hue.  \nValue refers to the lightness or darkness of a color.  \nSaturation or Intensity refers to the brightness or dullness of a color.  \nTints are made by adding white to a color, so they are of lighter value than the color at full strength.  \nShades are made by adding black to a color, so they are of darker value.  \nTones are made by adding grey to a color.  \nTints, shades, and tones are of lesser saturation than a color at full strength.  \nRecommended Palette of Artists’Paints  \nRed  \n• Cadmium Red Medium or Napthol Crimson or Napthol Red Light  \n• Quiadridone red, or some other Magenta (not Quin. Magenta)  \nOrange  \n• Cadmium Orange or Pyrrole Orange  \n• Qinacridone Gold is sort of in the orange range. I can’t make art without it, but maybe you can. Golden is the company that makes the best version of this, and now they call it “Quinacradone Nickel Azo Gold”.  \nYellow  \n• Cadmium Yellow Medium, or Hansa Yellow Light or Medium  \ncopyright 2013 Jane Davies Studios  \nColor and Paint an Introduction with Jane Davies 3  \nGreen  \n• Light Green or Permanent Green (or whatever looks like a true green)  \n• Hooker Green, Sap Green, or Jenkins Green  \n• Pthalo Green, which is an intense bluish green  \n• Green Gold, a unique olive/yellow green  \nBlue-­‐Green  \n• Pthalo Turquoise, or Cobalt Teal, or any turquoise that appeals  \nBlue  \n• Ultramarine (cool blue)  \n• Pthalo Blue (warm blue)  \nPurple  \n• Permanent Violet Dark, though you can usually get a successful purple by mixing your magenta with either of your blues.  \nBlack  \n• Carbon Black  \nWhite  \n• Titanium White  \nBudget Palette – the bare minimum  \nPrimary red (like Cadmium, etc.)  \nMagenta (much better for mixing) Orange  \nYellow  \nGreen (light or permanent)  \nTurquoise  \nWarm Blue (pthalo) Black  \nWhite  \ncopyright 2013 Jane Davies Studios","cbCaie7hb0i8z5rf","https://ap.wps.com/l/cbCaie7hb0i8z5rf","pdf",137997,"English","# Color Vocabulary\n## The Color Wheel\n## Complimentary Colors\n## Analogous Colors\n## Hue, Value, Saturation\n## Tints, Shades, Tones\n# Recommended Palettes of Artists’ Paints\n## Budget Palette – the bare minimum","[{\"question\":\"What are primary, secondary, and tertiary colors in the guide?\",\"answer\":\"Primary colors are red, yellow, and blue as the building blocks. Secondary colors come from mixing two primaries (orange, green, purple/violet). Tertiary colors sit between them, such as red-orange, yellow-orange, yellow-green, blue-green, blue-violet, and red-violet.\"},{\"question\":\"How does the document define complementary and analogous colors?\",\"answer\":\"Complementary colors are opposite on the color wheel and provide the highest hue contrast, with examples like red/green, purple/yellow, and orange/blue. Analogous colors are next to each other on the wheel, such as red-orange-yellow or violet-blueviolet-blue.\"},{\"question\":\"How are tints, shades, and tones created?\",\"answer\":\"Tints are made by adding white, so they are lighter than the original color. Shades are made by adding black, making them darker. Tones are made by adding grey and are less saturated than a full-strength color.\"}]","Color and Paint an Introduction with Jane Davies - Color Vocabulary - Color Wheel and Palettes | PDF",1790647942]