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Jones develops this claim through close readings of both canonical works such as Christabel and The Rime of the Ancient Mariner and less familiar verse including Limbo. The study shows how metre, rhythm, rhyme, and other formal features enable Coleridge to think in an original, distinctive manner, revising relations between eighteenth-century verse and philosophy, and shaping modern literary critical rediscovery of form.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/coleridge-and-the-philosophy-of-poetic-form-published-book/300109/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/coleridge-and-the-philosophy-of-poetic-form-published-book/300109.png","ImageObject",300,407,{"name":92,"@type":93},"Eliana","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-26","2026-09-18",true,{"@type":102,"interactionType":103,"userInteractionCount":44},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"How does Ewan James Jones say Coleridge engages with philosophy?","Question",{"text":112,"@type":113},"Jones argues that Coleridge engages most significantly with philosophy through verse rather than through systematic argument.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Which works does the book analyze in its close readings?",{"text":117,"@type":113},"The book reads canonical texts such as Christabel and The Rime of the Ancient Mariner, alongside less familiar verse such as Limbo.",{"name":119,"@type":110,"acceptedAnswer":120},"What role do formal poetic features play in Jones’s argument?",{"text":121,"@type":113},"Jones contends that metre, rhythm, rhyme, and related formal features let Coleridge think in an original and distinctive way, with broader implications for how verse and philosophy relate.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},300109,1790024199,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":44,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},4398048949847,"https://ap-avatar.wpscdn.com/avatar/400002536579ef2da7f?_k=1778318612642679267","COLERIDGE AND THE PHILOSOPHY OF POETIC FORM  \nEwan James Jones argues that Coleridge engaged most significantly with philosophy not through systematic argument, but in verse. Jones carries this argument through a series of sustained close readings, both of canonical texts, such as Christabel and The Rime of the Ancient Mariner, and also of less familiar verse, such as Limbo. Such work shows that the essential elements ofpoetic expression–a poem’s metre, rhythm, rhyme and other such formal features – enabled Coleridge to think in an original and distinctive manner, which his systematic philosophy impeded. Attentiveness to such formal features, which have for some time been overlooked in Coleridge scholarship, permitsa rethinking of the relationship between eighteenth-century verse and philosophy more broadly, as it engages with issues including affect, materiality and self-identity. Coleridge’s poetic thinking, Jones argues, both consolidates and radicalises the current literary critical rediscovery of form.  \newan james jones is Thole Research Fellow at Trinity Hall, University of Cambridge.  \ncambridge studies in romanticism  \nFounding editor  \nProfessor Marilyn Butler, University of Oxford  \nGeneral editor  \nProfessor James Chandler, University of Chicago  \nEditorial board  \nJohn Barrell, University of York Paul Hamilton, University of London Mary Jacobus, University of Cambridge Claudia Johnson, Princeton University Alan Liu, University of California, Santa Barbara Jerome McGann, University of Virginia David Simpson, University of California, Davis  \nThis series aims to foster the best new work in one of the most challenging fields within English literary studies. From the early 1780s to the early 1830s a formidable array of talented men and women took to literary composition, not just in poetry, which some of them famously transformed, but in many modes of writing. The expansion of publishing created new opportunities for writers, and the political stakes of what they wrote were raised again by what Wordsworth called those ‘great national events’ that were ‘almost daily taking place’: the French Revolution, the Napoleonic and American wars, urbanisation, industrialisation, religious revival, an expanded empire abroad and the reform movement at home. This was an enormous ambition, even when it pretended otherwise. The relations between science, philosophy, religion and literature were reworked in texts such as Frankenstein and Biographia Literaria; gender relations in A Vindication of the Rights of Woman and Don Juan; journalism by Cobbett and Hazlitt; poetic form, content and style by the Lake School and the Cockney School. Outside Shakespeare studies, probably no body of writing has produced such a wealth of comment or done so much to shape the responses of modern criticism. This, indeed, is the period that saw the emergence of those notions of‘literature’ and of literary history, especially national literary history, on which modern scholarship in English has been founded.  \nThe categories produced by Romanticism have also been challenged by recent historicist arguments. The task of the series is to engage both with a challenging corpus of Romantic writings and with the changing field of criticism they have helped to shape. As with other literary series published by Cambridge, this one will represent the work of both younger and more established scholars, on either side of the Atlantic and elsewhere.  \nFor a complete list of titles published see end of book.  \nCOLERIDGE AND THE PHILOSOPHY OF POETIC FORM  \nEWAN JAMES JONES  \nUniversity Printing House, Cambridge cb2 8bs, United Kingdom Cambridge University Press is part of the University of Cambridge.  \nIt furthers the University’s mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence.  \n[www.cambridge.org](www.cambridge.org)  \nInformation on this [title:](title: www.cambridge.org/9781107068445)","cbCaik5X4a8EleP4","https://ap.wps.com/l/cbCaik5X4a8EleP4","pdf",2418637,262,"English","# Introduction: Coleridge’s philosophy of poetic form\n## 1 ‘Less gross than bodily’: Interruption in the conversation poem sequence\n## 2 ‘Some transition, in the nature of the imagery or passion’: Rhythm and affect in ‘Christabel’\n## 3 ‘Earth worm wit lies under ground’: ‘Limbo’ and the philosophy of the pun\n## 4 The scandal of tautology: The ‘Rime’ and the tautegorical symbol\n# Coda: The philosophy of poetic form","[{\"question\":\"How does Ewan James Jones say Coleridge engages with philosophy?\",\"answer\":\"Jones argues that Coleridge engages most significantly with philosophy through verse rather than through systematic argument.\"},{\"question\":\"Which works does the book analyze in its close readings?\",\"answer\":\"The book reads canonical texts such as Christabel and The Rime of the Ancient Mariner, alongside less familiar verse such as Limbo.\"},{\"question\":\"What role do formal poetic features play in Jones’s argument?\",\"answer\":\"Jones contends that metre, rhythm, rhyme, and related formal features let Coleridge think in an original and distinctive way, with broader implications for how verse and philosophy relate.\"}]","Coleridge and the Philosophy of Poetic Form - published book | PDF",1789772971,403]