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No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher.  \nSally West has asserted her moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work.  \nPublished by  \nAshgate Publishing Limited Gower House  \nCroft Road  \nAldershot  \nHampshire GU11 3HR England  \nAshgate Publishing Company Suite 420  \n101 Cherry Street Burlington, VT 05401-4405 USA  \nAshgate website: [http://www.ashgate.com](http://www.ashgate.com)  \nBritish Library Cataloguing in Publication Data  \nWest, Sally, 1975–  \nColeridge and Shelley : textual engagement.–(The nineteenth century series)  \n1. Coleridge, Samuel Taylor, 1772–1834 – Influence 2. Shelley, Percy Bysshe, 1792– 1822–Political and social views 3. Coleridge, SamuelTaylor, 1772–1834–Criticism,Textual  \n4. Shelley, Percy Bysshe, 1792–1822 – Criticam, Textual 5. Coleridge, Samuel Taylor, 1772–1834 – Philosophy 6. Shelley, Percy Bysshe, 1792–1822 – Philosophy 7. English poetry – 19th century – History and criticism  \nI. Title 821.7  \nLibrary of Congress Cataloging-in-Publication Data  \nWest, Sally, 1975–  \nColeridge and Shelley : textual engagement / by Sally West.  \n[p. cm](p. cm).—(The nineteenth century series)  \nIncludes bibliographical references and index.  \nISBN 978-0-7546-6012-5 (alk. paper)  \n1. Coleridge, Samuel Taylor, 1772–1834—Influence. 2. Shelley, Percy Bysshe, 1792– 1822—Political and social views. 3. English poetry—19th century—History and criticism.  \n4. Coleridge, Samuel Taylor, 1772–1834—Criticism, Textual. 5. Shelley, Percy Bysshe, 1792–1822—Criticism, Textual. 6. Coleridge, Samuel Taylor, 1772–1834—Philosophy. 7. Shelley, Percy Bysshe, 1792–1822—Philosophy. I. Title.  \nPR4487 .I52 .W47 2007 821’.7—dc22  \n2007025766  \nISBN: 9780754660125  \nPrinted and bound in Great Britain by MPG Books Ltd, Bodmin, Cornwall.  \nContents  \nGeneral Editors’Preface vii  \nAcknowledgements viii  \nList of Abbreviations ix  \nIntroduction 1  \n1 Cultivating the Topos: Early Engagements 17  \n2 ‘Beside thee like thy shadow’: The presence of Coleridge in  \nShelley’s Alastor Volume 41  \n3 ‘An unremitting interchange’: The Voices of Mont Blanc 73  \n4 Perpetual Orphic Song: The ‘vitally metaphorical’ in  \n‘This Lime-Tree Bower’ and ‘To a Sky-Lark’ 99  \n5 ‘To him my tale I teach’: The Legacy of Coleridge’s Mariner in Shelley’s Prometheus Unbound Volume 123  \nAfterword 175  \nBibliography 185  \nIndex 195  \nThis page intentionally left blank  \nThe Nineteenth Century Series General Editors’ Preface  \nThe aim of the series is to reflect, develop and extend the great burgeoning of interest in the nineteenth century that has been an inevitable feature of recent years, as that former epoch has come more sharply into focus as a locus for our understanding not only of the past but of the contours of our modernity. It centres primarily upon major authors and subjects within Romantic and Victorian literature. It also includes studies of other British writers and issues, where these are matters of current debate: for example, biography and autobiography, journalism, periodical literature, travel writing, book production, gender, non-canonical writing. We are dedicated principally to publishing original monographs and symposia; our policy is to embrace a broad scope in chronology, approach and range of concern, and both to recognize and cut innovatively across such parameters as those suggested by the designations ‘Romantic’ and ‘Victorian’. We welcome new ideas and theories, while valuing traditional scholarship. It is hoped that the world which predates yet so forcibly predicts and engages our own will emerge in parts, in the wider swe","cbCaiu6v71YatLiH","https://ap.wps.com/l/cbCaiu6v71YatLiH","pdf",711794,210,"English","# Contents\n## Introduction\n## Cultivating the Topos: Early Engagements\n## ‘Beside thee like thy shadow’: The presence of Coleridge in Shelley’s Alastor\n## ‘An unremitting interchange’: The Voices of Mont Blanc\n## Perpetual Orphic Song: The ‘vitally metaphorical’ in ‘This Lime-Tree Bower’ and ‘To a Sky-Lark’\n## ‘To him my tale I teach’: The Legacy of Coleridge’s Mariner in Shelley’s Prometheus Unbound\n## Afterword\n## Bibliography\n## Index","[{\"question\":\"What is the main focus of the book?\",\"answer\":\"The book investigates textual engagement between Coleridge and Shelley, emphasizing how Coleridge’s writing and ideas are present in Shelley’s works.\"},{\"question\":\"Which Shelley texts are highlighted in the chapter structure?\",\"answer\":\"The table of contents points to Shelley’s Alastor and Prometheus Unbound, with discussion also tied to other poems such as ‘This Lime-Tree Bower’ and ‘To a Sky-Lark’.\"},{\"question\":\"How does the book approach influence and intertextuality?\",\"answer\":\"Chapters frame influence through presence, metaphorical language, and recognizable legacies (e.g., Coleridge’s Mariner) as they reappear or are transformed in Shelley’s writing.\"}]","Coleridge and Shelley - Textual Engagement | PDF",1789940212,323]