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The text compares works before and after cataracts, discusses altered color perception and brushstroke changes, and considers “barriers” created by disability and impasto texture, including reflective aquatic scenes and studio-garden 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\nPhotographyComponent 1Philly  \n67 marks,9PY0,C1  \n1  \n\n| Mark   | 14   | 14   | 14   | 14   | 11   |\n| --- | --- | --- | --- | --- | --- |\n| Performance  \u003Cbr>Level   |  |  | 5   | 5   | 4   |\n|  |  |  |  | Total   | 67   |\n|  |  |  |  | out of 90   |  |\n\nAO1AO2AO3AO4PersonalDevelopExplore andRecordRealiseStudySelect  \n67 marks,9PY0,C1  \n2  \n# FilteredCapturing the world through visual barriers\n\n67 marks,9PY0,C1  \n# Claude Monet\n\nOscar-Claude Monet was a french painter and was the founder of the Impressionist art movement,he was also akey figure in modernising art within France.Within his early years of being an artist Monet captured landscapes,seascapes and portraits yet this attracted little attention from people.Yet later on in life the French artist startedto capture the changing of light and the changing season in the same scene,most famous examples incude RouenCathedral and the painting of water lilies from his own garden which then occupied for the last 20 years of hislife.                                     \nThe painting on the right is by Monet,made in 1908,the french artist titled it Nympheas,which is translated into waterlilies.In the canvas it displays a part of what was Monet's own garden in Giverny,several sets of waterlilies bunchedtogether,trees and plants being reflected into the water.This was just before Monet developed his cataracts and can tell,the beauty of the fine small paint strokes that altogether make something incredible.At first glance the painting could bemistaken as blobs but looking deeper into it the painting is perfect,the subtle reflection of the surrounding areas and thetiny pink flowers that stand out amongst the shaded blue.While the painting on the left was created by Monet from 1917to 1919,he gave it the same name,Nympheas,but the canvas obviously shows how much of a difference his loss of sightmade in his work,the strokes of painting becoming far bigger and what can be seen is harder to make out,yet it is stillabeautiful painting which displays how creative and different Monet was,showing that his dificulties would not stop himfrom doing what he loved.  \nLoss of sightMonet soon fell into a depression,due to his second wife's death,yet during this time it is wherethe artist began to develop his first sign of cataracts.Traveling to London to consult anophthalmologist,Monet soon rejected the surgery offered to him.Over the following years ofhis life,Monet's sight worsened,his perception of colour suffered and his art changed,the brushstrokes becoming more broader and his paintings altogether increased in darkness.To make theprocess more simple,Monet began to label the tubes of paint he used and a strict order on hispalette.Monet began to approach painting differently,using his imagination and memory tomakeup the landscape.Yet eventually in 1923,the french painter underwent cataract surgery,now able to see real colour,Monet still suffered from Cyanopsia(blue vision)and aphakicspectacles.He began to destroy some of his preoperative canvas and by 1925 he was makingimprovements and retouches of some of this work too.  \nThis piece on the left is called Green Harmony it was made in the years 1914 to 1917,and it'sobvious it is of Monet garden at his home in Giverny.But the painting is another example of67 marks sPY⁰C1where his sight loss affected his work,the colours of the piece are dark and miserable,somethingwhich was prone to happen in his work over this period of time.The brusli strokes are large andclear to see and everything looks like it has been covered with a lay of haze,something which isblurring it out,that something being his eyesight.  \n# Capturing the world through visual barriers\n\nReflets darbres is just one of his notable paintings thatwere featured within his water lilies series.This workwas painted over several years in the early 1900s.Within these paintings,monet would usually depictthe reflections of trees and other otherworldly itemson the s","cbCaievY4QFqp7s7","https://ap.wps.com/l/cbCaievY4QFqp7s7","pdf",29128502,125,"English","# Filtered\n# Claude Monet\n## Green Harmony\n## Capturing the world through visual barriers\n## Reflets darbres","[{\"question\":\"What does the document describe about Monet’s early artistic focus?\",\"answer\":\"It states that Monet initially captured landscapes, seascapes, and portraits, though this attracted little attention at first.\"},{\"question\":\"How did Monet’s cataracts affect his painting technique and appearance?\",\"answer\":\"The text explains that his sight worsened, colors changed, brushstrokes became broader, and paintings increased in darkness, with more noticeable differences in later works.\"},{\"question\":\"What “visual barriers” does the document identify in relation to Monet’s work?\",\"answer\":\"It treats blindness and eye conditions as barriers, and also interprets thick impasto layers and physical elements like trees, plants, and water as visual barriers affecting how viewers engage with the paintings.\"}]","Claude Monet - Capturing the world through visual barriers | PDF",1792472081,315]