[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-566906-105":59,"doc-detail-566906-en":124},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":117,"head_meta":119,"extra_data":121,"updated_unix":123},105,"en","ciba-review-coprantine-colours-for-direct-printing","Ciba Review - Coprantine Colours for Direct Printing","","Ciba Review presents fashion and textile themes tied to the Tudor and Elizabethan period, alongside practical technical guidance for direct printing colors. It describes Coprantine Colours for use on cotton, linen, spun viscose and viscose rayon, emphasizing light and washing fastness while noting limits for boiling. The review highlights suitable applications for dress materials and furnishings, and contrasts cost and simplicity versus vat printing, including compatibility with screen, machine, and spray printing methods.",{"@graph":69,"@context":116},[70,84,99],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":30,"@type":76,"position":81},"https://docshare.wps.com/document/technology/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/ciba-review-coprantine-colours-for-direct-printing/566906/",{"url":83,"name":65,"@type":85,"author":86,"headline":65,"publisher":89,"fileFormat":92,"inLanguage":63,"description":67,"dateModified":93,"datePublished":93,"encodingFormat":92,"isAccessibleForFree":94,"interactionStatistic":95},"DigitalDocument",{"name":87,"@type":88},"Asher","Person",{"url":74,"name":90,"@type":91},"DocShare","Organization","application/pdf","2026-10-13",true,{"@type":96,"interactionType":97,"userInteractionCount":4},"InteractionCounter",{"@type":98},"ViewAction",{"@type":100,"mainEntity":101},"FAQPage",[102,108,112],{"name":103,"@type":104,"acceptedAnswer":105},"Coprantine Colours for direct printing适用哪些面料？","Question",{"text":106,"@type":107},"适用于棉、亚麻、纺纱粘胶、粘胶人造丝等面料。文中强调需要有良好的耐光和耐洗性能，但不要求耐沸煮。","Answer",{"name":109,"@type":104,"acceptedAnswer":110},"为什么说 Coprantine Colours 比 vat printing 更省？",{"text":111,"@type":107},"文中指出 Coprantine Colours 更便宜、应用更简单，并且在干燥与蒸煮条件下不受影响。",{"name":113,"@type":104,"acceptedAnswer":114},"Coprantine Colours 可以用哪些印花方式？",{"text":115,"@type":107},"文中明确适用于丝网印花、机印以及喷印（screen printing, macbine printing and spray printing）。","https://schema.org",{"og:url":83,"og:type":118,"og:title":65,"og:site_name":90,"og:description":67},"article",{"robots":120,"canonical":83},"index,follow",{"doc_id":122,"site_id":62},566906,1791864215,{"code":4,"msg":5,"data":125},{"doc_id":122,"user_id":126,"nickname":87,"user_avatar":127,"doc_module":4,"category_id":29,"category_name":30,"doc_title":65,"doc_description":67,"doc_content":128,"file_id":129,"file_url":130,"file_type":131,"file_size":132,"view_count":4,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":133,"language":134,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":135,"faqs":136,"seo_title":137,"seo_description":67,"update_tm":123,"read_time":138},687197207639,"https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd","# Ciba Review\n\n78  \nQueen Elizabeth of England(I558-1603)on her way to Blackfriars Theatre in the City of London,on 16 June I6oo.This covered theatre,built in I596,was later,from 1609 at the latest,used for the evening performances of Shakespeare'scompany.Copperplate engraving by George Vertue,presumably after a painting by Marcus Geerards the Younger(I561to I635).By Courtesy of the Guildhall Library,London.  \n Fnsbions mnd Taxtilis ofleen sl,icna6ethis Rig  \n## Coprantine Colours for Direct Printing\n\nFor all styles on  \ncotton,linen,spun viscose,viscose rayonfor which  \ngood fastness to light and washing  \nbut no fastness to boiling is required.Therefore particularly suitable for dressmaterials,overalls,casements andfurnishing materials  \nCoprantine Colours arecheaper than vat printing,simple in application,  \nindependant of drying and steamingconditions and suitable for  \nscreen printing,macbine printing and spray printing  \nCiha Review  \nBasle·February I950  \n## Fasbions and Textiles of Queen Elizabetb's Reign\n\nBy H.Wescher  \nThe Elizabethan Age...·..·.·.····.page 2838Dress and Fashion at the Court of Queen Elizabeth ..,2843Pageants and Masques ...·····..285ITextile Trades under Queen Elizabeth .......·,2858  \n## Modern Trends in Printing,Dyeing and Finisbing\n\nRate of Dyeing Curves...···········.page 2865The Dyeing of Coprantine Colours.········,2867New Ciba Dyes and Textile Auxiliary Products...·,2868  \nReprint and Translation,whole or in part,are subject to the permission of the publishers of the Ciba Review  \nThe Tudor period(I485-1603)was one ofthe most eventful in English history.Duringthe one hundred and twenty years that sepa-rate the feudal and religious civil wars of thefifteenth and seventeenth centuries respective-ly,the Crown gained an unparalleled influenceon the country's destinies:it created an in-dependent Anglican Church and gave to a na-,tion that had been isolated politically,fullstatus among the European Powers.UnderHenry VIII(I509-47)and Edward VI(I547to I553)the gentry advanced to the place pre-viously held by the baronial class,which hadbecome practically extinct in the Wars of theRoses.However,social changes and the spiri-tual and religious revolution at home pro-ceeded without marked danger to England’sforeign position,whereas from I555 onwardsthe great antagonism on the Continent wassteadily aggravated as a result of the Counter-Reformation.By her marriage with Philip IIof Spain,Queen Mary(I553-58),the eldestdaughter of Henry VIII,subordinated hercountry to the policies of the Spanish Empire.When Elizabeth,Mary's half-sister and daugh-ter of the unfortunate Anne Boleyn,accededto the throne in I558,her foremost task wasto free England from the grip of Spain as wellas of France.The Union of England withScotland was not yet accomplished,the Scot-  \ntish crown being in the Stuart family who hadclose ties with the French throne.With noarmy and very little revenue at her disposal,the English Queen had to rely on a policy ofsupreme caution and adroit evasion in pickingher way between the opposing forces.Onlyby concealing her true intentions and by con-summate diplomacy could she expect to assertherself.Better perhaps than any other womanof her time,which in politics was notoriouslyunscrupulous,Elizabeth had learnt the art ofdissimulation from early childhood;she like-wise was a past master in using the ceaselessmarriage rumours concerning her person tomask her designs.In all her actions she was,however,guided solely by her country's in-terest;she remainedunmarriedbecause shewasunwilling to admit any foreign influence,orfavour one party athome rather than the other.She shared the cool and purely political atti-tude towards Church matters of her Secretaryof State,William Cecil(I520-98),later LordBurghley,who for forty years served as theQueen's chief adviser,loyal but independentin mind,and either a restraining influence ormaking his sovereign hold to a consistentcourse of action.  \nIn spite of all her ende","cbCaih5Gm0aOHtY7","https://ap.wps.com/l/cbCaih5Gm0aOHtY7","pdf",3345961,36,"English","# Coprantine Colours for Direct Printing\n## Fasbions and Textiles of Queen Elizabetb's Reign\n## Modern Trends in Printing, Dyeing and Finisbing","[{\"question\":\"Coprantine Colours for direct printing适用哪些面料？\",\"answer\":\"适用于棉、亚麻、纺纱粘胶、粘胶人造丝等面料。文中强调需要有良好的耐光和耐洗性能，但不要求耐沸煮。\"},{\"question\":\"为什么说 Coprantine Colours 比 vat printing 更省？\",\"answer\":\"文中指出 Coprantine Colours 更便宜、应用更简单，并且在干燥与蒸煮条件下不受影响。\"},{\"question\":\"Coprantine Colours 可以用哪些印花方式？\",\"answer\":\"文中明确适用于丝网印花、机印以及喷印（screen printing, macbine printing and spray printing）。\"}]","Ciba Review - Coprantine Colours for Direct Printing | PDF",91]