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part of this publication may be reproduced,storedin a retrieval system or transmitted,in any form or by any means,withoutprior permission of the publisher or,in the case of photocopying or otherreprographic copying,a licence from Access Copyright,the Canadian  \nCopyright Licensing Agency,www.accesscopyright.ca,1-80o-893-5777,info@accesscopyright.ca.  \nDagger Editions(an imprint of Caitlin Press Inc.)8100 Alderwood Road,Halfmoon Bay,BC VoN 1Yiwww.daggereditions.com  \nText and cover design by Vici Johnstone  \nCover art work:Jacqueline Rush Lee,www.jacquelinerushlee.comPrinted in Canada  \nCaitlin Press Inc.acknowledges financial support from the Government ofCanada and the Canada Council for the Arts,and the Province of BritishColumbia through the British Columbia Arts Council and the Book Publisher'sTax Credit  \nCanada  \nfor the Arts  \ndu Canada  \nLibrary and Archives Canada Cataloguing in Publication  \nMcKenna,Emma,1983-,author  \nChenille or silk /Emma McKenna.  \nPoems.  \nISBN978-1-987915-89-1(softcover)  \nI.Title.  \nPS8625.K4245C542019C2018-905974-5  \nCHENILLE OR SILK  \nPOEMS BY  \nEMMA McKENNA  \nDAGGER EDITIONS  \nCONTENTS  \nCHENILLE OR SILK  \nSNAKINGRAGE POSEVACATIONTHE MANSIONGEMINI  \nCHENILLE OR SILKWINDSTORM  \nA THING OF WoRTHWOMEN's LANDMAY Two-FOURBEAUBIEN  \nTHE UPWARD MoBILITY OF TONGUES  \nTHE UPWARD MOBILITY OF TONGUES  \nAVISIT WITH A PROPHETESSPROCESSNUMBERSCASTLE  \nSMALL SOUNDHUSH HUSH  \nSOMETHING INTEGRALCHRONICLE  \nHELMS AND MoORSCURRENCYTRAITORSANIMALS  \n8  \n10  \n11  \n12  \n13  \n14  \n16  \n18  \n19  \n21  \n22  \n2426  \n4346  \n27  \n29  \n31  \n32  \n33  \n35  \n37  \n39  \n41  \nBEEN HEALING SINCE  \nTHE YEAR EVERYONE HAD A BABYTHE SYLVIA HoTEL  \nDo You KNOw ANY SCIENCE FICTION POEMSFAMILIARS  \nDID You GET ENOUGHCOMING TO CLASSGREEDY  \nHoUSEKEEPINGONE DAY  \nLESS PARTIAL THAN ANY OTHER  \nFOR ANNA AND HELEN,ON TWENTY YEARSFUCHSIA WAVESBOXING DAYBEEN HEALING SINCE  \nACKNOWLEDGEMENTS  \n.AUTHOR BIO  \n52  \n53  \n5556  \n57  \n59  \n61636566676869272  \nCHENILLE OR SILK  \nSNAKING  \n# Every weekend\n\nWe walked through the cooliesDirt clinging to our canvas shoesWhile we tried to keepupWith her quick stepsAhead of us,MovingStealthily through the shade  \n# The trails\n\nWere long and windingUnderneath railroad tracksOn stilts  \nThat cut boxes into the blue skyAnd cast shadowsLike a giant reptileAcross the prairie floor  \n# Up close\n\nWe would hold onto the metal polesLooking up  \nWe thought enviously about the teenagersWho climbed to the top and threatened to jumpAs we swallowedDry mouthfuls of windBlonde hair whipping against our lips  \nCracked,like our courage  \nAs we would wander off the pathInto the elbow-high grassYellow and fawnStepping carefullyTo avoid the holesA distant rattleA warning to stand still  \n8","cbCaiu8wPVLMxUBd","https://ap.wps.com/l/cbCaiu8wPVLMxUBd","pdf",1599021,76,"English","# Every weekend\n## The trails\n## Up close","[{\"question\":\"What kinds of scenes does the collection depict?\",\"answer\":\"It presents walking and outdoor prairie imagery, including trails, shade under tracks, and close-up observation of the surroundings.\"},{\"question\":\"How does “Every weekend” set the mood?\",\"answer\":\"It establishes a steady, forward movement through coolies, wind, and careful pacing as the speaker tries to keep up.\"},{\"question\":\"What conflict or tension appears in “Up close”?\",\"answer\":\"The poems contrast envy and daring with restraint and fear, especially as danger signals urge standing still and avoiding holes.\"}]","CHENILLE OR SILK - Poems | PDF",1790584576,117]