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Adventures in  \nWonderland All Quiet on the  \nWestern Front Animal Farm The Ballad of the Sad  \nCafé Beloved  \nBeowulf Black Boy The Bluest Eye  \nThe Canterbury Tales Cat on a Hot Tin  \nRoof Catch-22  \nThe Catcher in the Rye  \nThe Chronicles of Narnia  \nThe Color Purple Crime and Punishment The Crucible  \nCry, the Beloved Country  \nDarkness at Noon Death of a Salesman The Death of Artemio  \nCruz The Diary of Anne  \nFrank Don Quixote Emerson’s Essays Emma Fahrenheit 451  \nA Farewell to Arms Frankenstein The Glass Menagerie The Grapes of Wrath Great Expectations  \nThe Great Gatsby Gulliver’s Travels Hamlet  \nHeart of Darkness The House on Mango  \nStreet I Know Why the  \nCaged Bird Sings The Iliad Invisible Man Jane Eyre The Joy Luck Club Julius Caesar The Jungle  \nKing Lear  \nLong Day’s Journey into Night  \nLord of the Flies The Lord of the Rings Love in the Time of  \nCholera Macbeth The Man Without  \nQualities The Merchant of  \nVenice The Metamorphosis  \nA Midsummer Night’s Dream  \nMiss Lonelyhearts Moby-Dick  \nMy Ántonia Native Son Night 1984 The Odyssey Oedipus Rex  \nThe Old Man and the Sea  \nOn the Road  \nOne Flew over the Cuckoo’s Nest  \nOne Hundred Years of Solitude  \nOthello  \nPersuasion Portnoy’s Complaint Pride and Prejudice Ragtime  \nThe Red Badge of Courage  \nRomeo and Juliet The Rubáiyát of Omar  \nKhayyám The Scarlet Letter A Separate Peace Silas Marner Slaughterhouse-Five Song of Solomon The Sound and the  \nFury The Stranger A Streetcar Named  \nDesire Sula  \nThe Sun Also Rises  \nThe Tale of Genji A Tale of Two Cities“The Tell-Tale Heart”and Other Stories Their Eyes Were Watching God Things Fall Apart The Things They  \nCarried  \nTo Kill a Mockingbird Ulysses  \nWaiting for Godot The Waste Land Wuthering Heights Young Goodman  \nBrown  \n\n| Bloom’s Modern Critical Interpretations |\n| --- |\n| Charles Dickens’s\u003Cbr>Great Expectations\u003Cbr>New Edition |\n\nEdited and with an introduction by  \nHarold Bloom  \nSterling Professor of the Humanities Yale University  \nBloom’s Modern Critical Interpretations: Great Expectations—New Edition  \nCopyright © 2010 by Infobase Publishing Introduction © 2010 by Harold Bloom  \nAll rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact:  \nBloom’s Literary Criticism  \nAn imprint of Infobase Publishing  \n132 West 31st Street New York NY 10001  \nLibrary of Congress Cataloging-in-Publication Data  \nCharles Dickens’s Great expectations / edited and with an introduction by Harold Bloom.—New ed.  \n[p. cm](p. cm).—(Bloom’s modern critical interpretations) Includes bibliographical references and index.  \nISBN 978-1-60413-819-1 (hardcover : alk. paper)  \n1. Dickens, Charles, 1812–1870. Great expectations. I. Bloom, Harold. PR4560 .G688 2010  \n823'. 8—dc22 2009049230  \nBloom’s Literary Criticism books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755.  \nYou can find Bloom’s Literary Criticism on the World Wide Web at [http://www.chelseahouse.com](http://www.chelseahouse.com)  \n[Contributing editor: Pamela Loos](Contributing editor: Pamela Loos)[ ](Contributing editor: Pamela Loos)Cover design by Alicia Post Composition by IBT Global, Troy NY Cover printed by IBT Global, Troy NY  \nBook printed and bound by IBT Global, Troy NY Date printed: April 2010  \nPrinted in the United States of America 10 9 8 7 6 5 4 3 2 1  \nThis book is printed on acid-free paper.  \nAll links and Web addresses were checked and verified to be correct at the time of publication. Because of the dynamic nature of the Web, some a","cbCaigFLgp1CLupY","https://ap.wps.com/l/cbCaigFLgp1CLupY","pdf",1819896,196,"English","# Editor’s Note\n# Introduction\n## Estella’s Parentage and Pip’s Persistence: The Outcome of Great Expectations\n## “Pip” and “Property”: The (Re)Production of the Self in Great Expectations\n## Christian Allusion, Comedic Structure, and the Metaphor of Baptism in Great Expectations\n## Listening to Estella\n## The Good and the Unruly in Great Expectations—and Estella\n## The Burning of Miss Havisham: Dickens, Fire and the “Fire-Baptism”\n## Realism as Self-Forgetfulness: Gender, Ethics, and Great Expectations\n## The Prince of the Marshes: Hamlet and Great Expectations\n## Great Expectations: “Absolute Equality”","[{\"question\":\"Who edited and introduced Great Expectations in this edition?\",\"answer\":\"Harold Bloom edited the volume and provided the introduction.\"},{\"question\":\"What is the focus of the Editor’s Note?\",\"answer\":\"The Editor’s Note discusses Pip’s inwardness and speculates on Shakespeare’s possible influence on Pip’s capacity for change as he listens to his own narrative voice.\"},{\"question\":\"Which themes and references do the essays examine?\",\"answer\":\"The essays examine providential design, Victorian consumer society, Christian allusion and baptism imagery, Estella’s role, realism, and connections to Shakespeare, among other interpretive angles.\"}]","Charles Dickens's Great Expectations - New Edition - Edited and with an introduction by Harold Bloom | PDF",1789772630,302]