[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-33889-en":3,"doc-seo-33889-105":29},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":20,"is_downloadable":20,"audit_status":20,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":13,"seo_description":14,"update_tm":27,"read_time":28},33889,687197207057,"Sage","https://ap-avatar.wpscdn.com/davatar_29158cc5080c5b710cf443261637dec0",8,"Research & Report","Categories of Art","“Categories of Art” examines how aesthetic evaluation relates to a work’s history. Kendall L. Walton challenges the claim that critics can ignore biographical and historical circumstances once a work exists, focusing instead on how works’ perceptual and aesthetic properties are accessed and assessed. The discussion distinguishes aesthetic from non-aesthetic features, using examples from visual art and music to clarify what must be perceivable within the work itself, and to what extent historical separation is justified.","","cbCaibtyvNJKtaNv","https://ap.wps.com/l/cbCaibtyvNJKtaNv","pdf",2509069,1,35,"English","en",105,"# Introduction\n# Separation of aesthetic judgment from history\n# Aesthetic and non-aesthetic properties\n# Perception and discovery of aesthetic qualities","[{\"question\":\"What central question does Kendall L. Walton address in “Categories of Art”?\",\"answer\":\"How far critical questions about works of art can be separated from questions about their histories.\"},{\"question\":\"Why do many aesthetic theorists argue that historical circumstances are irrelevant to aesthetic judgment?\",\"answer\":\"They claim that after a work is produced it must stand or fall on its own, with assessment focused on what can be seen or heard in the work rather than who made it or the context of its creation.\"},{\"question\":\"How does Walton distinguish aesthetic properties from non-aesthetic properties?\",\"answer\":\"Aesthetic properties are features of artworks that are in the works and must be seen, heard, or otherwise perceived there, just like non-aesthetic properties; the key difference is the aesthetic qualities such as mystery, tension, coherence, balance, and serenity.\"}]",1782217507,88,{"code":4,"msg":30,"data":31},"ok",{"site_id":24,"language":23,"slug":32,"title":13,"keywords":15,"description":14,"schema_data":33,"social_meta":85,"head_meta":87,"extra_data":89,"updated_unix":27},"categories-of-art",{"@graph":34,"@context":84},[35,52,67],{"@type":36,"itemListElement":37},"BreadcrumbList",[38,42,46,49],{"item":39,"name":40,"@type":41,"position":20},"https://docshare.wps.com","Home","ListItem",{"item":43,"name":44,"@type":41,"position":45},"https://docshare.wps.com/document/","Document",2,{"item":47,"name":12,"@type":41,"position":48},"https://docshare.wps.com/document/research-report/",3,{"item":50,"name":13,"@type":41,"position":51},"https://docshare.wps.com/document/categories-of-art/33889/",4,{"url":50,"name":13,"@type":53,"author":54,"headline":13,"publisher":56,"fileFormat":59,"inLanguage":23,"description":14,"dateModified":60,"datePublished":61,"encodingFormat":59,"isAccessibleForFree":62,"interactionStatistic":63},"DigitalDocument",{"name":9,"@type":55},"Person",{"url":39,"name":57,"@type":58},"DocShare","Organization","application/pdf","2026-07-01","2026-06-23",true,{"@type":64,"interactionType":65,"userInteractionCount":20},"InteractionCounter",{"@type":66},"ViewAction",{"@type":68,"mainEntity":69},"FAQPage",[70,76,80],{"name":71,"@type":72,"acceptedAnswer":73},"What central question does Kendall L. Walton address in “Categories of Art”?","Question",{"text":74,"@type":75},"How far critical questions about works of art can be separated from questions about their histories.","Answer",{"name":77,"@type":72,"acceptedAnswer":78},"Why do many aesthetic theorists argue that historical circumstances are irrelevant to aesthetic judgment?",{"text":79,"@type":75},"They claim that after a work is produced it must stand or fall on its own, with assessment focused on what can be seen or heard in the work rather than who made it or the context of its creation.",{"name":81,"@type":72,"acceptedAnswer":82},"How does Walton distinguish aesthetic properties from non-aesthetic properties?",{"text":83,"@type":75},"Aesthetic properties are features of artworks that are in the works and must be seen, heard, or otherwise perceived there, just like non-aesthetic properties; the key difference is the aesthetic qualities such as mystery, tension, coherence, balance, and serenity.","https://schema.org",{"og:url":50,"og:type":86,"og:title":13,"og:site_name":57,"og:description":14},"article",{"robots":88,"canonical":50},"index,follow",{"doc_id":7,"site_id":24}]