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Compiled by John Harris, it reflects on unresolved scholarly questions, highlights relationships among key figures attributed to designs, and distinguishes practical projects from theoretical Palladian exercises. The introduction frames Campbell’s origins and influence on early eighteenth-century neo-Palladianism, emphasizing major drawing groups and how the collection illuminates development of specific designs such as Houghton and Compton Place.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/catalogue-of-the-drawings-collection-of-the-royal-institute-of-british-architects-colen-campbell/662567/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/catalogue-of-the-drawings-collection-of-the-royal-institute-of-british-architects-colen-campbell/662567.png","ImageObject",300,407,{"name":92,"@type":93},"Indoniesian Boy","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-30","2026-10-28",true,{"@type":102,"interactionType":103,"userInteractionCount":81},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What is the purpose of this drawings catalogue?","Question",{"text":112,"@type":113},"It is an annotated guide to the Royal Institute of British Architects’ Drawings Collection, not a fully definitive account. It depends on what has already been published and clarifies specific developments rather than adding extensively to existing knowledge.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Why does the introduction note that some architectural questions remain unresolved?",{"text":117,"@type":113},"It points out enigmas such as the relationship between Roger Morris and Campbell, the identity of Campbell’s draughtsman, and authorship of interiors in many buildings. The text stresses that these matters are identified but not fully explained.",{"name":119,"@type":110,"acceptedAnswer":120},"How does the introduction describe Campbell’s role in neo-Palladianism?",{"text":121,"@type":113},"It characterizes Campbell as cautious and conservative, yet astute in recognizing opportunities. The catalogue argues that his designs help establish a pattern for both country and town house building, especially through key drawings around 1712 and 1713.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},662567,1793220304,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":81,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":129,"read_time":144},962090760608,"https://ap-avatar.wpscdn.com/davatar_276721f389ce27ea32af1340a28f341c","Drmy Galuch~  \nCatalogue of  \nthe Drawvings Collectionof the Royal Institute   o Britisb Architects  \nCOLEN CAMPBELL  \ncompiled by John Harris  \nTHE SIR BANISTER FLETCHER LIBRARY,ROYALINSTITUTE OF BRITISH ARCHITECTS  \nCopyright ◎1973 by Royal Institute of British ArchitectsAll rights reserved.No part of this publication may be reproduced,stored in a rctricval system,or transmitted,in any form or by anymeans,electronic,mechanical,photocopying,recording or otherwise,without the prior permission of Gregg International Publishers Ltd.  \nPublished 1973 by Gregg International Publishers Ltd,1 Westmead,Farnborough,Hants,England  \n0576159999(complete set)  \n0576155624(this volume)  \nDesrigned and prodzuced by Design for Print Ltd,London SW1Tex1 printed in Hungary by Franklin Nyomda,BudapestPlates printed in England by Cotwold Collotype Co.Ltd,Wotton-under-Edge  \nreface  \nThis catalogue is not meant to be definitive.Like other catalogues of the Drawings Collectionit is rather an annotated guide,dependent very much upon what has already been published.Ithas,alas,neither benefited from Mr Timothy Connor's work on Vitrwius Britannicus,nordoes it solve the problems of the crucial years 1712 and 1713 when Campbell was converted toPalladianism and Wanstead was designed.The part played(even unwittingly)by the mysterious'James Smith'is also unsolved,although it is clear that his theoretical Palladian drawings werea fertile source of inspiration to Campbell.There are many other enigmas that are pointed outbut not explained:the relationship between Roger Morris and Campbell,the identity of Camp-bell's draughtsman and the authorship of the interiors of many of his buildings,are but a few.Apart from a number of smaller town houses and unexecuted designs,there are probably nomajor executed works to be discovered,unless they were commissioned after the appearance ofthe third volume of Vitrwius Britannicus in 1725.This cataloguc cannot,therefore,addextensively to our knowledge of Campbell.Rather it illumines thc development of some designs(notably for Houghton and Compton Place)and fills in minor details.The key drawings areprobably those of 1712 for the New Churches,and those of 1713 for Wanstead.An analysis ofCampbell's designs shows a mind less cerebral than Jones's or Lord Burlington's,for Campbellwas cautious and conservative,but he was astute enough to recognize the main chance and,intaking it,to establish a pattern for country and town house building.  \nJOHN HARRIS  \nOctober 1972  \nTO  \nH.M.COLVIN  \nour invaluable lexicographer  \ny  \nty  \nS  \nn  \nal  \nT  \nt  \nIntroduction  \nCAMPBELL AND THE ORIGINS OF EIGHTEENTH-CENTURY  \nNEO-PALLADIANISM IN BRITAIN  \nHad not the genealogy of Colen Campbell been revealed by the Cawdorand Brodic papers,a clue as to where to search in the complex genea-logical tree of clan Campbell might have been provided by the designattributed to 'Smith'for rcbuilding Cawdor Castle.It is now recognizedthat Colen's father was Donald Campbell of Boghole and Urchany,and that Donald's elder brothcr was Sir Hugh Campbell of Cawdor.Donald's mother was Elizabeth Brodie,and in the diary of AlexanderBrodie,under 15 June 1676,is the information that had eluded architec-tural historians for so long:\"This morning Don.Campbell's eldestson Colen Campbell was born’.Donald Campbcll died in 1680,andour Colcn may be the Colinus Campbell who graduated from EdinburghUniversity in July 1695-at the age,therefore,of ninctecn.Colenwas traincd for the Bar and was admitted to the Faculty of Graduateson 29 July 1702,an event commented upon by a friend of Sir HughCampbell,who wrote to him that'Your Cossin Mr.Colinc Campbell ofBogholl has past his tryalls as ane lawier and he acquitt himself toadmiratione'.Between 1695 and 1702 Campbell travellcd to Italy if he isthe ‘Colinus Campbell'who signed the visitors'book of Padua Uni-versity in 1697.Nevertheless,Colen Campbell is a not uncommon name,although there is evidence that Campbell studied the Villa Capr","cbCaiof8O6qlb2yh","https://ap.wps.com/l/cbCaiof8O6qlb2yh","pdf",47945137,111,"English","# Introduction\n## Campbell and the Origins of Eighteenth-Century Neo-Palladianism in Britain","[{\"question\":\"What is the purpose of this drawings catalogue?\",\"answer\":\"It is an annotated guide to the Royal Institute of British Architects’ Drawings Collection, not a fully definitive account. It depends on what has already been published and clarifies specific developments rather than adding extensively to existing knowledge.\"},{\"question\":\"Why does the introduction note that some architectural questions remain unresolved?\",\"answer\":\"It points out enigmas such as the relationship between Roger Morris and Campbell, the identity of Campbell’s draughtsman, and authorship of interiors in many buildings. The text stresses that these matters are identified but not fully explained.\"},{\"question\":\"How does the introduction describe Campbell’s role in neo-Palladianism?\",\"answer\":\"It characterizes Campbell as cautious and conservative, yet astute in recognizing opportunities. The catalogue argues that his designs help establish a pattern for both country and town house building, especially through key drawings around 1712 and 1713.\"}]","Catalogue of the Drawings Collection of the Royal Institute of British Architects - Colen Campbell | PDF",171]