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The publication frames its creation as “Some Words are for Reading, Some Words are for Singing,” moving from its project origins around 2008 and earlier recorded music to a track list of performances. 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Markin'Time  \n4.Fish  \n5.  Sam Patch  \n6.Alison(Swinging In A Bar)  \n7.The Old Married Couple  \n8.Your House is Gone  \n9.Betty is a Camera  \n10.A Poet Forgets His Library(Eady/Heveron)  \n11.Bed Bug  \n12.Heart,Have No Pity(Millay/Eady)  \n13.Hot Day(Eady/Heveron)feat.Ms.Carol Heveron,vocal  \nAll Songs,C.Eady,except noted.  \nAll tracks produced by Bernie Heveron and Cornelius Eady(with thanks to Ms.Carol Heveron).  \n\"Fish,\"“Rita Hayworth's Last Film,\"“Alison,”“Your House IsGone,\"and ”Stone Cold Jane\"mixed by Bernie Heveron andCornelius Eady,White Couch Studio,Acra,NY.  \n“Markin'Time,\"\"Kathleen,\"\"Heart,Have No Pity”and “BedBug\"mixed by Jim Bertini,Galaxy Smith Studios,Brooklyn,NY.  \n\"The Old Married Couple,\"“A Poet Forgets His Library,\"“SamPatch,\"“A Funky Love”and \"Hot Day“”mixed by SebastianSanchez,ACME Recording Studios,Rochester,NY.  \nOriginal balance engineer on “Markin’Time”:Dave Anderson,Saxon Studios,Rochester,NY.  \nAll tracks,mastered by Sebastian Sanchez,ACME Studios,Rochester,NY.  \nA City of The Id Production  \nDigitized by the Internet Archivein 2019  \n# Some Words are for Reading,Some Wordsare for Singing\n\n\"This is...unexpected,\"my friend Robin Messing saysto me in one of her favorite restaurants in Prospect Heights,Brooklyn.It's early November 2012.We're roosting in that sleepy,post-Sunday brunch,pre-dinner lull part of the afternoon.  \nIt's a funky eatery in a newly funky part of town;whenmy wife and I were living three blocks away from this spot(whichdidn't exist)in the early 80's one had to cross Flatbush Ave.intoPark Slope to enjoy the coffee,soups,wine and veggies dottingthe tables around us.  \nWhat's unexpected is we've just spent most of theafternoon squeezed into a tiny basement with musicians.We’vejust finished rehearsing for our first live performance,which willhappen in about a week in a small church in downtown Manhattan,opening for the saxophonist Oliver Lake.  \nI have been at work,since 2010,on a double CD of originalsongs,and one of the recording sessions,at a tiny Brooklyn studiowas so much fun that when offered the chance to give a poetryreading at this church I first declined,then agreed,provided I couldask “my band”(which didn't exist)to join me for a few songs atthe end.Luckily the date was open for everyone.Robin is in “myband,\"along with her daughter,bass player Emma Alabaster,whois the musical director of the group.  \nSpeaking of what we’re about to do as we eat,we flutterin mild astonishment,as if we had somehow triggered a dormantgene—say,the ability to juggle plates,or mediate a strike.We'rereally in a band?Is this us?  \nThe Book of Hooks project actually begins in 2008,whenI decided it was time to do something with all the music I hadrecorded over the years,some of it dating back to the mid 70's.Partly this was due to the fac","cbCaiuu3DrbeLs4X","https://ap.wps.com/l/cbCaiuu3DrbeLs4X","pdf",1961629,44,"English","# Publisher's Position Statement on the Value of the Arts\n## Introduction: Some Words are for Reading, Some Words are for Singing\n## Track List\n# Some Words are for Reading, Some Words are for Singing","[{\"question\":\"What is “Book of Hooks Volume 1” and how is it released?\",\"answer\":\"It is a double-CD/double-chapbook released in a limited edition of 500 copies.\"},{\"question\":\"What does the introduction’s theme emphasize?\",\"answer\":\"It emphasizes that some words are for reading while others are for singing, connecting poetic language to music.\"},{\"question\":\"What kinds of credits are included in the book?\",\"answer\":\"It provides credits for production, mixing, mastering, and balance engineering across different tracks.\"}]","Book of Hooks - Volume 1 - Double-CD/Double-Chapbook | PDF",1790637382,68]