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ANNE-LOUISE SARKS  \nEDUCATION PACK – PART B  \nContents  \n1 Introduction  \n2 Cast and creatives  \n3 Acting skills  \n18 Set and costume design  \n27 Composition and sound design  \n28 Props  \n29 Safe and ethical working practices  \n33 Analysis questions  \nMelbourne Theatre Company acknowledges the support Supported by the Ian Potter Foundation of the Department of Education, Victoria, through the  \nStrategic Partnerships Program.  \nEditors Nick Tranter and Brodi Purtill Graphic designer Helena Turinski Production photographer Pia Johnson  \nMelbourne Theatre Company acknowledges the Boon Wurrung and Wurundjeri peoples of the Kulin Nation, the traditional custodians of the land on which we work, create and gather. We pay our respects to all First Peoples, their Elders past and present, and their enduring connections to Country, knowledge and stories.  \nWe accept the invitation of the Uluru Statement from the Heart and support a First Nations Voice to Parliament enshrined in the Australian Constitution.  \nLook out for these icons for opportunities to learn more:  \nActivity  \nDiscussion  \nReading  \nVideo  \nIntroduction  \nThe Bernhardt/Hamlet Education Pack B is designed to help you unpack the performance after watching it onstage. This pack should be used in tandem with Part A, the pre-show resource. The interviews in this pack are intended to help you understand the creative intentions behind the work, and give you a more sophisticated understanding of the production. However, it is ultimately your experience of the live production that matters most, and hopefully this resource will transport you back into your seat at the theatre. Also included are some analysis questions for you to consider as you reflect on the production, but always remember to consult official VCAA documents when preparing for VCE assessments and examinations.  \nRevisit Part A  \nDownload Part A of this resource for information about context, characters and direction. Reflect on your predictions and expectations now that you’ve seen the production.  \n Southbank Theatre virtual tour  \nExplore the theatre where Bernhardt/Hamlet was performed, the Sumner at Southbank Theatre, in this virtual tour. Learn more about the lighting positions and the fly system.  \nDushan Philips, Sahil Saluja, Tahlee Fereday, Kate Mulvany and Marco Chiappi  \nBERNHARDT/HAMLET EDUCATION PACK PART B 1  \nCast and creatives  \nCAST  \nConstant Coquelin Marco Chiappi Lysette Tahlee Fereday  \nLouis John Leary  \nMaurice William McKenna Sarah Bernhardt Kate Mulvany Francois/Worker Dushan Philips Raoul Sahil Saluja  \nAlphonse Mucha Tim Walter Edmond Rostand Charles Wu Rosamond Izabella Yena  \nCREATIVE TEAM  \nDirector Anne-Louise Sarks  \nSet & Costume Designer Marg Horwell Lighting Designer Amelia Lever-Davidson Composer & Sound Designer Joe Paradise Lui Movement & Fight Director Nigel Poulton  \nVoice & Text Coach Geraldine Cook-Dafner Voice & Text Coach Amy Hume Associate Set Designer Jacob Battista Costume Associate Sophie Woodward Assistant Director Tasnim Hossain Intimacy Coordinator Amy Cater  \nStage Manager Whitney McNamara Deputy Stage Manager Meg Richardson Assistant Stage Manager Finlay Pedler Stage Management Intern (VCA) Liz Bird Rehearsal Photographer Charlie Kinross  \nRehearsal and Production Photographer Pia Johnson Marketing Campaign Photographer Jo Duck  \nRead the programme  \nExplore the interactive programme for this production to read about the cast and creative team, and see more photos from the rehearsal room.  \nCharles Wu, Dushan Philips, Marco Chiappi and Sahil Saluja  \nBernhardt/Hamlet is presented by arrangement with Concord Theatricals on behalf of Samuel French, [Inc. www.concordtheatricals.com](Inc. www.concordtheatricals.com)  \nCommissioned and Originally Produced by Roundabout Theatre Company, New York, NY  \nTodd Haimes, Artistic Director Harold Wolpert, Managing Director Julia C. Le","cbCainnQTrMMlRWE","https://ap.wps.com/l/cbCainnQTrMMlRWE","pdf",3127225,39,"English","# Introduction\n## Revisit Part A\n## Southbank Theatre virtual tour\n# Cast and creatives\n## Cast\n## Creative team\n# Acting skills\n## Sarah Bernhardt (interview)\n## Acting approach and rehearsal technique","[{\"question\":\"What is the purpose of the Bernhardt/Hamlet Education Pack Part B?\",\"answer\":\"It helps unpack the performance after watching it onstage by exploring creative intentions through interviews and providing reflection prompts and analysis questions.\"},{\"question\":\"How should Part B be used in relation to Part A?\",\"answer\":\"Part B is designed to be used alongside Part A, which is a pre-show resource providing context, characters, and direction.\"},{\"question\":\"What acting and rehearsal focus does the pack include?\",\"answer\":\"It includes acting-skills interviews and discusses how performance can be shaped by costume/props/set choices, plus rehearsal methods such as stage-fighting practice.\"}]","BERNHARDT/HAMLET Education Pack - Part B | PDF",98]