[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-107206-en":3,"doc-seo-107206-105":29,"detail-sidebar-cat-0-en-105":90},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":11,"is_downloadable":11,"audit_status":11,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":13,"seo_description":14,"update_tm":27,"read_time":28},107206,8796095360427,"Lucas Martin","https://ap-avatar.wpscdn.com/davatar_994ba38a5ba835b3df7d355c54d3ed8d",1,"Story & Novel","Ba̱rʉꞌŋ jawŋí - Returning to the Country Side","A bilingual-themed literary work presented in a South Sudanese language context, centered on dialogue, ritual exchanges, and everyday social life. It includes multiple conversational turns between characters such as Ba̱gʉ, Moo, Wʉ́o, Nôlla, and others, exploring relationships, identity, and shared norms. The text also provides structured discussion questions and a short narrative sequence, framed by edition and publication details, copyright, and workshop program credits.","Ba̱rʉꞌŋ jawŋí  \nReturning to the Country Side  \nFur  \nBa̱rʉꞌŋ jawŋí Returning to the Country Side  \nShareif Ahmed Yousif (Garíny) Abdulla Ismail Suliman (Ha̱b􀀛́ɨb) Tʉ̂nyje Ismail Hassan Adam Mohamed Abdulkarim (Selé) Ezzadin Abdulla Ahmed (Ba̱rɨwǎ̱rɨg)  \nAhmed Suliman Ibrahim (D􀀛̌jakajag)  \nAbdulla Osman Mohamed (Kʉ́ll􀀛́kúyá)  \nSecond Edition  \nSudan Workshop Programme  \nFur  \nSudan  \nCopyright © 2017, Fur Language Committee and SWP  \n[http://creativecommons.org/licenses/by-nc-nd/4.0/](http://creativecommons.org/licenses/by-nc-nd/4.0/)[ ](http://creativecommons.org/licenses/by-nc-nd/4.0/)[You may not use this work for commercial purposes. You](You may not use this work for commercial purposes. You)[ ](You may not use this work for commercial purposes. You)may not make changes or build upon this work without permission. You must keep the copyright and credits for authors, illustrators, etc.  \nDʉwwá dʉwwá-ii  \nIn domboreꞌŋ jáa-lé k􀀛́ SWP kwa–sís assó assó kámiŋ aísain domboreꞌŋ jáa-lé kányíe. Na dog–si Poorꞌíŋ Beléꞌŋ Daaraꞌŋ Ájíŋákwǎ–sí bora pottá kámiŋ ǎl kin ʉʉŋa na aldíŋá kʉrgʉlʉl. Na dog-si D􀀛̌jakajag Kʉmʉ̂ndʉ asá jaluŋarááŋá kí Toór baaréŋáꞌŋ miríŋgila kʉrgʉlo-sí assó assó kámiŋ . Na dog á g􀁅̂s yɨ􀀛́t􀀛́aba ásáŋ Ba̱rɨwǎ̱rɨg Tóódʉó na SWP-sí assó assó kwa asá in dombore-sí asi keer ka̱á̱ŋʉl. Kí bora na bora pottá-ii.  \nSecond Edition September 2017  \nFirst Edition January 2010  \nPublisher: Sudan Workshop Program  \nMiríŋgil Pʉttó baaríŋ  \nPooraꞌŋ júréŋá b􀀍́ kí k􀀍́eŋ ka̱nɨŋ pʉttó baaríŋ K􀀍́eŋ wʉ́oŋáꞌŋ sʉʉrʉ-lé Tomorókkóŋáꞌŋ ba̱rʉ ba̱rʉŋaꞌŋ paál ay ulmel.  \nNʉ́ŋí soór jawí soór jawí ná ja̱g􀀍́l k􀀍́􀀍́ŋ wʉ́oŋaꞌŋ sʉʉrʉ d􀀍́􀀍́ŋ Ka̱rʉ́kóŋaꞌŋ ba̱rʉ wʉ́oŋa Toórá kwǎꞌŋ turbaŋa.  \nElleŋa nyét kʉ́yé tɨgé bi tɨgé Pooraꞌŋ Ba̱rʉꞌŋ dɨó sʉʉrʉꞌŋ jabu na wǎy kúíŋ wʉ́oŋaꞌŋ sʉʉrʉ-léírí na dǔu kʉlloŋa.  \nAnnaŋ gí dɨó ka̱r􀀍́e dáíŋ ba̱rʉ́ nás kurruŋo k􀀍́ káíŋ kolabá sʉʉrʉ tííŋá na dáíŋ belé wérréŋáꞌŋ kʉ́ó daara togꞌíŋ dɨó a kɨɨŋoba.  \nGʉʉdjuuŋ dííg Jɨwɨŋ Ba̱rʉꞌŋ jawŋí  \nT􀀍́bó na dééŋ yáaŋkwě Kooní kí k􀀍́eŋ dogólâŋ: Ba̱gʉ na Moo na T􀀍́bóꞌŋ dítan itt􀀰̂ kwaŋ Borrá, na dééŋ yáaŋkwě Nôlla ná d􀀍́eŋ ba̱rʉ́ kawŋítíeŋi. Tʉgʉ na T􀀍́bó na Kooní, Poor-sí taraas k􀀍́rsɨŋɨ . Maraŋ Ba̱gʉ na Moo na Nôlla, Poor mʉtʉg k􀀍́rsɨŋɨ . Ǎlbá éllé ka̱a̱gʉl, main namás kí d􀀍́eŋ íyana d􀀍́eŋ báa káítíe.  \nDóŋáꞌŋ janí  \nT􀀍́bó: Aape lá kaŋ âbba na íya, kilmái sɨmmó-ii,ásáŋ kí bɨŋaŋ káíti, na b􀀍́ aapeŋ á baŋbáa na ay bendel?  \nÍya: K􀀍́ ka̱kk􀀍́ré kaŋ dúíŋ kwě . T􀀍́bó, Saa soŋáskoóŋá ásáŋ káya nái a̱g􀀍́l.  \nÍya: Ee bát-si soŋá koóŋá ásáŋ káíti na b􀀍́ ay bendel? T􀀍́bó: K􀀍́ kwa nyét ka̱kk􀀍́re kaŋ . Kilmáisɨmmó-ii aíla bɨŋa a̱gɨla.  \nWʉ́o: Kooní j􀀍́ ka̱kk􀀍́ré á jaŋbáa? Kilmá ay gí sɨmmó-ii áláŋ dogólá-sí a̱g􀀍́l.  \nKooní: K􀀍́ nyét ka̱kk􀀍́ré kaŋ. Aape á jaŋ báa abo? Abo: Ee káíŋ sǔrŋá ka̱kk􀀍́ré gé maraŋ ká bátwajân  \neŋa.  \nJundí gi main ná dogólá-sí dóŋá aní. Dogólá k􀀍́eŋ  \ngís kona báwlí.  \nKooní: Ba̱gʉ na Moo d􀀍́eŋ wʉ́o-sí kí d􀀍́eŋ abodóŋá baní na k􀀍́eŋ-si kona báwlí.  \nBa̱gʉ: Ay-si koóŋá Wʉ́o na abo na b􀀍́ ay bendel? Wʉ́o: K􀀍́ ka̱kk􀀍́ré kaŋ .  \nBa̱gʉ: Ká Ba̱gʉ aŋ .  \nMoo: Ay-si koóŋá wʉ́o na abo na b􀀍́ ay bendel?  \nAbo: K􀀍́ tullé kaŋ .  \nMoo: Ká Moo aŋ .  \nWʉ́o: Ka-sí kilmái sɨmmó-ii nái bɨŋa a̱gɨla Borrá na Nôlla na d􀀍́eŋ toŋꞌíŋ kwa ay kendeli? K􀀍́ nyét tullé kaŋ na kí bora-ii.  \nWʉ́o: D􀀍́eŋ sabar ay-si lóŋá? Borrá: dáíŋ sabar tullés kéŋá .  \nKɨŋa-sí kilmaŋái sɨmmó gé ǎl ba̱rʉ́ ká̱􀀍́ŋa.  \nNôlla: Na k􀀍́ saa soŋá kǒel ásáŋ dáíŋ órréꞌŋ belé kaluŋ ná kírsiŋ na rímmeŋ kaw. Ɨd􀀍̂􀀍́ŋ ná k􀀍́ saasoŋá karra kaáŋa. Namá ɨd􀀍̂􀀍́ŋ-ii nás dakki piááláŋ gis y􀀍̌a.  \nWʉ́o: In bát tullé-ii áísáŋ bɨŋa-sí ótáŋá nyétiŋ waa asá ká aluŋ, bát tóŋ baagó .  \nÓtá ásáŋ b􀀍́wɨ nás baluŋ .  \nDóŋáꞌŋ janí na j􀀍́ŋoŋa-sí tʉ́ɨ-si bawíti, kí d􀀍́eŋórréꞌŋ kwaŋ nás b􀀍́wɨ .  \nDóŋáꞌŋ janí na jɨŋoŋa-sí kí kilmaŋaꞌŋ-si tɨyyɨŋ b􀀍́wɨ ásáŋ baluŋ kí soga ta̱bʉ kwǎ .  \nDóŋáꞌŋ janí  \nSaaréŋ: Ay-si koóŋá, na j􀀍́ ay jendel? Koóŋá-si, ká ka̱kk􀀍́ré aŋ .  \nDooríŋ: Ay-si kamʉ́ŋo, na j􀀍́ ay jendel? Ka̱mʉ́ŋo-si. Ká ka̱kk􀀍́ré aŋ .  \nArráŋ: ","cbCaioKXNeYY6swt","https://ap.wps.com/l/cbCaioKXNeYY6swt","pdf",1264239,3,71,"English","en",105,"# Dʉwwá dʉwwá-ii\n# Tʉgʉ na T􀀍́bó na Kooní\n## Dóŋáꞌŋ janí\n## Tááríꞌŋ j􀀗́ŋoŋa","[{\"question\":\"这份文本主要讲了什么内容？\",\"answer\":\"文本以对话与叙述为主，围绕多个角色之间的询问与回答展开，并穿插与生活情境相关的表达。\"},{\"question\":\"文中有哪些关键角色或称呼？\",\"answer\":\"能看到 Ba̱gʉ、Moo、Wʉ́o、Kooní、Nôlla 等角色参与对话，以及其他发言人跟随问答推进情节。\"},{\"question\":\"文本中末尾的“Tááríꞌŋ j􀀗́ŋoŋa”是做什么的？\",\"answer\":\"末尾列出编号问题，用于引导理解与讨论，涵盖角色关系、行为原因与叙述要点等方面。\"}]",1784435585,109,{"code":4,"msg":30,"data":31},"ok",{"site_id":24,"language":23,"slug":32,"title":13,"keywords":33,"description":14,"schema_data":34,"social_meta":85,"head_meta":87,"extra_data":89,"updated_unix":27},"bar-jawi-returning-to-the-country-side","",{"@graph":35,"@context":84},[36,52,67],{"@type":37,"itemListElement":38},"BreadcrumbList",[39,43,47,49],{"item":40,"name":41,"@type":42,"position":11},"https://docshare.wps.com","Home","ListItem",{"item":44,"name":45,"@type":42,"position":46},"https://docshare.wps.com/document/","Document",2,{"item":48,"name":12,"@type":42,"position":20},"https://docshare.wps.com/document/story-novel/",{"item":50,"name":13,"@type":42,"position":51},"https://docshare.wps.com/document/bar-jawi-returning-to-the-country-side/107206/",4,{"url":50,"name":13,"@type":53,"author":54,"headline":13,"publisher":56,"fileFormat":59,"inLanguage":23,"description":14,"dateModified":60,"datePublished":61,"encodingFormat":59,"isAccessibleForFree":62,"interactionStatistic":63},"DigitalDocument",{"name":9,"@type":55},"Person",{"url":40,"name":57,"@type":58},"DocShare","Organization","application/pdf","2026-07-30","2026-07-19",true,{"@type":64,"interactionType":65,"userInteractionCount":20},"InteractionCounter",{"@type":66},"ViewAction",{"@type":68,"mainEntity":69},"FAQPage",[70,76,80],{"name":71,"@type":72,"acceptedAnswer":73},"这份文本主要讲了什么内容？","Question",{"text":74,"@type":75},"文本以对话与叙述为主，围绕多个角色之间的询问与回答展开，并穿插与生活情境相关的表达。","Answer",{"name":77,"@type":72,"acceptedAnswer":78},"文中有哪些关键角色或称呼？",{"text":79,"@type":75},"能看到 Ba̱gʉ、Moo、Wʉ́o、Kooní、Nôlla 等角色参与对话，以及其他发言人跟随问答推进情节。",{"name":81,"@type":72,"acceptedAnswer":82},"文本中末尾的“Tááríꞌŋ j􀀗́ŋoŋa”是做什么的？",{"text":83,"@type":75},"末尾列出编号问题，用于引导理解与讨论，涵盖角色关系、行为原因与叙述要点等方面。","https://schema.org",{"og:url":50,"og:type":86,"og:title":13,"og:site_name":57,"og:description":14},"article",{"robots":88,"canonical":50},"index,follow",{"doc_id":7,"site_id":24},{"code":4,"msg":5,"data":91},[92,95,99,103,108,113,118,123,128,131,135],{"id":11,"doc_module":4,"doc_module_name":45,"category_name":12,"show_sort_weight":93,"slug":94},90,"story-novel",{"id":46,"doc_module":4,"doc_module_name":45,"category_name":96,"show_sort_weight":97,"slug":98},"Literature",80,"literature",{"id":51,"doc_module":4,"doc_module_name":45,"category_name":100,"show_sort_weight":101,"slug":102},"Exam",70,"exam",{"id":104,"doc_module":4,"doc_module_name":45,"category_name":105,"show_sort_weight":106,"slug":107},5,"Comic",60,"comic",{"id":109,"doc_module":4,"doc_module_name":45,"category_name":110,"show_sort_weight":111,"slug":112},6,"Technology",50,"technology",{"id":114,"doc_module":4,"doc_module_name":45,"category_name":115,"show_sort_weight":116,"slug":117},7,"Healthcare",40,"healthcare",{"id":119,"doc_module":4,"doc_module_name":45,"category_name":120,"show_sort_weight":121,"slug":122},8,"Research & Report",30,"research-report",{"id":124,"doc_module":4,"doc_module_name":45,"category_name":125,"show_sort_weight":126,"slug":127},9,"Religion & Spirituality",20,"religion-spirituality",{"id":126,"doc_module":4,"doc_module_name":45,"category_name":129,"show_sort_weight":126,"slug":130},"World Cup","world-cup",{"id":132,"doc_module":4,"doc_module_name":45,"category_name":133,"show_sort_weight":132,"slug":134},10,"Lifestyle","lifestyle",{"id":136,"doc_module":4,"doc_module_name":45,"category_name":137,"show_sort_weight":104,"slug":138},19,"General","general"]