[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-129281-en":3,"doc-seo-129281-105":31,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":28,"seo_description":14,"update_tm":29,"read_time":30},129281,13056712833777,"Logic","https://ap-avatar.wpscdn.com/davatar_29158cc5080c5b710cf443261637dec0",2,"Literature","Avant-Doc - Intersections of Documentary and Avant-Garde Cinema","Avant-Doc: Intersections of Documentary and Avant-Garde Cinema presents an oral panorama of filmmakers working where documentary forms meet avant-garde experimentation. Through a sequence of interviews, the volume maps aesthetic strategies, production contexts, and critical vocabularies that shape experimental approaches to image and sound. Covering major artists and works, it links filmmaking practice to questions of authorship, representation, and audience experience. The book also includes filmographies, bibliographical references, and an index to support focused research.","Avant-Doc  \nAvant-Doc  \nINTERSECTIONS OF DOCUMENTARY AND AVANT-GARDE CINEMA  \nScott MacDonald  \n3  \nOxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide.  \nOxford New York  \nAuckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto  \nWith offices in  \nArgentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam  \nOxford is a registered trademark of Oxford University Press  \nin the UK and certain other countries.  \nPublished in the United States of America by  \nOxford University Press  \n198 Madison Avenue, New York, NY 10016  \n© Oxford University Press 2015  \nAll rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above.  \nYou must not circulate this work in any other form and you must impose this same condition on any acquirer.  \nLibrary of Congress Cataloging-in-Publication Data Avant-doc : intersections of documentary and avant-garde cinema : an oral panorama /  \nScott MacDonald.  \npages cm  \nIncludes bibliographical references and index.  \nIncludes filmography.  \nISBN 978–0–19–938870–7 (cloth)—ISBN 978–0–19–938871–4 (pbk.)—ISBN 978–0–19–938872–1 (updf)—ISBN 978–0–19–938873–8 (epub) 1. Documentary films—History and criticism.  \n2. Experimental films—History and criticism. 3. Motion picture producers and directors—  \nInterviews. I. MacDonald, Scott, 1942– interviewer.  \nPN1995 .9.D6A947 2014  \n070.1'8—dc23  \n2014006115  \n1 3 5 7 9 8 6 4 2  \nPrinted in the United States of America  \non acid-free paper  \n{ CONTENTS }  \nAcknowledgments vii  \nIntroduction 1  \nAnnette Michelson 26  \nRobert Gardner 48  \nEd Pincus (and Jane Pincus, Lucia Small) 78  \nAlfred Guzzetti 109  \nRoss McElwee 143  \nNina Davenport 169  \nLeonard Retel Helmrich 184  \nJonathan Caouette 206  \nPaweł Wojtasik 227  \nMichael Glawogger 248  \nSusana de Sousa Dias 266  \nAmie Siegel (on DDR/DDR) 283 Alexander Olch (on The Windmill Movie) 292 Arthur and Jennifer Smith (on Ice Bears of the Beaufort) 304  \nBetzy Bromberg (on Voluptuous Sleep) 314 Jennifer Proctor (on A Movie by Jen Proctor) 325 Jane Gillooly (on Suitcase of Love and Shame) 336 Godfrey Reggio (on Visitors) 347 Todd Haynes 357  \nvi Contents  \n“Sensory Ethnography” 373  \nIlisa Barbash and Lucien Castaing-Taylor (on In and Out of Africa and Sweetgrass) 375  \nLucien Castaing-Taylor (on his Installation Work) 393  \nLucien Castaing-Taylor (on “Sensory Ethnography”) 400 Lucien Castaing-Taylor and Véréna Paravel (on Leviathan) 404 Stephanie Spray and Pacho Velez (on Manakamana) 410  \nFilmographies 419  \nSelected Bibliography 435  \nIndex 443  \n{ ACKNOWLEDGMENTS }  \nVarious individuals and organizations have helped make Avant-Doc possible. Oxford University Press editor Brendan O’Neill had faith in this project from early on and was persistent in his support.  \nThanks to Autumn Campbell and Jeremy Rossen, then directors of the Cinema Project in Portland, Oregon, for arranging for me to interview Todd Haynes, a public event co-sponsored by the Northwest Film Center; to Steve Holmgren of UnionDocs, the center for documentary filmmaking in Brooklyn, New York, and to Dennis Lim of the American Museum of the Moving Image for helping to arrange for me to interview Michael Glawoggeras a public event at UnionDocs; to Rebecca Meyers at Studio7Arts for facilitating my interview with Robert Gardner","cbCaiq4yLa5iyYcj","https://ap.wps.com/l/cbCaiq4yLa5iyYcj","pdf",28870823,4,1,473,"English","en",105,"# Acknowledgments\n# Introduction\n# Annette Michelson\n# Robert Gardner\n# Ed Pincus\n# Alfred Guzzetti\n# Ross McElwee\n# Nina Davenport\n# Leonard Retel Helmrich\n# Jonathan Caouette\n# Paweł Wojtasik\n# Michael Glawogger\n# Susana de Sousa Dias\n# Filmographies\n# Selected Bibliography\n# Index","[{\"question\":\"What does Avant-Doc focus on?\",\"answer\":\"Avant-Doc focuses on the intersections between documentary and avant-garde cinema, exploring how experimental methods reshape documentary practice through interviews.\"},{\"question\":\"How is the book organized?\",\"answer\":\"The volume is organized around a series of interview chapters with individual filmmakers, followed by filmographies, a selected bibliography, and an index.\"},{\"question\":\"Is there research support for further study?\",\"answer\":\"Yes. The book includes bibliographical references, filmographies, and a detailed index to facilitate scholarly follow-up.\"}]","Avant-Doc - Intersections of Documentary and Avant-Garde Cinema | PDF",1786104522,728,{"code":4,"msg":32,"data":33},"ok",{"site_id":25,"language":24,"slug":34,"title":13,"keywords":35,"description":14,"schema_data":36,"social_meta":86,"head_meta":88,"extra_data":90,"updated_unix":29},"avant-doc-intersections-of-documentary-and-avant-garde-cinema","",{"@graph":37,"@context":85},[38,53,68],{"@type":39,"itemListElement":40},"BreadcrumbList",[41,45,48,51],{"item":42,"name":43,"@type":44,"position":21},"https://docshare.wps.com","Home","ListItem",{"item":46,"name":47,"@type":44,"position":11},"https://docshare.wps.com/document/","Document",{"item":49,"name":12,"@type":44,"position":50},"https://docshare.wps.com/document/literature/",3,{"item":52,"name":13,"@type":44,"position":20},"https://docshare.wps.com/document/avant-doc-intersections-of-documentary-and-avant-garde-cinema/129281/",{"url":52,"name":13,"@type":54,"author":55,"headline":13,"publisher":57,"fileFormat":60,"inLanguage":24,"description":14,"dateModified":61,"datePublished":62,"encodingFormat":60,"isAccessibleForFree":63,"interactionStatistic":64},"DigitalDocument",{"name":9,"@type":56},"Person",{"url":42,"name":58,"@type":59},"DocShare","Organization","application/pdf","2026-08-27","2026-08-07",true,{"@type":65,"interactionType":66,"userInteractionCount":20},"InteractionCounter",{"@type":67},"ViewAction",{"@type":69,"mainEntity":70},"FAQPage",[71,77,81],{"name":72,"@type":73,"acceptedAnswer":74},"What does Avant-Doc focus on?","Question",{"text":75,"@type":76},"Avant-Doc focuses on the intersections between documentary and avant-garde cinema, exploring how experimental methods reshape documentary practice through interviews.","Answer",{"name":78,"@type":73,"acceptedAnswer":79},"How is the book organized?",{"text":80,"@type":76},"The volume is organized around a series of interview chapters with individual filmmakers, followed by filmographies, a selected bibliography, and an index.",{"name":82,"@type":73,"acceptedAnswer":83},"Is there research support for further study?",{"text":84,"@type":76},"Yes. 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