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The text outlines strict copyright reservations, territory-specific contact information for licensing inquiries, cautions about licensing fees and required approvals, and prohibitions on unauthorized changes, reproduction, storage, and social-media uploads. It also records key premiere and subsequent productions with venues, dates, and named creative personnel to support billing and credit obligations.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":10,"@type":76,"position":81},"https://docshare.wps.com/document/story-novel/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/august-wilsons-how-i-learned-what-i-learned-billing-and-credit-requirements/445648/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/august-wilsons-how-i-learned-what-i-learned-billing-and-credit-requirements/445648.png","ImageObject",300,407,{"name":92,"@type":93},"kopisore","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-11-01","2026-09-29",true,{"@type":102,"interactionType":103,"userInteractionCount":29},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What does the licensing notice warn producers about?","Question",{"text":112,"@type":113},"Producers are warned that the title is subject to a licensing fee and that publication does not imply performance availability. Both amateurs and professionals should contact the appropriate Samuel French office before starting rehearsals or advertising.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Can the production make changes to the play for staging?",{"text":117,"@type":113},"No one shall make changes to the title(s) for the purpose of production without permission. The text also prohibits reproducing or transmitting any part of the book by any means without prior written permission.",{"name":119,"@type":110,"acceptedAnswer":120},"What premiere and credit details are provided for the play?",{"text":121,"@type":113},"The document lists the world premiere at Seattle Repertory Theatre on May 22, 2003, the New York premiere on November 24, 2013, and additional premieres in Atlanta, Pittsburgh, and Boston, including directors and other named production team members to support billing and credit 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Wanted to Go.ThatI Have Sometimes Gone Unwillinglyis the Crucible in Which Many aWork of Art Has Been Fired.)  \nCo-conceived by Todd Kreidler  \nCopyright ◎2018 by The Estate of August WilsonAll Rights Reserved  \nHOWILEARNED WHATILEARNEDis fully protected under the copyrightlaws of the United States of America,the British Commonwealth,including Canada,and allother countries of the Copyright Union.Allrights,including professional and amateur stage productions,recitation,lecturing,public reading,motion picture,radio broadcasting,televisionand the rights of translation into foreign languages are strictly reserved.  \nISBN 978-0-573-70589-2  \nwww.SamuelFrench.com  \nwww.SamuelFrench.co.uk  \n\n| FoR PRODUCTION ENQUIRIES  \u003Cbr>UNITED STATES AND CANADA  \u003Cbr>Info@SamuelFrench.com  \u003Cbr>1-866-598-8449  \u003Cbr>UNITED KINGDOM AND EUROPE  \u003Cbr>Plays@SamuelFrench.co.uk  \u003Cbr>020-7255-4302  \u003Cbr>Each title is subject to availability from Samuel French,depending upon  \u003Cbr>country of performance.Please be aware that HOWI LEARNED WHAT  \u003Cbr>I LEARNED may not be licensed by Samuel French in your territory.  \u003Cbr>Professional and amateur producers should contact the nearest Samuel  \u003Cbr>French office or licensing partner to verify availability.   |\n| --- |\n\nCAUTION:Professional and amateur producers are hereby warnedthat HOWI LEARNED WHAT I LEARNED is subject to a licensing fee.Publication of this play(s)does not imply availability for performance.Both amateurs and professionals considering a production are stronglyadvised to apply to Samuel French before starting rehearsals,advertising,or booking a theatre.A licensing fee must be paid whether the title(s)ispresented for charity or gain and whether or not admission is charged.Professional/Stock licensing fees are quoted upon application to SamuelFrench.  \nNo one shall make any changes in this title(s)for the purpose ofproduction.No part of this book may be reproduced,stored in a retrievalsystem,or transmitted in any form,by any means,now known or yet tobe invented,including mechanical,electronic,photocopying,recording,videotaping,or otherwise,without the prior written permission of thepublisher.No one shall upload this title(s),or part of this title(s),to anysocial media websites.  \nFor all enquiries regarding motion picture,television,and other mediarights,please contact Samuel French.  \nMUSIC USE NOTE  \nLicensees are solely responsible for obtaining formal written permissionfrom copyright owners to use copyrighted music in the performance ofthis play and are strongly cautioned to do so.If no such permission isobtained by the licensee,then the licensee must use only original musicthat the licensee owns and controls.Licensees are solely responsible andliable for all music clearances and shall indemnify the copyright ownersof the play(s)and their licensing agent,Samuel French,against any costs,expenses,losses and liabilities arising from the use of music by licensees.Please contact the appropriate music licensing authority in your territoryfor the rights to any incidental music.  \n# IMPORTANT BILLING AND CREDIT REQUIREMENTS\n\nIf you have obtained performance rights to this title,please refer to yourlicensing agreement for important billing and credit requirements.  \nHOWI LEARNED WHAT I LEARNED had its world premiere presentedby Seattle Repertory Theatre(Sharon Ott,Artistic Director;BenjaminMoore,Managing Director)on May 22,2003,performed by AugustWilson.The director was Todd Kreidler,the lighting designer was L.B.Morse,and the production stage manager was Michael Paul  \nThe New York premiere was originally produced by Signature Theatre,New York City (James Houghton,Founding Artistic Director;ErikaMallin,Executive Director)on November 24,2013.The director wasTodd Kreidler in collaboration with and featuring Ruben Santiago-Hudson,the creative con","cbCaisj2dwwVXQuj","https://ap.wps.com/l/cbCaisj2dwwVXQuj","pdf",2996859,52,"English","# IMPORTANT BILLING AND CREDIT REQUIREMENTS\n## Licensing fee and usage cautions\n## Billing and credit obligations","[{\"question\":\"What does the licensing notice warn producers about?\",\"answer\":\"Producers are warned that the title is subject to a licensing fee and that publication does not imply performance availability. Both amateurs and professionals should contact the appropriate Samuel French office before starting rehearsals or advertising.\"},{\"question\":\"Can the production make changes to the play for staging?\",\"answer\":\"No one shall make changes to the title(s) for the purpose of production without permission. The text also prohibits reproducing or transmitting any part of the book by any means without prior written permission.\"},{\"question\":\"What premiere and credit details are provided for the play?\",\"answer\":\"The document lists the world premiere at Seattle Repertory Theatre on May 22, 2003, the New York premiere on November 24, 2013, and additional premieres in Atlanta, Pittsburgh, and Boston, including directors and other named production team members to support billing and credit requirements.\"}]","August Wilson's How I Learned What I Learned - Billing and Credit Requirements | PDF",1790712514]