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Video, War and the Diasporic Imagination  \nDona Kolar-Panov  \n2. Reporting the Israeli-Arab Conflict  \nHow Hegemony Works Tamar Liebes  \n3. Karaoke Around the World  \nGlobal Technology, Local Singing Edited by Toru Mitsui and Shuhei Hosokawa  \n4. News of the World  \nWorld Cultures Look at Television News Edited by Klaus Bruhn Jensen  \n5. From Satellite to Single Market  \nNew Communication Technology and European Public Service Television Richard Collins  \n6. The Nationwide Television Studies  \nDavid Morley and Charlotte Bronsdon  \n7. The New Communications Landscape  \nDemystifying Media Globalization Edited by Georgette Wang, Jan Servaes, and Anura Goonasekera  \n8. Media and Migration  \nConstructions of Mobility and Difference Edited by Russel King and Nancy Wood  \n9. Media Reform  \nDemocratizing the Media,  \nDemocratizing the State  \nEdited by Monroe E. Price, Beata Rozumilowicz, and Stefaan G. Verhulst  \n10. Political Communication in a New Era  \nEdited by Gadi Wolfsfeld and Philippe Maarek  \n11. Writers’ Houses and the Making of Memory  \nEdited by Harald Hendrix  \n12. Autism and Representation  \nEdited by Mark Osteen  \n13. American Icons  \nThe Genesis of a National Visual Language Benedikt Feldges  \n14. The Practice of Public Art  \nEdited by Cameron Cartiere and Shelly Willis  \n15. Film and Television After DVD  \nEdited by James Bennett and Tom Brown  \n16. The Places and Spaces of Fashion, 1800–2007  \nEdited by John Potvin  \n17. Communicating in the Third Space  \nEdited by Karin Ikas and Gerhard Wagner  \n18. Deconstruction After 9/11  \nMartin McQuillan  \n19. The Contemporary Comic Book Superhero  \nEdited by Angela Ndalianis  \n20. Mobile Technologies  \nFrom Telecommunications to Media Edited by Gerard Goggin and Larissa Hjorth  \n21. Dynamics and Performativity of Imagination  \nThe Image between the Visible and the Invisible  \nEdited by Bernd Huppauf and Christoph Wulf  \n22. Cities, Citizens, and Technologies  \nUrban Life and Postmodernity Paula Geyh  \n23. Trauma and Media  \nTheories, Histories, and Images Allen Meek  \n24. Letters, Postcards, Email  \nTechnologies of Presence Esther Milne  \n25. International Journalism and Democracy  \nCivic Engagement Models from Around the World  \nEdited by Angela Romano  \n26. Aesthetic Practices and Politics in Media, Music, and Art  \nPerforming Migration  \nEdited by Rocío G. Davis, Dorothea Fischer-Hornung, and Johanna C. Kardux  \n27. Violence, Visual Culture, and the Black Male Body  \nCassandra Jackson  \n28. Cognitive Poetics and Cultural Memory  \nRussian Literary Mnemonics Mikhail Gronas  \n29. Landscapes of Holocaust Postmemory  \nBrett Ashley Kaplan  \n30. Emotion, Genre, and Justice in Film and Television  \nE. Deidre Pribram  \n31. Audiobooks, Literature, and Sound Studies  \nEdited by Matthew Rubery  \nAudiobooks, Literature, and Sound Studies  \nEdited by Matthew Rubery  \nNew York London  \nFirst published 2011 by Routledge  \n711 Third Avenue, New York, NY 10017  \nSimultaneously published in the UK by Routledge  \n2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN  \nRoutledge is an imprint of the Taylor & Francis Group, an informa business  \nThis edition published in the Taylor & Francis e-Library, 2011.  \nTo purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of [eBooks please go to www.eBookstore.tandf.co.uk](eBooks please go to www.eBookstore.tandf.co.uk).  \n© 2011 Taylor & Francis  \nThe right of Matthew Rubery to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988  \nAll rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in wri","cbCail1ZwN5JJJtr","https://ap.wps.com/l/cbCail1ZwN5JJJtr","pdf",2249788,266,"English","# List of Figures\n# Acknowledgments\n# Foreword\n## Introduction: Talking Books\n# Contents\n## PART I: Sound Experiments\n## PART II: Close Listenings","[{\"question\":\"What main parts organize the book’s content?\",\"answer\":\"The contents are divided into PART I (Sound Experiments) and PART II (Close Listenings), each grouping chapters around related approaches to audio and literature.\"},{\"question\":\"Which chapter topics appear under Sound Experiments?\",\"answer\":\"Chapters address themes such as Victorian novels remediated into sound, literary dramatization on radio, tape recorder-driven literature, phone-and-phonograph poetry systems, and audiobook versions of narrative works.\"},{\"question\":\"What does Close Listenings focus on?\",\"answer\":\"Close Listenings examines narration and reader experience, including concepts like the audiobook narrator’s voice, narrative authority, and performance dimensions in audiobook texts.\"}]","Audiobooks, Literature, and Sound Studies - Routledge Research in Cultural and Media Studies - 31 - Table of Contents | PDF",670]