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the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom  \ncambridge university press  \nThe Edinburgh Building, Cambridge cb2 2ru, UK [www.cup.cam.ac.uk](www.cup.cam.ac.uk)  \n40 West 20th Street, New York, ny 10011-4211, USA [www.cup.org](www.cup.org)  \n10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain  \n© Cambridge University Press 2000  \nThis book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.  \nFirst published 2000  \nPrinted in the United Kingdom at the University Press, Cambridge Typeface Ehrhardt 10/12 pt [ao]  \nA catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data  \nShakespeare, William, 1564–1616.  \nAs You Like It / edited by Michael Hattaway.  \n[p. cm](p. cm).–(The New Cambridge Shakespeare) Includes bibliographical references.  \nisbn 0 521 22232 x (hardback)– isbn 0 521 29412 6 (paperback)  \n1. Fathers and daughters – Drama. 2. Shakespeare, William, 1564–1616. As you like it.  \n3. Exiles – Drama. i. Hattaway, Michael. ii. Title.  \npr2803.a2 h35 2000  \n822.3¢3 – dc21 99-055577  \nisbn  \nisbn  \n0 521 22232 x  \n0 521 29412 6  \nhardback paperback  \nCONTENTS  \nList of illustrations page vi  \nPreface vii  \nList of abbreviations and conventions ix  \nIntroduction 1  \nJourneys 1  \nPlays within the play 8  \nTheatrical genres 11  \nPastoral 17  \nCounter-pastoral 19  \nThe condition of the country 21  \nPolitics 25  \n‘Between you and the women the play may please’ 30  \nGender 32  \nNuptials 41  \nStage history 43  \nDate and occasion 62  \nSources 64  \nNote on the text 67  \nList of characters 70  \nTHE PLAY 73  \nTextual analysis 199  \nAppendixes:  \n1: Extracts from Shakespeare’s principal source, Lodge’s Rosalind 204  \n2: The songs 218  \nReading list 219  \nILLUSTRATIONS  \n1 The jester Tom Skelton page 2  \n2 ‘The Wheel of Life which is called Fortune’, c. 1460 5  \n3 Hymen, 1580 9  \n4 Lucy Harrington Countess of Bedford attired for Jonson’s Hymenaei,(1606) 10  \n5 Nicolas Poussin, Et in Arcadia Ego, c. 1630 16  \n6 The Horn Dance: production by Mark Brickman, Crucible Theatre, Sheffield, 1991 44  \n7 Mrs Abington as Rosalind 48  \n8 Playbill for a revival at the Theatre Royal, Drury Lane, 1798 49  \n9 ‘What shall he have that killed the deer?’: Stratford-upon-Avon, 1879 50  \n10 Vanessa Redgrave (Rosalind), Rosalind Knight (Celia), Colin Blakely (Touchstone): Stratford-upon-Avon, 1961 52  \n11 Eileen Atkins (Rosalind), David Suchet (Orlando): Stratford-uponAvon, 1973 54  \n12 The final scene: Stratford-upon-Avon, 1977 56  \n13 Colin Douglas (Corin), Juliet Stevenson (Rosalind), Fiona Shaw  \n(Celia): Stratford-upon-Avon, 1985 57  \n14 Patrick Toomey (Orlando) and Adrian Lester (Rosalind):  \nCheek by Jowl, 1991–5 58  \n15 Anastasia Hille (Rosalind): Shakespeare’s Globe, 1998 60  \nIllustration 1 is reproduced by permission of the Shakespeare Institute, Stratfordupon-Avon; 2, 3, 7 are reproduced by permission of the British Library; 4 by kind permission of the Marquess of Tavistock and the Trustees of the Bedford Estate; 5 by permission of the Duke of Devonshire and the Chatsworth Settlement Trustees (photograph by Photographic Survey, Courtauld Institute of Art); 6 by permission of Sheffield Theatres (photograph by Gerry Murray); 8, 9, 10 (photograph by Angus McBean), 11 (photograph by Zoe Dominic), 12, 13 (photographs by Joe Cocks) by permission of the Shakespeare Centre Library, Stratford-upon-Avon; 14 by permission of Cheek by Jowl (photograph by John Haynes); 15 by permission of Shakespeare’s Globe (photograph by Donald Cooper)  \nAS YOU LIKE IT  \n[1.1] Enter orlando and adam  \norlando As I remember","cbCainOqSXQk8gLD","https://ap.wps.com/l/cbCainOqSXQk8gLD","pdf",182040,24,"English","# Contents\n## Introduction\n## Journeys\n## Plays within the play\n## Theatrical genres\n## Pastoral\n## Counter-pastoral\n## The condition of the country\n## Politics\n## Gender\n## Nuptials\n## Stage history\n## Date and occasion\n## Sources\n## Note on the text\n## List of characters\n# The Play\n## Textual analysis\n# Appendixes\n## Extracts from Shakespeare’s principal source\n## The songs\n# Reading list\n# Illustrations\n## Illustration 1\n## Illustration 2","[{\"question\":\"What editions and publication information does the book provide?\",\"answer\":\"The volume includes publisher, copyright, printing, and bibliographic metadata, along with series and cataloging details such as ISBNs and references.\"},{\"question\":\"What topics are covered in the table of contents before the play text?\",\"answer\":\"The contents outline an introduction with themes like pastoral and counter-pastoral, politics, gender, nuptials, stage history, date and occasion, sources, and notes on the text.\"},{\"question\":\"What does Act 1, Scene 1 focus on according to the provided notes?\",\"answer\":\"Act 1, Scene 1 is noted as beginning mid-conversation between Orlando and Adam, with editorial commentary on syntax, context, and the reasons behind Orlando’s anger and inheritance.\"}]","As You Like It - Part 24 - The New Cambridge Shakespeare | PDF",1789939474,37]