[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-651083-105":59,"doc-detail-651083-en":130},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":123,"head_meta":125,"extra_data":127,"updated_unix":129},105,"en","another-axon-analysis-of-drawing-and-materials","Another Axon - Analysis of drawing and materials","","Another Axon by Jennifer Bonner frames “a drawing architecture” through architectural axonometric conventions that generate a three-dimensional space from an ideal top-level view. The project questions a temporary installation associated with the 2017 Design Biennial Boston, using an architect’s hatch library, cladding directionality, and projection of CNC tooling paths as primary techniques. Composed of minimal art objects and traced trees, it relies on downloading, borrowing, and copy-paste to transform originals into a material-world abstraction, amplified by “ordinary” building materials.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":40,"@type":76,"position":81},"https://docshare.wps.com/document/research-report/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/another-axon-analysis-of-drawing-and-materials/651083/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/another-axon-analysis-of-drawing-and-materials/651083.png","ImageObject",300,407,{"name":92,"@type":93},"lugxt","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-30","2026-10-24",true,{"@type":102,"interactionType":103,"userInteractionCount":8},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What is “Another Axon” trying to achieve with the drawing?","Question",{"text":112,"@type":113},"It asks whether drawing can function as an architecture by using axonometric conventions to construct a three-dimensional space and an ideal view of the installation.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Which drawing techniques and processes are used in the project?",{"text":117,"@type":113},"The project relies on an architect’s hatch library, directional cladding logic, and projections of CNC tooling paths, with much of the design labor spent crafting the drawing digitally as abstraction.",{"name":119,"@type":110,"acceptedAnswer":120},"How does the material selection connect to the idea of “ordinary architecture”?",{"text":121,"@type":113},"It intentionally collapses minimal-art aesthetics with everyday building materials by sourcing vinyl siding, EIFS synthetic stucco, and artificial turf, then distorting orientation, color, and application to repurpose them for the drawing.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},651083,1792860261,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":39,"category_name":40,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":8,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":14,"language":139,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":140,"faqs":141,"seo_title":142,"seo_description":67,"update_tm":129,"read_time":24},3985747862600,"https://ap-avatar.wpscdn.com/davatar_9964176cb1d06d4a9deccf72a44ae3dc","Another Axon  \nJENNIFER BONNER  \nHarvard University  \nAnother Axon asks the question “Is a drawing architecture?”  \nAnother Axon uses the conventions of an architectural axonometric drawing to make three-dimensional space with an ideal view of the installation seen from the top level of an adjacent parking garage. Questioning the role of the temporary installation atthe 2017 Design Biennial Boston, the architect experiments with public space via a disciplinary representation. The use of an architect’s hatch library, directionality of the cladding materials, and projection of CNC tooling paths all rely on the drawing as a primary technique for constructing Another Axon. Situated on a bland site, at the I-93 off-ramp in central Boston and with interest in defining “ordinary architecture,” the project engages the norms of the convention by amplifying color and challenges traditional building materials, placing emphasis on playfully reimagining architecture in the field.  \nAnother Axon is composed of eleven minimal art objects and a stand of twelve trees, all of which rely on contemporary reproduction strategies. The art sculptures are lifted from an opensource 3D warehouse and range from Donald Judd’s Untitled (1961) to Carl Andre’s Slope (1968) while the artificial trees are constructed by carefully tracing other tree drawings from a landscape catalogue. It is an intentional act to download, borrow, trace, and copy-paste, only to hack and transform the original. This process happens quick and mostly done on autopilot to free up all conceptual wherewithal towards the architectural drawing. The drawing is what is worked on heavily in digital space. Lines, hatches, leave shapes, and edges become materials, tooling paths, and patterns in the architectural project. Most of the design labor was time spent on crafting the drawing as an abstraction, but also obsessing over the drawings detail and execution into the material world.  \nThe selection of materials for Another Axon reinforces the constructed, perfect axon view but also places emphasis on the“ordinary” in architecture. The collapse of minimal art (high)  \nwith ordinary materials (low) is intentional. Three traditional exterior building materials are sourced from ubiquitous residential and commercial buildings across the United States—vinyl siding, EIFS (a synthetic stucco), and artificial turf. Each of which are distorted through orientation, color, and application from their original use. The materials are used inappropriately: vinyl siding is installed upside down and the paint stripping used on athletic fields no longer demarcates rules of a field but is rather turned into a 2,000 sq ft drawing.","cbCaicrbxusTUAr1","https://ap.wps.com/l/cbCaicrbxusTUAr1","pdf",8590544,"English","# Another Axon\n## Architectural axonometric conventions and installation context\n## Contemporary reproduction strategies and object composition\n## Drawing labor in digital space\n## “Ordinary architecture” through material selection","[{\"question\":\"What is “Another Axon” trying to achieve with the drawing?\",\"answer\":\"It asks whether drawing can function as an architecture by using axonometric conventions to construct a three-dimensional space and an ideal view of the installation.\"},{\"question\":\"Which drawing techniques and processes are used in the project?\",\"answer\":\"The project relies on an architect’s hatch library, directional cladding logic, and projections of CNC tooling paths, with much of the design labor spent crafting the drawing digitally as abstraction.\"},{\"question\":\"How does the material selection connect to the idea of “ordinary architecture”?\",\"answer\":\"It intentionally collapses minimal-art aesthetics with everyday building materials by sourcing vinyl siding, EIFS synthetic stucco, and artificial turf, then distorting orientation, color, and application to repurpose them for the drawing.\"}]","Another Axon - Analysis of drawing and materials | PDF"]