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This unconscious nightmare image has come to nourish other real ones, from a rural childhood. Because of my proximity to a natural environment, I have been a privileged observer of a wild nature, but also a witness to the fateful hold of man on animals through exploitation and hunting. These sometimes bloody, macabre, cruel pictures have come to nourish over time a strong empathy towardsthe animal and a constant questioning of its place in our society.  \nThis carnivorous horse that haunted me was the result of a dysfunction, a sick and dying nature. This digression of the food chain was then transformed during the writing of the film, into a transposition of the bodies between man and animal. The resulting anthropomorphic animals act according to our codes as dominant, exploiters, hunters, carrying within them a dehumanization towards the... human species.  \nThis crossing of the mirror thus places the human protagonists under the yoke of animal domination, for whom they are nameless silhouettes, anonymous animals, drowned in volumes of exploitations where each is interchangeable with the other.  \nthe gender issue  \nAnonymous Animals therefore takes place at animal level. By adopting a point of view that responds to primitive instincts, the intention was to depict a state of anxiety and apprehension about human action that could conceal as many enigmas as threatening behaviours. Faced with the unknown, from which dark aims hover, the question of suspense naturally arises.  \nIt then became obvious to fully embrace the gender codes and thus offer a sensory experience that plays on tension, apprehension and fear. Primitive emotions and reflexes that respond to the cinematographic spectacle but which above all give us the opportunity to feel the feverish emotions of these anonymous animals.  \nthe absence of dialogue  \nThis first feature film follows in the footsteps of a series of films without words (And The Winner Is , Les Éphémères Fugitifs , Altera) which already focused on body language: the gesture taking precedence over words, movement over dialogue.  \nFor Anonymous Animals , the first sketches of dialogues quickly appeared superfluous and futile. Placed in an environment they do not master, the senses of the protagonists are constantly alert and the slightest movement expresses an intention. The purification of the dialogues has thus rehabilitated silence, silence has given way to something organic and universal.  \nThis sensory approach was in line with the idea of the communication barrier between man and animal: By inverting everyone's places, I wanted to keep this inability to decipher the language of these anonymous animals in order to preserve only a purely physical exchange.  \nshooting context  \nThe environment of Anonymous Animals is based on a decaying nature, a world at the end of its lifespan where the land seems barren.  \nThe agricultural heritage of the Allier and Ni èvre regions, combined with natural autumn light, have given life to a film universe that evokes a rural world in d","cbCaig1cYBqUIDli","https://ap.wps.com/l/cbCaig1cYBqUIDli","pdf",1726742,11,"English","# Synopsis\n# Genesis\n# The Gender Issue\n# The Absence of Dialogue\n# Shooting Context\n# Biography of Baptiste Rouveure","[{\"question\":\"What is the core premise of Anonymous Animals?\",\"answer\":\"The film reimagines dominance between man and animal, turning human encounters into hostile situations and placing protagonists under animal rule.\"},{\"question\":\"How does the film handle gender codes and themes?\",\"answer\":\"It explicitly embraces gender codes to create a sensory experience driven by tension, apprehension, and fear.\"},{\"question\":\"Why is there an absence of dialogue in the film?\",\"answer\":\"Dialogue is treated as unnecessary; silence and physical exchange replace words, preserving an inability to decode the animals’ language.\"}]","Anonymous Animals - Press Kit - Synopsis, Genesis, Shooting Context | PDF",17]