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The document includes an extensive table of contents with multiple short poem-like pieces, each framed by vivid images, interpersonal dynamics, and performance. It also contains publication front matter detailing production, typography, and distribution information, alongside author and rights 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is the collection’s central idea stated in the text?","Question",{"text":112,"@type":113},"The text states that not many people ever really hear music, positioning listening as a rare, meaningful act.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"What does the document include besides the poems?",{"text":117,"@type":113},"It provides publication front matter such as production credits, typography notes, and distribution information, followed by a detailed contents list of individual sections.",{"name":119,"@type":110,"acceptedAnswer":120},"How is the book organized according to the table of contents?",{"text":121,"@type":113},"The table of contents lists many numbered entries (poems/sections), indicating a sequence of distinct pieces rather than a single continuous 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PRESS 2018  \never veally hear it ◎ Soham Patel,2018All rights reserved.  \nISBN:978-0-9988594-4-6  \nCover design &typesetting by HR Hegnauerwww.hrhegnauer.com  \nOriginal cover artwork by Alisha B.WormsleyText typeset in Adobe Garamond Pro and Futuremoon  \nSubito Press  \nDepartment of English  \nUniversity of Colorado at Boulder226 UCB  \nBoulder,CO 80309-0226subitopress.org  \nDistributed by Small Press Distribution1341 Seventh StreetBerkeley,California 94710spdbooks.org  \nGenerous funding for this publication has been provided by the CreativeWriting Program in the Department of English and the Innovative SeedGrant Program at the University of Colorado at Boulder  \nCONTENTS  \n2 [Produced to be always coming at you and then to reside in you—]3 [You walk into a room full of forgiving.]6 drums:  \n11 exile produced performance:14 pick:  \n17 suites for a girl:20 juke:  \n26 [For the record to be a hit,]27 [turn her face to your face]  \n28 [She used my head like a revolver.]29 [She collects assembly.  \n30 [How her role would play in a movie.]31 [take each hum up in]  \n32 [So many other women soaked in spit]33 [In the slang and the slur]  \n36 [The time helps us forget headlines outside]37 [every one plays a version of your name]38 [I see you with some hats on.]  \n39 [put words set to three chords:punk]40 [we find a café by the beach.]44 [I keep a leaf in this notebook.]  \n45 [A series of yeahs]  \n47 [Mother's quisling against]  \n48 [You are happy:and that makes me sing.]49 [I was here]50 [With the lace]51 [friendship avenue]52 [She collects assembly.]53 [hepcat casts her call  \n54 [She plays the accordion—it's not new.]55 [You sing to the girl]56 [Blood-rushed,ears call in]  \n57 [I know blur is nothing but fast counts.]58 vamoose music:  \nJAMES BALDWIN:  \nAll I know about music is that not many people ever really hear it.  \nProduced to be always coming at you and then to reside inyou—to push you out and pull you in.It makes anthems,some fake and some for real—depending on the level ofbeliefand/or stamina of the consumer.A certain heard radiomelody from an idle car lingers like the smell of cigarettesmoke.It becomes a backdrop for many stories since the1950s.Some would say the origins remain unknowable bydesign.Minus the margins it makes it easier to take.Anyexistentiality of fame and the yearning towards it by wayof becoming invincible or inexplicable proves difficult tocarry around without any gas money.Travel is necessary stillbecause if the kids want it,they'll get it.And grow biggerevery year.The goods.Machines are geared now so that thisspectacle of decibel rebellion can remain regardless of","cbCainvc5behjArR","https://ap.wps.com/l/cbCainvc5behjArR","pdf",1933158,76,"English","# Contents\n## Poems and sections","[{\"question\":\"What is the collection’s central idea stated in the text?\",\"answer\":\"The text states that not many people ever really hear music, positioning listening as a rare, meaningful act.\"},{\"question\":\"What does the document include besides the poems?\",\"answer\":\"It provides publication front matter such as production credits, typography notes, and distribution information, followed by a detailed contents list of individual sections.\"},{\"question\":\"How is the book organized according to the table of contents?\",\"answer\":\"The table of contents lists many numbered entries (poems/sections), indicating a sequence of distinct pieces rather than a single continuous work.\"}]","All I Know About Music is That Not Many People Ever Really Hear It - Contents | PDF",1790627375,117]