[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-33030":3,"doc-seo-33030":27},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"file_id":15,"file_url":16,"file_type":17,"file_size":18,"view_count":19,"is_deleted":4,"is_public":19,"is_downloadable":19,"audit_status":19,"page_count":20,"language":21,"language_code":22,"table_of_contents":23,"faqs":24,"seo_title":13,"seo_description":14,"update_tm":25,"read_time":26},33030,16904993612988,"Olivia Brown","https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd",2,"Literature","A Lover's Discourse Fragments-Hill and Wang","A Lover's Discourse: Fragments is a literary-critical work centered on the lover’s speech as an intensely solitary, self-driven discourse. It explains how the book is constructed through a “dramatic” simulation rather than analysis, restoring the lover’s fundamental personhood as an I that stages an utterance. The text introduces the concept of “figures” as language outbursts shaped by fleeting circumstances, then clarifies how these figures function as readable, memorable signs of amorous experience.","cbCaiqvKxy1ObxN2","https://ap.wps.com/l/cbCaiqvKxy1ObxN2","pdf",4509118,1,241,"English","en","# A Lover's Discourse\n## The necessity of the book\n## How this book is constructed\n## Figures","[{\"question\":\"What is the central premise of A Lover's Discourse?\",\"answer\":\"The lover’s discourse is presented as an extreme solitude: it is spoken by many yet sanctioned by no authority, exiled from the surrounding languages and their mechanisms. The book’s need follows from this isolation and the resulting requirement to affirm oneself through speech.\"},{\"question\":\"How does the book propose to be constructed?\",\"answer\":\"The construction follows a principle that the lover should not be reduced to a simple symptomatic subject. Instead, it uses a dramatic method that renounces examples and relies on a primary language simulation, restoring the speaker’s “I” to stage utterance rather than offer analysis.\"},{\"question\":\"What does Barthes mean by “figures” in the lover’s discourse?\",\"answer\":\"“Figures” are fragments of discourse understood not in a rhetorical sense but in a gymnastic or choreographic sense—language as bodily gesture in action. They emerge from the lover’s outbursts under trivial or aleatory circumstances and become recognizable and memorable through shared recognition of the language scene.\"}]",1782201684,371,{"code":4,"msg":28,"data":29},"ok",{"site_id":30,"language":22,"slug":31,"title":13,"keywords":32,"description":14,"schema_data":33,"social_meta":83,"head_meta":85,"extra_data":87,"updated_unix":25},105,"a-lovers-discourse-fragments-hill-and-wang","",{"@graph":34,"@context":82},[35,51,65],{"@type":36,"itemListElement":37},"BreadcrumbList",[38,42,45,48],{"item":39,"name":40,"@type":41,"position":19},"https://docshare.wps.com","Home","ListItem",{"item":43,"name":44,"@type":41,"position":11},"https://docshare.wps.com/document/","Document",{"item":46,"name":12,"@type":41,"position":47},"https://docshare.wps.com/document/literature/",3,{"item":49,"name":13,"@type":41,"position":50},"https://docshare.wps.com/document/a-lovers-discourse-fragments-hill-and-wang/33030/",4,{"url":49,"name":13,"@type":52,"author":53,"headline":13,"publisher":55,"fileFormat":58,"description":14,"dateModified":59,"datePublished":59,"encodingFormat":58,"isAccessibleForFree":60,"interactionStatistic":61},"DigitalDocument",{"name":9,"@type":54},"Person",{"url":39,"name":56,"@type":57},"DocShare","Organization","application/pdf","2026-06-23",true,{"@type":62,"interactionType":63,"userInteractionCount":19},"InteractionCounter",{"@type":64},"ViewAction",{"@type":66,"mainEntity":67},"FAQPage",[68,74,78],{"name":69,"@type":70,"acceptedAnswer":71},"What is the central premise of A Lover's Discourse?","Question",{"text":72,"@type":73},"The lover’s discourse is presented as an extreme solitude: it is spoken by many yet sanctioned by no authority, exiled from the surrounding languages and their mechanisms. The book’s need follows from this isolation and the resulting requirement to affirm oneself through speech.","Answer",{"name":75,"@type":70,"acceptedAnswer":76},"How does the book propose to be constructed?",{"text":77,"@type":73},"The construction follows a principle that the lover should not be reduced to a simple symptomatic subject. Instead, it uses a dramatic method that renounces examples and relies on a primary language simulation, restoring the speaker’s “I” to stage utterance rather than offer analysis.",{"name":79,"@type":70,"acceptedAnswer":80},"What does Barthes mean by “figures” in the lover’s discourse?",{"text":81,"@type":73},"“Figures” are fragments of discourse understood not in a rhetorical sense but in a gymnastic or choreographic sense—language as bodily gesture in action. They emerge from the lover’s outbursts under trivial or aleatory circumstances and become recognizable and memorable through shared recognition of the language scene.","https://schema.org",{"og:url":49,"og:type":84,"og:title":13,"og:site_name":56,"og:description":14},"article",{"robots":86,"canonical":49},"index,follow",{"doc_id":7,"site_id":30}]