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Spring 2020  \nContents  \n\n| Contents | Page |\n| --- | --- |\n| Point of view and line of sight | 4 |\n| Specificity and emerging horror | 5 |\n| Mind style | 6 |\n| Mind style and cognitive habits | 7 |\n| Mind style and characterisation | 8 |\n| References and wider reading | 9 |\n\nPoint of view and line of sight  \n© [iStock.com/Kerkez](iStock.com/Kerkez)  \nSpecificity and emerging horror  \n‘The Inn at Shillingford’, John Connolly  \nSomething warm and sticky touched Teal’s bare feet, and he stepped back hurriedly to avoid the stream of viscous fluid that now poured slowly from the bathroom. The unseen presence struck the door, causing it to shudder, and then, as he watched, frozen despite himself, the knob slowly began to turn. Casting aside his lamp, Teal gripped the doorknob and pulled back with all his might. More clear liquid oozed from the bathroom keyhole, making his hands slippery. He felt a cry emerge from his lips, and began to shout.  \n‘Help me,’ he cried. ‘Please help me. Someone is trying to enter my room!’  \nThere was no reply. The presence on the other side of the door yanked hard at the handle, almost wretching it from Teal’s fingers. He gripped again, as tightly as he could, and lowered himself down slowly. Carefully, so as not to get any of the sticky paste on his face, he placed his right eye as close as he could to the keyhole.  \nAt first he thought he could see nothing, except a vague whiteness, and he thought the substance had clogged the aperture entirely. Then the whiteness shifted, and Teal caught a glimpse of scorched flesh, damp with the sticky mucus, and grey-green legs, mottled with decay, and a distended stomach, swollen with gas. There was something about the shape of the body, the way that it moved…  \n© Connolly J, Nocturnes , Hodder & Stoughton Ltd, London, 2007, pp482–83 , reproduced by permission of Hodder & Stoughton Ltd  \nMind style  \nFrankenstein, Mary Shelley  \nAs I said this I suddenly beheld the figure of a man, at some distance, advancing towards me with superhuman speed. He bounded over the crevices in the ice, among which I had walked with caution; his stature, also, as he approached, seemed to exceed that of man. I was troubled; a mist came over my eyes, and I felt a faintness seize me, but I was quickly restored by the cold gale of the mountains. I perceived, as the shape came nearer (sight tremendous and abhorred!) that it was the wretch whom I had created. I trembled with rage and horror, resolving to wait his approach and then close with him in mortal combat. He approached; his countenance bespoke bitter anguish, combined with disdain and malignity, while its unearthly ugliness rendered it almost too horrible for human eyes. But I scarcely observed this; rage and hatred had at first deprived me of utterance, and I recovered only to overwhelm him with words expressive of furious detestation and contempt.  \nMind style and cognitive habits  \nRoom, Emma Donoghue  \nWe have thousands of things to do every morning, like give Plant a cup of water in Sink for no spilling, then put her back on her saucer on Dresser. Plant used to live on Table but God’s face burned a leaf of her off. She has nine left, but they’re the wide of my hand with furriness all over, like Ma says dogs are. But dogs are only TV. I don’t like nine. I find tiny leaf coming, that counts as ten.  \nSpider’s real. I’ve seen her two times. I look for her now but there’s only a web between Table’s leg and her flat. Table balances good, that’s pretty tricky, when I go on one leg I can do it for ages but then I always fall over. I don’t tell Ma about Spider. She brushes webs away, she says they’re dirty but they look like extra-thin silver to me. Ma likes the animals that run around eating each other on the wildlife planet but not real ones. When I was four I was watching ants walking up Stove and she ran and splatted them all so they wo","cbCaimcDr0tdGJLP","https://ap.wps.com/l/cbCaimcDr0tdGJLP","pdf",1112906,12,"English","# Point of view and line of sight\n# Specificity and emerging horror\n# Mind style\n# Mind style and cognitive habits\n# Mind style and characterisation\n# References and wider reading","[{\"question\":\"What analytical topics are included in the Spring 2020 A-level resources?\",\"answer\":\"The resources include point of view and line of sight, specificity and emerging horror, and mind style, with additional focus on mind style’s cognitive habits and characterisation.\"},{\"question\":\"Which texts are used to demonstrate mind style and related concepts?\",\"answer\":\"They draw on excerpts from Frankenstein by Mary Shelley, Room by Emma Donoghue, and I Am Legend by Richard Matheson, alongside John Connolly’s “The Inn at Shillingford”.\"},{\"question\":\"What does the section “References and wider reading” provide?\",\"answer\":\"It lists scholarly and critical sources related to mind style and linguistic approaches, supporting further reading beyond the provided excerpts.\"}]","A-level ENGLISH LANGUAGE AND LITERATURE - Hub school network meeting - Resources - Published: Spring 2020 | PDF",1792468051]