[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-seo-418884-105":3,"detail-sidebar-cat-0-en-105":74,"doc-detail-418884-en":124},{"code":4,"msg":5,"data":6},0,"ok",{"site_id":7,"language":8,"slug":9,"title":10,"keywords":11,"description":12,"schema_data":13,"social_meta":67,"head_meta":69,"extra_data":71,"updated_unix":73},105,"en","a-juror-must-fold-in-on-herself","A Juror Must Fold in on Herself","","A Juror Must Fold in on Herself is a poetry collection that centers on jurors and courtroom proceedings, rendered through a sequence of titled pieces and recurring forms. The table of contents maps a journey from early courtroom field notes and opening statements to the creation of sequestered-juror poems in formal structures including rondeau, pantoum, sestina, and cento. The collection also includes reflections such as a juror’s lament and remarks by the forewoman, culminating in guidance for “ghost ship” jurors. An acknowledgments section credits multiple literary reviews and highlights a prize-winning poem and community support.",{"@graph":14,"@context":66},[15,34,49],{"@type":16,"itemListElement":17},"BreadcrumbList",[18,23,27,31],{"item":19,"name":20,"@type":21,"position":22},"https://docshare.wps.com","Home","ListItem",1,{"item":24,"name":25,"@type":21,"position":26},"https://docshare.wps.com/document/","Document",2,{"item":28,"name":29,"@type":21,"position":30},"https://docshare.wps.com/document/literature/","Literature",3,{"item":32,"name":10,"@type":21,"position":33},"https://docshare.wps.com/document/a-juror-must-fold-in-on-herself/418884/",4,{"url":32,"name":10,"@type":35,"author":36,"headline":10,"publisher":39,"fileFormat":42,"inLanguage":8,"description":12,"dateModified":43,"datePublished":43,"encodingFormat":42,"isAccessibleForFree":44,"interactionStatistic":45},"DigitalDocument",{"name":37,"@type":38},"Ivy","Person",{"url":19,"name":40,"@type":41},"DocShare","Organization","application/pdf","2026-09-28",true,{"@type":46,"interactionType":47,"userInteractionCount":4},"InteractionCounter",{"@type":48},"ViewAction",{"@type":50,"mainEntity":51},"FAQPage",[52,58,62],{"name":53,"@type":54,"acceptedAnswer":55},"What parts of the courtroom experience does the collection cover?","Question",{"text":56,"@type":57},"The contents move through field notes and the D.A.’s opening statement, then the public defender’s first approach, followed by ghazal and juror notes. Later pieces focus on the sequestered juror’s work and the forewoman’s speaking.","Answer",{"name":59,"@type":54,"acceptedAnswer":60},"Which formal poetry forms appear in the book?",{"text":61,"@type":57},"The collection includes poems explicitly titled as a rondeau, a pantoum, a sestina, and a cento, each attributed to the sequestered juror.",{"name":63,"@type":54,"acceptedAnswer":64},"How are awards and publication credits handled?",{"text":65,"@type":57},"The acknowledgments credit specific literary reviews for particular poems and note that one poem won a grand prize in the 2019 Ina Coolbrith Circle Poetry Contest. The section also thanks editors and poetry communities for feedback and support.","https://schema.org",{"og:url":32,"og:type":68,"og:title":10,"og:site_name":40,"og:description":12},"article",{"robots":70,"canonical":32},"index,follow",{"doc_id":72,"site_id":7},418884,1790614761,{"code":4,"msg":75,"data":76},"success",[77,81,84,88,93,98,103,108,113,116,120],{"id":22,"doc_module":4,"doc_module_name":25,"category_name":78,"show_sort_weight":79,"slug":80},"Story & Novel",90,"story-novel",{"id":26,"doc_module":4,"doc_module_name":25,"category_name":29,"show_sort_weight":82,"slug":83},80,"literature",{"id":33,"doc_module":4,"doc_module_name":25,"category_name":85,"show_sort_weight":86,"slug":87},"Exam",70,"exam",{"id":89,"doc_module":4,"doc_module_name":25,"category_name":90,"show_sort_weight":91,"slug":92},5,"Comic",60,"comic",{"id":94,"doc_module":4,"doc_module_name":25,"category_name":95,"show_sort_weight":96,"slug":97},6,"Technology",50,"technology",{"id":99,"doc_module":4,"doc_module_name":25,"category_name":100,"show_sort_weight":101,"slug":102},7,"Healthcare",40,"healthcare",{"id":104,"doc_module":4,"doc_module_name":25,"category_name":105,"show_sort_weight":106,"slug":107},8,"Research & Report",30,"research-report",{"id":109,"doc_module":4,"doc_module_name":25,"category_name":110,"show_sort_weight":111,"slug":112},9,"Religion & Spirituality",20,"religion-spirituality",{"id":111,"doc_module":4,"doc_module_name":25,"category_name":114,"show_sort_weight":111,"slug":115},"World Cup","world-cup",{"id":117,"doc_module":4,"doc_module_name":25,"category_name":118,"show_sort_weight":117,"slug":119},10,"Lifestyle","lifestyle",{"id":121,"doc_module":4,"doc_module_name":25,"category_name":122,"show_sort_weight":89,"slug":123},19,"General","general",{"code":4,"msg":75,"data":125},{"doc_id":72,"user_id":126,"nickname":37,"user_avatar":127,"doc_module":4,"category_id":26,"category_name":29,"doc_title":10,"doc_description":12,"doc_content":128,"file_id":129,"file_url":130,"file_type":131,"file_size":132,"view_count":4,"is_deleted":4,"is_public":22,"is_downloadable":22,"audit_status":22,"page_count":133,"language":134,"language_code":8,"site_id":7,"html_lang":8,"table_of_contents":135,"faqs":136,"seo_title":137,"seo_description":12,"update_tm":73,"read_time":138},549758252649,"https://ap-avatar.wpscdn.com/avatar/8000253669c5317157?_k=1778319167496531819","# A JUROR MusT FOLD IN ON HERSELF\n\nKathleen McClung  \n.  \n# A JUROR MUST FoLD IN ON HERSELF\n\nKathleen McClung  \nA Juror Must Fold in on HerselfCopyright ◎2020 by Kathleen McClung  \nAll rights reserved  \nLayout and design by Timothy Green  \nCover image by Nancy Buffum  \n\"Portrait/Self-Portrait,\"oil on canvas,1979◎NancyBuffumArt  \nISBN:978-1-931307-45-1  \nFirst edition  \nRattle Foundation12411 Ventura BlvdStudio City,CA91604www.rattle.com  \nThe Rattle Foundation is an independent 501(c)3 non-profit,whosemission is to promote the practice of poetry,and which is not affiliatedwith any other organization.All poems are works of the imagination.While the perceptions and insights are based on the author's experience,no reference to any real person is intended or should be inferred.  \nCONTENTS  \nField Notes,Hall of Justice Parking Lot9The D.A.'s Opening Statement10The Public Defender First Approaches the Box11Superior Court Ghazal12Notes Not Scribbled in Juror 6's Steno Pad14The Sequestered Juror Writes a Rondeau15The Sequestered Juror Writes a Pantoum16The Sequestered Juror Writes a Sestina17The Sequestered Juror Writes a Cento19The Juror's Lament20The Forewoman Speaks23The Quietest24Behind the Wheel25Summons27Advice for the Ghost Ship Jurors34  \n# ACKNOWLEDGMENTS\n\nJet Fuel Review:“The Sequestered Juror Writes a Cento”  \nLittle Patuxent Review:“The Sequestered Juror Writes a Pantoum”The MacGuffin:\"The Quietest”and “The Sequestered Juror Writesa Sestina”  \nMezzo Cammin:“The Juror's Lament”  \nSpectrum:“Field Notes,Hall of Justice Parking Lot”  \nSpillway:“The Forewoman Speaks”  \n\"The Sequestered Juror Writes a Sestina\"won the Grand Prize in the 2019Ina Coolbrith Circle Poetry Contest judged by Andrea Hollander  \nI am deeply grateful to Mezzo Cammin editor Kim Bridgford(1959-2020)for selecting me as the featured poet for the winter 2019 issue and award-ing me the Mezzo Cammin scholarship to the 2019 Poetry by the SeaConference.May her light shine brightly.  \nThanks also to members of poetry groups in San Francisco and the EastBay who read and strengthened poems in this collection:Maw Shein Win,Heather Bourbeau,Lynne Barnes,Vince Montague,George Higgins,Chris Cook,Robert Eastwood,Grace Marie Grafton,Ramsay Bell Breslin,Tobey Hiller,Tobey Kaplan,Carol Dorf,and Catherine Freeling.  \nMy Soul-Making Keats colleagues bring me so much joy and inspiration.Special thanks to Eileen Malone,Ellen Woods,Elise Kazanjian,LyzetteWanzer.  \nThank you to Nancy Buffum for her artistry and enduring friendship.  \nAnd love and gratitude to my partner Tom McAninley.  \n# A JUROR MUST FOLD IN ON HERSELF\n\n7”","cbCaip1UHlWkAdqJ","https://ap.wps.com/l/cbCaip1UHlWkAdqJ","pdf",1813671,44,"English","# Field Notes, Hall of Justice Parking Lot\n# The D.A.'s Opening Statement\n# The Public Defender First Approaches the Box\n# Superior Court Ghazal\n# Notes Not Scribbled in Juror 6's Steno Pad\n# The Sequestered Juror Writes a Rondeau\n# The Sequestered Juror Writes a Pantoum\n# The Sequestered Juror Writes a Sestina\n# The Sequestered Juror Writes a Cento\n# The Juror's Lament\n# The Forewoman Speaks\n# The Quietest\n# Behind the Wheel\n# Summons\n# Advice for the Ghost Ship Jurors","[{\"question\":\"What parts of the courtroom experience does the collection cover?\",\"answer\":\"The contents move through field notes and the D.A.’s opening statement, then the public defender’s first approach, followed by ghazal and juror notes. Later pieces focus on the sequestered juror’s work and the forewoman’s speaking.\"},{\"question\":\"Which formal poetry forms appear in the book?\",\"answer\":\"The collection includes poems explicitly titled as a rondeau, a pantoum, a sestina, and a cento, each attributed to the sequestered juror.\"},{\"question\":\"How are awards and publication credits handled?\",\"answer\":\"The acknowledgments credit specific literary reviews for particular poems and note that one poem won a grand prize in the 2019 Ina Coolbrith Circle Poetry Contest. The section also thanks editors and poetry communities for feedback and support.\"}]","A Juror Must Fold in on Herself | PDF",68]