[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-143165-105":59,"doc-detail-143165-en":131},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":124,"head_meta":126,"extra_data":128,"updated_unix":130},105,"en","a-clockwork-orange-part-one","A Clockwork Orange - Part One","","A Clockwork Orange opens with an introduction to Anthony Burgess’s background as a writer shaped by music and linguistics, tracing his career and literary influences. The narrative then begins Part One by following Alex and his three droogs at the Korova Milkbar, where they plan the evening’s violence and confront the atmosphere of fashion and drugged milk. The scene establishes the group’s slang-driven worldview, hostile humor, and the rhythms of escalating aggression.",{"@graph":69,"@context":123},[70,84,106],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":10,"@type":76,"position":81},"https://docshare.wps.com/document/story-novel/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/a-clockwork-orange-part-one/143165/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/a-clockwork-orange-part-one/143165.png","ImageObject",300,407,{"name":92,"@type":93},"Finn","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-11-04","2026-08-25",true,{"@type":102,"interactionType":103,"userInteractionCount":105},"InteractionCounter",{"@type":104},"ViewAction",23,{"@type":107,"mainEntity":108},"FAQPage",[109,115,119],{"name":110,"@type":111,"acceptedAnswer":112},"Who is Anthony Burgess, and what shaped his writing style?","Question",{"text":113,"@type":114},"Anthony Burgess was born in Manchester in 1917 and worked across education, phonetics, and teaching. His interests in music and linguistics conditioned the style and content of the novels he wrote.","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"Where does Part One begin, and who are the main characters?",{"text":118,"@type":114},"Part One begins at the Korova Milkbar with Alex and his three droogs: Pete, Georgie, and Dim. They gather to decide what to do for the evening.",{"name":120,"@type":111,"acceptedAnswer":121},"What is the purpose of the drugged milk at the Korova Milkbar?",{"text":122,"@type":114},"The milk-plus ‘veshches’ are used to create a quiet, horrorshow effect or to sharpen Alex and the others for upcoming violence. The setting makes the evening’s aggressive plans feel immediate and planned.","https://schema.org",{"og:url":83,"og:type":125,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":127,"canonical":83},"index,follow",{"doc_id":129,"site_id":62},143165,1787693496,{"code":4,"msg":5,"data":132},{"doc_id":129,"user_id":133,"nickname":92,"user_avatar":134,"doc_module":4,"category_id":8,"category_name":10,"doc_title":65,"doc_description":67,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":105,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":140,"language":141,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":142,"faqs":143,"seo_title":144,"seo_description":67,"update_tm":130,"read_time":145},34359740700684,"https://ap-avatar.wpscdn.com/avatar/1f400023980c374ae676?_k=1777273430885731487","Introduction  \nAnthony Burgess was born in Manchester in 1917 and is a graduate of the University there. After six years in the Army he worked as an instructor for the Central Advisory Council for Forces Education, as a lecturer in Phonetics and as a grammar school master. From 1954 till 1960 he was an education officer in the Colonial Service, stationed in Malaya and Brunei.  \nHe became a full-time writer in 1960, though his first novel had been published four years earlier. A late starter in the art of fiction, he had spent his creative energy previously on music, and he has composed many fullscale works for orchestra and other media.  \nAnthony Burgess maintains his old interest in music and in linguistics, and these have conditioned the style and content of the novels he writes. Though he and his wife no longer live abroad, foreign travel remains a great source of inspiration. He has, to date, published many novels, a book on linguistics, and various critical works.  \nHis other books in Penguin are “Inside Mr Enderby,”“Tremor of Intent”and “Nothing Like the Sun,” a story of Shakespeare’s love-life.  \nPart One  \n1  \n“What’s it going to be then, eh?”  \nThere was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim. Dim being really dim, and we sat in the Korova Milkbar making up our rassoodocks what to do with the evening, a flip dark chill winter bastard though dry. The Korova Milkbar was a milk-plus mesto, and you may, O my brothers, have forgotten what these mestos were like, things changing so skorry these days and everybody very quick to forget, newspapers not being read much neither. Well, what they sold there was milk plus something else. They had no licence for selling liquor, but there was no law yet against prodding some of the new veshches which they used to put into the old moloko, so you could peet it with vellocet or synthemescor drencrom or one or two other veshches which would give you a nice quiet horrorshow fifteen minutes admiring Bog And All His Holy Angels and Saints in your left shoe with lights bursting all over your mozg. Or you could peet milk with knives in it, as we used to say, and this would sharpen you up and make you ready for a bit of dirty twenty-to-one, and that was what we were peeting this evening I’m starting off the story with.  \nOur pockets were full of deng, so there was no real need from the point of view ofcrasting any more pretty polly to tolchock some old veck in an alley and viddy him swim in his blood while we counted the takings and divided by four, nor to do the ultra-violent on some shivering starry grey-haired ptitsa in a shop and go smecking off with the till’s guts. But, as they say, money isn’t everything.  \nThe four of us were dressed in the height of fashion, which in those days was a pair of black very tight tights with the old jelly mould, as we called it, fitting on the crotch underneath the tights, this being to protect and also a sort of a design you could viddy clear enough in a certain light, so that I had one in the shape of a spider, Pete had a rooker (a hand, that is), Georgie hada very fancy one of a flower, and poor old Dim had a very hound-and-horny one of a clown’s litso (face, that is) . Dim not ever having much of an idea of things and being, beyond all shadow of a doubting thomas, the dimmest  \nof we four. Then we wore waisty jackets without lapels but with these very big built-up shoulders (‘pletchoes’ we called them) which were a kind of a mockery of having real shoulders like that. Then, my brothers, we had these off-white cravats which looked like whipped-up kartoffel or spud with a sort of a design made on it with a fork. We wore our hair not too long and we had flip horrorshow boots for kicking.  \n“What’s it going to be then, eh?”  \nThere were three devotchkas sitting at the counter all together, but there were four of us malchicks and it was usually like one for all and all for one. These sharps were dressed in the heighth of fashi","cbCaieJs8Z1DoxvP","https://ap.wps.com/l/cbCaieJs8Z1DoxvP","pdf",773186,142,"English","# Introduction\n# Part One\n## Alex and the droogs at the Korova Milkbar\n## Plans for the evening","[{\"question\":\"Who is Anthony Burgess, and what shaped his writing style?\",\"answer\":\"Anthony Burgess was born in Manchester in 1917 and worked across education, phonetics, and teaching. His interests in music and linguistics conditioned the style and content of the novels he wrote.\"},{\"question\":\"Where does Part One begin, and who are the main characters?\",\"answer\":\"Part One begins at the Korova Milkbar with Alex and his three droogs: Pete, Georgie, and Dim. They gather to decide what to do for the evening.\"},{\"question\":\"What is the purpose of the drugged milk at the Korova Milkbar?\",\"answer\":\"The milk-plus ‘veshches’ are used to create a quiet, horrorshow effect or to sharpen Alex and the others for upcoming violence. The setting makes the evening’s aggressive plans feel immediate and planned.\"}]","A Clockwork Orange - Part One | PDF",219]