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No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address HarperCollins Publishers, 195 Broadway, New York, NY 10007.  \n[marinerbooks.com](marinerbooks.com)  \nLibrary of Congress Cataloging-in-Publication Data is available.  \nISBN 978-1-328-86933-3  \nVersion 06202023  \nCover design by Mark R. Robinson  \neISBN 978-0-547-24964-3  \nv 13.0821  \nONE  \nI  \nIT WAS A BRIGHT cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him.  \nThe hallway smelt of boiled cabbage and old rag mats. At one end of it a colored poster, too large for indoor display, had been tacked to the wall. It depicted simply an enormous face, more than a meter wide: the face of a man of about forty-five, with a heavy black mustache and ruggedly handsome features. Winston made for the stairs. It was no use trying the lift. Even at the best of times it was seldom working, and at present the electric current was cut off during daylight hours. It was part of the economy drive in preparation for Hate Week. The flat was seven flights up, and Winston, who was thirtynine and had a varicose ulcer above his right ankle, went slowly, resting several times on the way. On each landing, opposite the lift shaft, the poster with the enormous face gazed from the wall. It was one of those pictures which are so contrived that the eyes follow you about when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it ran.  \nInside the flat a fruity voice was reading out a list of figures which had something to do with the production of pig iron. The voice came from an oblong metal plaque like a dulled mirror which formed part of the surface of the right-hand wall. Winston turned a switch and the voice sank somewhat, though the words were still distinguishable. The instrument (the telescreen, it was called) could be dimmed, but there was no way of shutting it off completely. He moved over to the window: a smallish, frail figure, the meagerness of his body merely emphasized by the blue overalls which were the uniform of the Party. His hair was very fair, his face naturally sanguine, his skin roughened by coarse soap and blunt razor blades and the cold of the winter that had just ended.  \nOutside, even through the shut window pane, the world looked cold. Down in the street little eddies of wind were whirling dust and torn paper into  \nspirals, and though the sun was shining and the sky a harsh blue, there seemed to be no color in anything, except the posters that were plastered everywhere. The black-mustachio’d face gazed down from every commanding corner. There was one on the house front immediately opposite. BIG BROTHER IS WATCHING YOU, the caption said, while the dark eyes looked deep into Winston’s own. Down at street level another poster, torn at one corner, flapped fitfully in the wind, alternately covering and uncovering the single word INGSOC. In the far distance a helicopter skimmed down between the roofs, hovered for an instant like a bluebottle, and darted away again with a curving flight. It was the Police Patrol, snooping into people’s windows. The patrols did not matter, however. Only the Thought Police mattered.  \nBehind Winston’s back the voice from the telescreen ","cbCaidzTEGW8AkLc","https://ap.wps.com/l/cbCaidzTEGW8AkLc","pdf",2159513,286,"English","# The Principles of Newspeak\n## Chapter 1\n## About the Author\n## Footnotes","[{\"question\":\"Who is the main character in the opening chapter, and what is his situation?\",\"answer\":\"The opening follows Winston Smith as he moves through his apartment and prepares for the day while living under constant scrutiny. His environment and daily routines reflect the Party’s control.\"},{\"question\":\"What device ensures surveillance in Winston’s flat?\",\"answer\":\"A telescreen on the wall both receives and transmits audio at once. Even when dimmed, it cannot be fully shut off, so Winston must assume he is heard and seen.\"},{\"question\":\"What role do the posters and Big Brother play in the setting?\",\"answer\":\"Posters featuring Big Brother appear throughout the building and streets, with captions like “BIG BROTHER IS WATCHING YOU.” Their presence reinforces the idea that observation is continuous and unavoidable.\"}]","1984 - Chapter 1 - Sample Chapter | PDF",1789938539,440]